Henry VI Part 3:The Rise of Richard, Final Poster

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Henry VI Part 3: The Rise of Richard is being performed at the Orlando Shakespeare Theater (812 Rollins Street Orlando FL) through April 19, 2026.

I went to a performance and had a great time.

Having won the battle of St. Albins, Richard the Duke of York descended to the throne of England. Later York is killed in battle. His son Edward the Black Prince took the crown and soon died as well.

The murdered king Richard had three sons, Edward IV, George Duke of Clarence, and Richard III.

Richard III was who I put on the poster. Richard III was just one of many who were in the whirlwind of deceptions and murder leading to the crown. The crown changed hands multiple times between King Henry VI who was pious and weak willed, and Edward who was the oldest son of York.

The only way to keep track of all the players in the war of the roses was to follow the family tree in the program and a chart summarizing who supported who in the power struggle. Though on the sidelines through much of the play, it became clear that the misshapen Richard III was willing to do anything to ascend to the thrown. The path to the throne would be bathed in blood.

When you enter the theater, you are given a sticker with a white or red rose on it. The white rose shows that you side with the House of York and a red rose shows that you support The House of Lancaster. At time in the show armies would rush down the aisles of the theater shouting White Rose, or Red Rose! Members of the audience would shout back in response. The play is mostly about a dysfunctional family who use murder to gain power and the crown. Pick you family crest wisely.

Tickets can be found of the Orlando Shakespeare Theater website.

 

Henry VI Part 3: The Rise of Richard, First Pass

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With the Henry VI Part 3: The Rise of Richard  poster I did for the Orlando Shakes, I had an advantage in that the actor for Richard, Mark McClain Wilson, would likely reprise the roll in the next season. For once I knew who to paint for the poster. The Shakes was kind enough to supply reference of Mark from a previous production.

The main thing I knew was that there would be multiple battles for the crown. I researched battle uniforms of the 1450’s period and chose these thick tan tunics with the crosses on them. Well the crosses were really off mark. This was not a show about a holy war. The costume would have to change.

The Bare Bard Series which started in 2019 with Richard II and continued through Henry IV Part 1, Henry VI Part 2, and Henry V as well as Henry IV Part 1, Henry IV Part 2 and Herny V in 2003. Then the pandemic slowed down the series for a bit. The War of the Roses revived the series followed by Henry VI Part 1; Joan of Arc, Henry VI Part 2: She Wolf of France and now Henry VI Part 3: The Rise of Richard. Next season Richard III: The Bottled Spider completes the series.

An usher in the theater was saying she was surprised that there were so many shows in the War of The Roses series. She thought there was only 1. She asked if I had seen any of the other shows, and I have been along for the whole Fire and Reign series illustrating and learning new history of royal conquests.

What is unique about these shows is that there is no director, the actors block out the scenes themselves as they rehearse much as they did back in Shakespeare’s day. They also go into the costume shop to pick out their own costume for the show. Some costumes feel like they are from the 1450’s period, but others might be more modern in flavor. It all depends on how the actor decides they should look on stage. In a past show, Mark McClain Wilson had chosen a hip leather jacket to wear. Since that reflected his taste, it was suggested that I should depict him in leather.

The crown changed hands many times in this show. A complicated family tree in the program was the best way to figure out who was part of the house of York and who was part of the House of Lancaster. The House of York was represented by a white rose and house of Lancaster was represented by a red rose. I have painted many roses over that past several years.

Audience members were given a passport book in which they could paste the stickers that are handed out for each show. I don’t use the passport book. Instead, I place the stickers on my sketchbook cover which makes finding a particular show sketch very easy when I go through the sketchbook archives.

For this show I was given a red rose sticker, but secretly I was rooting for the despotic and twisted Richard who wears the white rose.

Henry VI Part 3: The Rise of Richard is now playing at the Shakes through April 19, 2026. I had a great time. Grab your tickets today!

Langford Park Orlando

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After the experience with Jeff Wirth as part of  the Play Coach Story Swap, Stella Arbeláez and I decided it would be nice to do a painting in Langford Park. Stella had her full painting set up in her car and I had my usual sketching supplies. Langford Park and Dickson Azalea Park are right next to one another. The little stream that runs through Azalea Park also runs through Langford Park. Langford park is more open and expansive with some of the oldest trees in Orlando.

