Kayla Fischl from Orlando Florida presented Unconditionally: The Ultimate Pop Diva Celebration Starring Kayla Fischl at the Orlando International Fringe Festival. I am a huge fan of how hard Kayla promoted this show. She was at just about every press preview performance I sketched. She was always holding a poster on foam core mounted on a log stick with flashing lights that promoted her show. Any time I sat in an audience the first thing I did was scan the audience to see the Unconditionally flashing lights.
With the help of arranger Chuck Curry, Kayla built her musical journey around three icons, Lady Gaga, Adele, and Katy Perry. She is building a repertoire which she hopes to pitch to a cruise ships. Kayla had costume changes when she she switched to a different diva’s music. This was her first solo Fringe show, and she had not thought about what to do while she was backstage getting changed. The audience was left to talk amongst themselves until she came back out. You learn what works and what doesn’t work by taking big risks. She explained that the show is a work in progress and she is so thankful for the support of fellow Fringe artists who were helping her mold the performance. Fringe is a place to experiment and grow as an artist and I love that.
When Kayla came back out she was in a flowing white dress. She didn’t have time or the help to get the dress fully zipped up. When she turned several times, the zipper running up the back of the dress could be seen down at the small of her back. This kind of wardrobe malfunction I consider endearing and honestly I hope she leaves it in the show to remind us that we are watching a live performance where anything can happen.
Kayla’s enthusiastic family was in the audience, including a youngster who started crying very loudly. The caretaker eventually walked the child out of the theater since the crying was competing with Kayla’s singing. Beach balls were lobed out into the audience at one point and people tried to keep them airborne volleyball style, but they kept finding empty seats to settle in.
At one point she held a large fan which I tried drawing but then abandoned. I sketched the very first outfit she wore, with a black miniskirt and knee-high black boots. Black sleeves gave her a formal vibe with a 60’s look. Sticking with the diva lighting scheme she had on her marketing poster, she had a heart and star on the wings of the stage.
Kayla’s family was super supportive, whooting and hollering. I must say Kayla embraced the Fringe by seeing probably more shows than I had the opportunity to sketch. I get rather seasick on the high seas, but I wish Kayla the best in pitching her show to cruise lines. Cruise ships must want polish, but I prefer the diamond in the rough.
