COVID Film: Maya Clean up Animation

Posted on by Thor

this is the clean up pass of the Maya Sacrifice scene. The flaming baby scene precedes this and I decided to use the crying baby as the high priest in this scene. Chances are most people will not notice. My thought is that most world leaders are crying babies. The only thing I added was the eyes which first look at the victim’s chest and then at the virus after it is extracted.

I am close to finishing the scene but there are many more layers that need to be composited in After Effects. The hand is drawn so big because it is moving very fast causing a blur. I could finish the scene today but I am not sure if time will allow for that. I am getting a Novavax vaccine shot at 7PM tonight. I am timing this shot so it is two weeks out from the Chicago International REEL Shorts Film Festival. Buttons came in last night and they looked good. The post cards I printed look like crap but hopefully I can get a better printing run for the next festival.

COVID Film: Maya Animation Ruffs

Posted on by Thor

I was working with a virtual student trying to convince her that drawings can be rough and sloppy before being tied down. We did a series of gesture drawings which were timed at 5 minutes a piece. My goal was to get her to start drawing the motion rather than precious contour lines.

For the next hour I let her work on one of her character designs. She spent the time tracing lines she had already drawn. Her first drawing were apparently pixelated so I offered a lesson on resolution, which I learned quite a bit about in the last week with several of my films scenes being blurry. I showed her how to alpha lock lines she had already drawn and paint them a color. I’m trying to get her to work smarter, not harder.

While she traced lines. I did this quick animation of a high priest in Callipeg. I worked extra rough and spontaneous as a demonstration. The high priest plunges his hand down and pulls up a virus. I dashed off the animation in an hour. There is no detail, just the motion and timing. I need to change several things and then I will grey it down and start drawing more refined keys. Those drawings will be more precious. I will probably push the starting pose, the anticipation and the final pose of the scene much further. I also plan to change the action on the priest’s right hand.

After this rough stick figure animation I will go back into each drawing and add anatomy and full detail. There is lots of work yet to be done. I will probably extend the animation right down to the legs which are partially hidden as well. The feet can remain as held cells.

COVID Film: Dr. Death

Posted on by Thor

I spent most of today animating the Doctor Death scene in Callipeg. The complicated bit was animating the patient on the gurney turning his head to look at the viewer. To accomplish this I did a rough pass in red where I drew the shape of the head as it turned. I then did a clean up pass on top of that with the final line work.

I then animated the green fluid squirting our of the needle, followed by the plunger and the doctors thumb pressing upward. it is all rater subtle animation and who knows if people will see it in the one second the scene is on screen. I watched several videos on water effects before I animated the needle squirt. That animation might only be noticeable on the big screen.

As always the animation and the background with depth were composited in After Effects.

I then had corrections to make in the end credits since several of the animated scenes flashed off too early. I had to re-render that scene 5 times before I got it right.

Now I am considering re-animating the Maya sacrifice scene. I think the animation of the high priest is too stiff so I might fully animate him so he plunges his hand into the chest cavity and raises it up as it drips blood. That is rather complicated and will take several days to complete.

 

COVID Film: Title Shuffle

Posted on by Thor

The working title for my film has always been COVID. I discovered that COVID is the title of a feature film coming out in December of 2023.

I was excited to rename my film COVID APOCALYPSE. Apocalypse tied in with the quote I had placed at the end of the titles. I spent a day redesigning the posters and press material. Then while online that evening I found out a book had the title COVID APOCALYPSE. WT actual F.

Hell, the distressed type on the cover was even similar to my poster design. The book came out 3 months before I started chasing a unique and searchable title for my short film. Unfortunately I had contacted the Chicago International REEL Shorts Film Festival and told them I was renaming the film to COVID APOCALYPSE. As I was scrambling to redesign everything they updated their website.

Yesterday I changed the title to COVID DYSTOPIA. So far I have not found a book or film with that title. But give it a week and I bet one will pop up. Rather than ask the festival to once again change the title, it will screen as COVID APOCALYPSE at that one screening.

A week ago, I  printed 50 post cards with the title of COVID. Those post cards will be real collectors items like the upside down airplane on a postage stamp.