Stella and I set up on a sort of peninsula that is between several paved hiking trails. The advantage of this spot was that few people would walk buy as we were working. It offered privacy in the otherwise very public park. While we were painting and sketching, a large group of after school children were being guided on a forced march around Langford. The adult in charge would shout at the top of her lungs, “ Sarah, stop right there! Let everyone catch up!”  The fits and starts of the forced march were punctuated with constant commands from the supervising adult. Was my childhood that structured and highly supervised? Dear god I hope not. Rather than enjoying the sights and sounds of nature these kids were being hearded to the point of squeezing away any joy.

Stella set up her easel and was doing a full on painting while I sat in my tiny artist stool and sketched the tree and stream. Stella got to play with magnificent warms and cools in her study , while I cranked out my dark sketch of a beautiful live oak with it’s twisted limbs. The focus of my composition was the horizontal light gap below the gnarly branches. The grass was sun lit on the distance while the live oak was a dark mass casting much of the scene into the shadows.

I got up a few times to see what Stella was up to. I liked the vibrant colors she was playing with. I have been getting frustrated lately at how dirty the colors are that I end up using thanks to of my filthy everyday watercolor palette. It is almost impossible for me to get a clean blue sky without some green getting thrown into the mix.  I just purchased 3 tubes of primary colors of gouache yesterday and want to start using them to mix more opaque passages in my sketches.

In this sketch, I wanted to make the hanging Spanish moss more obvious but the areas had already been painted with dark greens. I lightened up the moss with some white colored pencil but gouache would have worked much better. It would also be nice to paint in some light gaps between the bulk of the leaves. I have some of the parts to assemble a compact easel. I just need to settle down long enough to actually screw the parts together.

There is something very reassuring about working beside and artist whose work I respect, knowing that they are experiencing the same doubts, and frustrations while creating. There is a dopamine rush that comes as the many mistakes and corrections start bringing the sketch or painting to life. I get lost in the process and despite the many questions and doubts, I feel good about having gone through the process each time. I need to feel that rush every day. It is an addiction.

Play Coach Story Swap

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Jeff Wirth is a dynamic theatrical powerhouse in the interactive Orlando Theater Community. I sketched some of his unique workshops and productions early in my Orlando sketch a day journey. In one workshop he demonstrated the proper way to roll up electrical chords. You wind the chord between your wrist and elbow and every other turn the chord needs to be flipped to take away some of the rotational tension. Anyway, I think of Jeff every time I roll up a chord after working in the shop.

Jeff is the director at the Interactive Play lab. The Play Lab fosters Interactive performance  where audience members become co-creators of performed fiction. The Interactive PlayLab provides resources and training for creators of interactive performance. Jeff offers books, e-books, apps and templates to help performers meet their full potential,

Jeff moved to New York for a number of years and he dropped off my radar. When he returned to Orlando he immediately promoted his Interactive Play experiences on Facebook. I signed up but wanted to find a way to also sketch the experience. Sketching is how I play. I recruited a dear friend, Stella Arbeláez to also participate. The experience involved sharing stories and I know she is exceptional at sharing her story.

We met Jeff at the entrance to Dickson Azalea Park. I was looking at the possibility of buying a home in the Azalea Park area, so I considered it a sign that the universe was speaking to me. The home it turns out had termites that had infested all the roof rafters. Since I wasn’t up to rebuilding the home from the inside out, I abandoned the sale. All the reconstruction costs would have added over $100,000 to the price.

We walked with Jeff through the park until we came to a bench that overlooked a babbling stream. Jeff and Stella sat on the bench and I set up my little artist stool to sketch. Boo Boo jumped up on Stella’s lap and settled in. He was having a grand time with all the new smells to be found in Azalea park.

The structure of the Story Swap was pretty straight forward, Jeff asked a few questions and let Stella relate her stories of  shock and recovery. I will not recount what she discussed, they are her stories to tell, but they left me feeling inspired that the creative human spirit is incredibly resilient.  She took a sip from her aluminum water canister between tales.

