Longwood Ranch Farmers Market

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A friend and I went to a crowed Longqwood Ranch Farmers Market in near Bradenton, Florida. I stayed masked the whole time but my friend went mask less like most in the crowd. I tend to leave my mask off outside but in a crowded situation like this it stays on.

My friend found a tent that had all sorts of pickled items and multiple jars were purchased to add to the baby brain shelf of the refrigerator.

I do recall that it was a gorgeous spring day. We also went to the Rollins Art Museum and saw some huge Peter Paul Rubens paintings.

For diner the plan was to go to The Mullets Fish Camp. The line to get in was insanely long. There was an outdoor patio but that filled up, so we left and found another restaurant with outdoor seating across form Morton’s Gourmet Market. The market was small but good. The food at Libbie’s neighborhood Brassiere wasn’t memorable and the service sucked.

Maitland Art Center Demo 2

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The point of this lesson at the Maitland Art Center was that the center of interest doesn’t need to be in the center. I was also pointing out that the beams up above all relate to a common vanishing point and the horizontal bean is not horizontal in the sketch.

I knew this would be a rushed sketch since we were already an hour into the lesson. Most of my sketches take about two hours to complete and I am happy if there is even more time to refine the sketch.

This was a fun morning of sketching with warm sunshine and cool weather.

The Mayan courtyard at the Maitland Art Center is a great location for taking the time to observe intricate detail and balancing that against wide open spaces.

I enjoy these one on one sessions with students. Contact me if you ever want to join me on sketch outings to learn something new.

Maitland Art Center Demo

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This sketch was done as a demo for one of my students. It was a nice day, cool and sunny. We did several sketched on the property.

I am always stressing the importance of perspective when doing a sketch on location. The sign in the foreground and the building inn the background have the same vanishing point. The fact that the vanishing point is off the pace often throws a beginning sketcher.

There is also a vanishing point off the page to the right which defines that sidewalk triangle shape in the lower right corner and the angles in the roadway.

Now that I am on my own, I am feeling the need to get out and sketch on location more often. The trouble is that most days I teach until 8pm and most events start earlier.

I might just start doing nocturnal digital paintings after 8pm. I am thinking I can go to event venues and sketch from outside. A COVID cautious artist doing outsider views of crowded venues might be interesting. I used to document each hellish superspreader event, but those are happening every day now.

Yesterday I started designing the COVID Dystopia book. The format I am considering is a hardbound book 10 1/4 by 13 1/4 inches. Learning InDesign is proving problematic. I have the cover set up but there are many technical issues I need to address. I made a mistake downsizing cover art, and now it is pixelated. Well. if I can teach myself Premiere and After Effects, I should be able to tackle InDesign.

Baldwin Park Dog Park

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For the last class with my Crealde Urban Sketching students I often take them to Baldwin Park Dog Park. At Crealde I do an in depth lesson on how to draw dogs doing lots of sketched on the chalk board.

Once My students are warmed up and have enough dog sketches under their belts, we head over to Baldwin Park which is a short drive away.

Once in the dog park I do a quick demo showing that the dogs are not the biggest focus of the sketch. Instead the focus it the large trees and the far shore of the lake. People and dogs are scattered throughout but they are tiny compared to the expanse around them. On this day there was an orange utility fence blocking dogs access to the lake.

I work on the demo I sketch I started but walk around and share each stage of the sketch and offer each student thumbnails to show how I might tackle the scene they are sketching. By this class I know what level of finish each student will bring to their work I encourage them on their journey.

Hard to Port

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Hard to Port performed at a Cemetery Tour fundraiser. Large event tents were set up in the cemetery with circular tables for all the paying patrons. I do think I was the only soul in the cemetery that was wearing a mask. I did wear a mask while doing this sketch because people kept walking up to me to ask, “Did you do that right now?” I arranged to sit at the open end of one of the tents so there was at least air circulation.

This event involved a strange adjustment to pandemic risk assessment. The person I was with already had been infected with COVID and after multiple vaccines had relaxed their stance on basic precautions.

My precautions today consist of always masking indoors and removing the mask when outside. If there is a crowd outside or I am withing 22 feet of others, the mask goes back on outside.