I added COVID DYSTOPIA to the opening scene and the end credits. Lets hope it sticks.

The Spider Queen

Posted on by Thor

Pam and I went to see The Spider Queen at the new Fringe Art Space near Church Street Station in Downtown Orlando. This is now known as the Ophelia theater. We had picked up some post cards that promote my COVID film in Winter Park and we decided we would have enough time to try out a small Polish restaurant on Aloma. There were several tables outside so that is where we sat.

Unfortunately after a business call in the parking lot and very slow service we had to get pack the food in take out boxes and eat on the way to the theater. Pam drove to the theater like we were in a Mission Impossible chase scene. My car battery had to be jumped earlier in the day, because it has sat idle for so long while I was animating on the film. I tried to get the car clock set since we were racing the clock to get to the theater. There were hours and minuted which I set correctly but then there was a third button with tow zeros. I needed to change AM to PM and hoped that button would do the job. No, that button reset the clock which undid the settings. I abandoned the clock.

Pam stopped in front of the theater and let me out to run inside. My job was to find out if she could get into the theater after she parked the car, which would involve her walking an extra 10 minutes. At the Fringe International Theater Festival it is impossible to get into a show after it has started. Thankfully those rules are relaxed in the Fringe Art Space.

The fellow at the front desk was more than helpful. He went out of his way to be sure Pam got in and could find where I was seated. The volunteer scanned Pam’s ticket and then noted where I sat which was in the back row house right. I didn’t want my iPad screen glow to be noticed by anyone else in the audience. Pam did arrive about 10 minutes after the show started. When she entered she almost bumped into an actor who was in front of the stage. The volunteer pointed out my spot and I turned my ipPad screen towards Pam so she could clearly see me in the dark.

The show was about the Spiderman Musical that was an epic failure on Broadway. The Spider Queen opened with Glen Berger, an apologetic, shy writer who worked with director Julie Taymor, of Lion King fame. The overpriced musical they collaborated on faced an endless string of setbacks. The producer died of a stroke. The show then faced financing setbacks and a series of technical glitches and ultimately horrific injuries on set. A 29 year old Spiderman stuntman fell 30 feet. The tether holding the stunt double broke and he fell more than 30 feet to the pit below. The stunt double sued for 6 million dollars and the show on a whole cost over 75 million dollars to produce.

That same month, an  actress suffered a concussion, while two other actors were injured during a flying sequence, one breaking his wrist. A stagehand fell went into cardiac arrest. He was transferred to St. Luke’s Hospital where he later died. The show was plagued. In The Spider Queen the horrific accident was shown using plush Spiderman dolls swung around with fishing poles and string. The low tech puppetry missed the mark.

COVID Film: More New Titles

Posted on by Thor

I spent much of the weekend redesigning the poster with a new title. I redesigned everything with COVID Conscious as the title. Conscious to me meant aware, so it made sense. In the designs I made the word Conscious partially transparent as if it were fading away. I planned to literally have Conscious fade away in the trailer.

As I was doing those designs I then considered Conscience, which is more about a moral awareness. I also thought Con-Science could have the meaning of science denial. I was at an inroads and tossed between the two options. I asked Pam her opinion and she offered other options like COVID Collateral, as in Collateral Damage. I thought collateral could however also be interpreted from a financial standpoint.

Since it is October we spent the evening flipping through horror movies on our streaming service. As Pam scrolled. I considered each horror title with COVID inserted. It was a fun game to rename every horror film with COVID themed titles.

As I went to bed, I was still blurting our COVID titles and with each absurd option Pam would simply say NOPE. As I woke up the next morning it hit me. The end credits of the film end with a definition of Apocalypse which is based on an early Greek meaning of the word. The definition is… “A revelation, a disclosure of truth in an age of falsehood and misconception.”  Of course!

When working at Disney Feature Animation I remember there was a time when they considered renaming the film Brother Bear.It turned out there was a TV show that also had the title Brother Bear. The Disney lawyers managed to the the rights to the title despite the fact that the TV Show had been around for years.