Jeff then relayed his own story of a young relationship which had to end, yet there was no animosity in the separation. They both loved one another but work pulled the couple in different directions. They walked into divorce court holding hands. Having lived through a bitter divorce that probably still clouds my dark view of what a relationship can become, and having a marriage proposal refused, I found his story of loving separation surprising and ideal. Like an army retreating, my bridges are demolished with explosives.

I was so elated to have two of my dear friends relating such intimate and heart warming stories the very first time they met. When I look at social media or follow politics I see nothing but stories of violence and deception. I make it a policy that once I see a punch thrown on social media I turn it off and instead go about doing a sketch. Sitting with Jeff and Stella made me feel that there is still hope for friends to share meaningful stories that show how the human spirit can grow despite life’s challenges. Life can be a playful challenging adventure that is meant to be shared.

After the story swap, Jeff walked off, and Stella and I decided to do a painting in the park. We walked off to the car to get art supplies and when we got there, Stella realized she didn’t have her aluminum water canister. She riffled through the car but it wan’t there. She must have left it on the bench by the stream. We hiked back into Azalea Park toward the bench. As we got close, I noticed a man walking towards the bench. He was with his ten year old son. The dad picked up the water canister and started to walk off. We ran after him shouting out that the canister was Stella’s. He was happy to surrender it. Another of life’s tragedies had been narrowly averted.

Olive Garden

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I have been helping Stella Arbelaez with several large art projects. After a day of working in the studio, we went for dinner and a sketch at Olive Garden (10027 US Highway 441 Leesburg Fl). She had a coupon for a free dinner from years ago. She wasn’t sure it would work, but it was still valid. We ordered a big salad and pasta and then we both started to sketch while we waited for the food to come out. The menus on the tables were electronic. The displays flickered with adds constantly. I am amazed at how digital displays are invading even the simple act of going out to eat.

I focused on the group of diners seated next to us, while Stella did a sketch of me. Her sketch turned out rather good. It is one of the better sketches of me with my 75th Infantry cap and my beard.  There must have been about 5 different servers who stopped by the table. One was an artist himself who was attending college. The fellow who brought out the food would respond with “I got you” for any request. He said it to everyone in our section of the restaurant. I find myself saying it now in a joking way anytime someone makes a request.

There is something truly rewarding and relaxing about sketching with another artist. being around another artist you know they understand the struggle to create. A sketch isn’t easy, It is often a compilation of mistakes which hopefully is believable in the end. There might be two steps forward and then a step back. It is simply reassuring that sketching around another artist there is no expectation of perfection. As she put it, there is no need to act like a “normie’. We could just relax and be ourselves as we created.  For me there is always a feeling that I need to capture the moment with a sketch. In a restaurant there is a certain rush to try and block in the sketch before the food comes out. In Europe, especially Paris, many people will linger over a meal and watch the world go by, but in America there is a rush to get people served and out the door as quickly as possible.

I have gotten used to eating out alone, because that way I can always get a sketch done. It is a rare pleasure to share the experience with someone else.

David Plotkin Memorial

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I have been staying in an AirBnB in Thornton Park Orlando Florida for the past week. It has been wonderful to be able to walk to venues each day to sketch. One of the first places I wanted to sketch was at Stardust Video and Coffee. At this coffee house, Doug Rhodehamel has been assembling a magnificent display of brightly colored cardboard fish in honor of a dear friend David Plotkin.

David who was a close friend of Doug’s was a former Orlando Weekly staffer, WPRK DJ, a political activist and a cultural mover. Doug was asked by the Casselberry Arts & Sculpture House to do a solo show and he enlisted the help of David to come up with a concept for the show. Unexpectedly David died on April 1, 2025 from heart failure before the brainstorming session. Doug considered canceling the show, but decided instead to make the show a tribute to David.

Doug wondered what Dave would want to see if he were to go to the show. David was on a pickle kick. He had old drawings that Doug called war pickles. Doug decided he would build the show around pickles but also allow them to become something else. He ultimately decided to create a huge school of pickle fish swimming through the void. The fish are light and vibrant reminding anyone seeing them that there is light and wonder in the world which is often all too dark and drab. Besides the large school of pickle fish, Doug created a green pickle moon and blue corrugated cardboard columns that resembled coral. The opening reception for Flight of the Pickle Fish was on July 18, 2025.

