Orlando Fringe: The Magic Castle Still Stands?

I wanted to sketch a show that several people had suggested that I should sketch, called The Magic Castle Still Stands, in the Scarlet Venue in the Orlando Family Theater. I had the ticket with QR code on my phone.

I was running late because the Visual Fringe Story event had run late. I needed to run across the lawn to the Family Theater. I couldn’t run straight across because the lawn of fabulousness was fenced off, so I snaked my way past food trucks and tents.

At Scarlet I didn’t notice any line. I was too late. The audience had already gone in. I walked up to a scarlet colored table and paused. I heard a crowd laughing to my right. I followed the laughter and walked trough two large swinging doors. There was no one to check my ticket, so I walked in.  I peaked around a corner and saw  that the place was absolutely packed. There was no way I would find a seat.

I noticed someone behind me and figured he must be a Fringe volunteer. I asked him if the show was sold out. He shrugged. Then he started talking loudly into his cupped hand followed by making a radio hiss and clicking sound. Oh…. He was not a volunteer…. He was a performer. I stopped asking him questions. he had enough on his mind. I went to the top of a house right staircase and discovered that there was a flat area away from the bleachers where a video camera was set up to tape the show. I decided to sketch while standing beside the camera. I liked that I was removed from being seated in the midst of the packed mask less crowd. There was a metal railing blocking part of my view, so I simply didn’t sketch it.

The Magic Castle Still Stands was described in the program to be a show blurring the lines between reality and imagination. It is supposed to be a show of self discovery and sacrifice. What I was seeing wasn’t that. It was a raucous two man comedy show and the crowd was hooting an hollering like a rodeo crowd. This felt like humor targeted to the QAnon crowd. Something was off. Did these comedians run a completely misleading description in the Fringe program? Maybe that was part of the joke. Well, I was committed, and kept sketching.

What followed were a series of two man comedy sketches with different themes. There were Top Gun pilots. pirates and bungling burglars. On sketch I rather liked was a re-imagining of the Abbot and Costello sketch “Who’s on First” The sketch was re-written so it worked with modern gender identification pronouns. I still remain confused with identifications of them and they so I got a chuckle. There really should be a pronoun for people who are COVID conscious. Male. female of non-binary they are a rare breed.

It wasn’t until the next morning that I found out that I had not sketched The Magic Castle is Still Stands but instead 10 Sketches with Rauce and Joel. I had slipped into the peach venue instead of the Scarlet venue by mistake. If something can go wrong, it always does in my world.

Pre-Pandemic: Christmas Cantata

In October of 2019, Pam got a couple of free tickets to a show at the Amway Arena called Christmas Cantata. The all Chinese cast presented Christmas Carols in October. The entire floor and first level of the stadium were packed. A large orchestra in the pit supported the case on stage.

In 2014, Gracias Choir won the Grand Prize at the Riva del Garda International Choral Competition in Italy and First Prize at the Montreux Choral Festival in Switzerland. In 2015, Gracias Choir was recognized as the world’s best choir, winning 1st place at the world’s most prestigious International Choir Competition Marktoberdorf in Germany.

Gracias Choir’s Christmas Cantata is filled with cherished music and unforgettable stage sets.

The evening featured the Nativity story told as an epic opera, brand new Act 2 of a heartwarming musical based on “The Gift of the Magi”, and a glorious rendition of Handel’s Oratorio “Messiah”.  Also, there was be a dance performance and memorable gift.  Each act of the  Christmas Cantata expresses the true meaning of Christmas: the birth of hope, love, and forgiveness of God in our hearts.

After the music two guys got on stage and started proselytizing hard. Their story involved miracle cures from a disease from the Amazon. It was sort of like watching an Abbot and Costello vaudeville act that involved miracles. My sketch was done and we decided to slip out. On the way out, free books were being offered and they were being pushed hard. We managed to escape empty handed.

Due to the pandemic performances in 2020 have been broadcast on TV. a schedule is on their website.