If I do an online search of COVID there are thousands of new articles that pop up from the past 4 years. But in the future if I search COVID Apocalypse, I will find my film and articles related to it. Thankfully I will not get tied in with the COVID feature film that is being released in December 2023. I beat them to the punch with the title but I’m not hiring lawyers to defend the film title of COVID.  Such a title will be lost in a sea of information and misinformation.

If folks search for COVID Film they might get information about my film and the feature film. If the feature film is a success, then it might not hurt my film’s exposure.

COVID Film: New Title?

Posted on by Thor

I got advice that the title of my film should be easily searchable in the Google search engine. If I search COVID I find thousands of articles about the virus but nothing about my short film. Doing the Google search I was also horrified to discover that a feature film with the title COVID is coming out in December of 2023. WTF.

Classified as a thriller, the film synopsis on IMDB stated… “A scientist and his clairvoyant wife are quarantined in a French mansion feverishly working on a cure to save humanity, when supernatural forces begin to interfere with their plans.” Clearly I don’t want my short film lumped in with this feature film starting in December.

A feverish search began last night for a new title.

COVID Pandemicide seemed to long, and pandemicide is a made up word created by a science journalist in 2020 to describe the former president’s pandemic policies.

MASS Infection is hard hitting but too vague.

COVID Amnesia is good to describe how everyone has pushed COVID to the dark place to get back to normal. But my film offers the opposite of amnesia or denial.

This morning I woke up to COVID Conscious. There are very few who remain conscious and aware of the ongoing pandemic. I do think that is the underlying message of the film. I may still change my mind. The title is incredibly important for marketing the film. Conscious is tricky to spell, so that might be a drawback. I may still change my mind.

 

COVID Film: Button

Posted on by Thor

I designed a button to help promote the film a film festivals. Granted film makers might not want a film with COVID on it, but how could they resist a butting with laurels on it? The button will be 1.5 inches wide which is kind of small, but hey the virus is small. I decided to get 50 of these made up. They are just swag. I will not be selling them.

I also printed up cards with the film poster on the front and social media and lyrics to Andy Matchett’s song, Just Can’t Wait on the back. Again they are swag giveaways to help promote the film. There is a QR code on the back and amazingly it leads directly to the film. I scanned it and saw the film on my phone for the first time. Honestly, most people will likely see the film on their phones but I am continuing to promote it at film festivals.

The post cards are ready but when I went to drive to the print shop, I discovered my car battery was dead. That is how long my car has been sitting idle in the driveway. Pam and I tried to jump it last night without success. We will try again tomorrow for a longer time. The jump we did managed to get a few small light to work but the engine was still dead.

The cards will have to stay at the printer until I figure out how to get the car up and running again.

COVID Film: No Exit Animation

Posted on by Thor

I decided to animate the No Exit scene in Callipeg. In my illustration the woman is looking out the airplane window but I decided she needed to look back over her shoulder. In the illustration she is wearing a shirt with an insane line pattern. I probably will abandon that pattern since it would be a nightmare to animate without the lines vibrating.

I finished the animation this morning and hope to have her painted before I start virtual classes this afternoon. One of the lessons I always teach in my animation courses is how to turn a head and this is a straightforward example of that lesson in practice.

COVID Film: Re-animating Tentacles

Posted on by Thor

The animation for this tentacle has always bothered me. It flickered because I drew the suckers with haste. Looking back now I also realize the resolution wasn’t as good as it could be, so I an digging in for a second time in Callipeg and doing the animation at double the resolution. With more pixels the lines are more crisp and accurate. I am not changing the animation but rather cleaning it up. My hope is that I might be able to use the painted cells with minor adjustments.

I isolated the head on this pass at the animation because I plan to ass a subtle squash and stretch to the head when the octopus blinks. I will also animate that second oxygen canister a tiny bit in After Effects. Photoshop has crashed twice this morning. I really want to get away from these faulty digital nightmarish programs.

Yesterday I also did quite a bit of work on the promotional postcards and I am ready to sent those off to the printer. I will order the postcards today online and pick them up in person. The button proof came back and that looks fine so those are in the works. I am searching for Chicago media contacts and have found site that sell a list but I don’t want to go that route. There has to be a comprehensive site to research this.