This fundraiser was outside but the tents were an enclosed space. I remained masked most of the time but removed the mask long enough to wolf down the food and then exit the space. I hoped the open flaps nearby offered enough circulation. I dodged the bullet but didn’t feel great about removing the mask in the crowded tent area. My stupidity makes me want to double down in the future.

After diner, actors in turn of the century outfits took groups of guests on a tours around the cemetery. Each guest had a flashlight. We stopped at a tombstone and the actor spoke about the life of the person buried there. In our group one lady was too drunk to pay attention. At one headstone two actors performed, one as the husband and one as the wife buried side by side. It was an interesting way to lean about local history.

This sketch was done on the day Joe Biden lifted the COVID National Emergency declaration. The government will save money by not having to supply tests for COVID and offering vaccines for free.  A governments job isn’t to protect it’s citizens but to keep the economy ticking. It is a win win for Joe who tests anyone who gets close to him to be sure they do not have COVID. I know the declaration is meaningless. The pandemic is far from over.

Right now hospitalizations are down. COVID deaths are down to less then 600 people a week. That number at the start of the pandemic would have been horrifying, but now it is business as usual. About that many people die every week in auto accidents. I still drive, but I take basic precautions like wearing a seat belt. Others seem intent to drive into walls just to prove they can. If they get sick multiple times they want you to get sick as well.

Urban Sketching Classes Canceled

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In the Crealde School of Art Summer Urban Sketching classes we cover composition, perspective, drawing the figure, and watercolor. We start with a lesson plan where I discuss the day’s topic and do sketches on a chalk board. I tend to explain better with line rather than words.

Then students spend much of the class sketching. I sketch along with them and share each step of my process so they get a feel for how long each step takes.

I also do pencil thumbnail sketches for each student explaining what could be adjusted inn the sketch they are doing to help improve it.

At the end of class we all put down the favorite sketch and then they get to learn from each other, discussing what works best.

Unfortunately not enough students signed up, so the next series of classes were canceled.

Orlando Urban Sketchers: Arome Art Cafe

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Orlando Urban Sketchers hosted a drink and draw at Achillies Art Cafe, 2869 Wilshire Dr, Unit 103, Orlando, FL. It is tucked away in a typical little strip mall. Outside it just says Coffee Shop, but inside it is quite charming.

I took a look at the Cafe website and it looked quaint and hip. It is also just a block from the apartment complex I first lived in when I moved to Orlando back in 1994. This meet up was at 9am which I could do. Most Orlando Urban Sketch meet ups at held during times when I am teaching virtual courses. I was curious, so I headed out.

It turns out the Art Cafe had changed ownership in January of this year. The new name of the place is Arome Art Cafe. It looks the same as the photos I saw online. I noticed several people with sketchbooks as I entered.

I was rather intimidated looking at all the choices on the menu. I don’t know the difference between a cappocino, a latte or an affogoto, but I ordered a vanilla iced coffee which was REALLY good. I am glad I ordered the iced coffee because it came with a straw which made it easier to drink with my kn-95 mask.

Since several sketchers were seated at elevated circular tables against the wall, I thought I would sit opposite. I introduced myself to the sketchers since I realized I would likely be in their sketches. However when I sat in the low red velvet chair,  I found the table tops became flat and unrecognizable from the lower height. So I gently asked permission to sit with one of the sketchers, who it turns out is one of the organizers. She was already adding watercolor to her sketch, so I felt like I was behind the curve, and I started sketching frantically.

When I first hosted drink and draw events years ago, only a few artists showed up. Usually however no one showed up and I sketched alone. That was fine since I was in my happy place. But at this event just about every seat was filled with a sketcher. It gave me the warm fuzzies to see how far Orlando Urban Sketchers has come.

The owner came over to look at my sketch. “Oh, that’s cute!” she said. That response shocked me. For the past 4 years I have only sketched and painted human vulnerability, ignorance and horror. It is a real change of direction for my work to not insult and shock someone who is living like it is 2019. The art on the walls of the cafe, was all “cute”. The owner of Arome pointed out that the venue can be rented out for large events. They have wine glass painting parties, open mic nights, trivia nights, spoken word events and live music. It seems like a hip place with plenty of sketch opportunities. Check out their instagram @aromeartcafe for more information.

When the first Urban sketcher got ready to leave, everyone got up for a throw down to see everyone’s sketches. My sketch wasn’t finished but I put in the mix anyway. Then we all posed for a group photo.

Mennello Museum

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One evening, years ago, I sat on the edge of Lake Formosa near the Mennello Art Museum sipping drinks with a friend. When I wandered off to answer nature’s call, I was walking along the shore and felt like the burdens of life had lifted and that my artistic efforts had a purpose.

As small as I might be in the universe, meaning crept into my life moving forward. As fractured and disorienting as life might be, I felt a warm glow. Then on the walk back, as I tried to sit down, I stumbled on the embankment and the chair rocked forward, almost flipping me into the lake. Way to kick some reality back into my joy filled brain gravity.

This sculpture which I sketched as a demo for a student, is just as fractured and disorienting. We both joked about how it must represent a figure walking forward, but the exact orientation of limbs and organs gets a bit jumbled. That red protuberance around the hips of the sculpted figure really should be covered. I’ll have to see if this sketch gets flagged on social media.

This sketch is done much faster than most of my work since we did multiple sketches during our two hour session that day. I always have to adjust my timing on how long a student can focus on the subject.  I didn’t find a plaque near this sculpture So I can’t share its title or artist credit. If anyone knows, please shout it out.

Retina Pre-Op

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A friend drove me to Central Florida Retina for a Pre-op check in. My left eye is distorting images so that I end up seeing double with both eyes open. For now I tend to close my left eye when sketching and when typing.

We went from one small waiting room to another small waiting room neither of which had HEPA air filtration. Ironically in the second waiting room the news station on the TV was featuring a story about Long COVID. The volume was down so I didn’t hear what was being covered. Two others in the room were masked.

This was certainly an older demographic of patients waiting to be seen. The guy in the corner of the room was busy on his iPad but using it seemed foreign to him. He poked at the screen like he was trying to kill a bug.

Then he took a phone call and shouted into the phone. I don’t think he had any idea how loud he was shouting. He then needed to look up a contact and didn’t know how to do it. My friend stepped in and showed him how to find the contacts list. After the call he started talking to her about his past. He was from Jamaica and went though many screenings before being able to immigrate to America. He was annoyed that illegal immigrants were making that process more cumbersome. Then he said he should have listened to his mother. The only reason he was loosing his eye sight was because he had looked at too many Penthouse magazines. I must say he made the wait far more interesting.

Everything that was done at this appointment had been done several weeks prior. I learned nothing new. The only possible reason for this second appointment would be to bill the insurance company again. Anyway my eye surgery is in a week. Hopefully it will correct the distortions I am experiencing. I will wear an eye patch for a day and then I hope the vision will slowly recover. I was also warned that because of the surgery I will likely develop a yellowish have over time. If you see me doing more yellow paintings, you now know why.

Big Dog by Dale Rogers 2013

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This very fast sketch was done as a demo to show a student how to block in a sketch and quickly add color. I tend to work faster with students since they haven’t yet developed the patience needed for a prolonged study.

As simple as the sketch is, I used it to demonstrate how to dirty up the colors, mixing ochres and greens or adding red to the dark greens to neutralize the color.

This day was spent at the Mennello Museum sketching around the property. We did several sketched. I usually spend two hours on a sketch but these were done much faster since my student would finish and not know what other details to add.

We live in a fast paced society. Movies and TV only allow for a shot to last one or two seconds before cutting to another shot. Many beginning artists seem to think that art should happen just as fast.

I might do a sketch at an event and someone will be shocked saying something like, “You did that here, just now, you must be so fast!” However the sketch was done over the entire course of the event which is usually 2 hours. Most events are paced to last as long as the average movie. After that people start to loose interest.

I am loosing vision in my left eye or that vision is being distorted. I am having surgery next week to try and repair the damage to my retina. I have always tended to close that eye as I sketch. I thought it was to help flatten my view but perhaps the damage to my eye was there much longer than I was aware. Right now if I look at something, I see multiple versions of it. It is sort of like the cliche drunken vision shown in movies. Perhaps my sketches will start to embrace this warped view of the world. Right now I correct to draw what I know it must look like. Even as I type this there are twice as many words on the screen than I need to see. I close one eye to actually read what I have typed.