It took Doug close to a year to cut out all the fish out of corrugated cardboard. I am familiar with Doug’s fish because he mails out a fish each year as a Christmas ornament to friends and supporters of his work. I look forward to seeing each unique fish each year. Some time in the future I hope to have a Christmas tree to display all the ornaments.

The David Plotkin Memorial Aquarium was unveiled on March 22, 2026 at Stardust Video and Coffee. Doug plans to keep making changes to the installation over time. The Stardust installation recruits many of the fish that were on display in the Casselberry Pickle Fish show along with new exotic species.

I went to Stardust Video and Coffee first thing in the morning to sketch. The online Stardust website showed photos of delicious looking waffles. At the front counter I asked for a coffee and the waffles. The woman behind the counter apologized. They no longer have waffles although they are listed in chalk on the blackboard above the counter. There was also an item on the blackboard called the Rhodehamel. I asked what the Rhodehamel was. I imagined it must be some kind of delicious sandwich. Maybe it was a pickle fish sandwich? She had no idea. The kitchen also does not open until 11AM. At least I got my coffee and set about doing the sketch. I was fascinated by a woman at the bar who was on a Zoom meeting about wine sales. Her earth toned dress had fish shapes all over it. When the sketch was complete, I went back to downtown Orlando to grab the waffles I craved.

Venetian Gardens, Leesburg Florida

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I went to Venetian Gardens in Leesburg Florida with a friend to paint. We made the mistake of getting to the gardens right before sunset. The golden hour light illuminated the far shore of the lake a golden orange. Two fishermen were out in small boats pulling in the last of their catch. It was a beautiful scene but we had to work supe fast to try and catch it.

The second it got dark, the mosquitos came out with a vengeance. We both scrambled to pack up our art supplies while getting bitten from all angles from clouds of mosquitos. I don’t even mind getting bitten, I just hate when the mosquitos buzz into my ears. I swear that every mosquito takes a kamikaze run at my ears. Hitting myself on the side of the head to try and kill the culprit is useless and deafening.

We both managed to get something 0n the page in the limited time we had. I of course would have liked more time to mix richer colors. I am considering making changes to my daily sketch kit to include gouache colors which can be applied opaque. With watercolors I can cover the page quickly with thin washes but there are times when I want to paint lights back into the sketch or mix rich pure colors. My watercolor palette is always rather dirty so finding pure color is a challenge.

In this same park there was a magnificent Christmas light display. Lights would flicker on and off in tempo with the music, and a series of reindeer would turn on in sequence making it seem like they were galloping across a bridge. I wanted to return to do a digital sketch of that display but I never got around to it. There were a few magical places to sketch in Lake County, but I have returned to downtown Orlando to search for the types of events that I have loved to sketch for years. I am on a sketching staycation in Thornton Park right now. I am staying at AirBnBs each week and walking downtown  to explore and sketch. My goal is to stay in Orlando long enough to sketch the Orlando International Fringe Festival in May.

Hill Street Apartment Orlando

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I have been staying in an AirBnB in Thornton Park Orlando. I like the place because I have been able to walk to event sketching opportunities every evening. There is one big problem however is that the place does not have working Wi Fi. I need Wi Fi to write these articles every day and I need it twice a week to teach virtual online classes. I walked to the Downtown Orlando Public Library to use it as my office yesterday. I have been thinking that I would like to keep staying in Orlando through the Orlando International Fringe Festival which runs from May 19 to 27. After that my plan is to drive north to New York State where I hope to rent and then possibly buy a place to settle down.

Having no Wi Fi, I am considering starting that road trip early.Yesterday I looked at rental properties in Orlando to see if I could find something for two months. Many rentals want an 8 month lease commitment. Around the corner from where I am sating is this property on Hill Street in Thornton Park. It is just a block from the Falcon Art Gallery and Bar. Photos on Zillow showed an attic space with a skylight. The artist in me was attracted to the possibility of using that as a painting studio space.

Booking an appointment to see the place was a long drawn out process, with photos of IDs and an online form. There was no personal showing of the space, but rather a lockbox. I filled out all the forms but never heard back about the appointment. Online I was told that a code would be sent by text. That code was never sent, so I had to call the realtor. I was told to just go to the house and a text would arrive at exactly the time of the appointment. I walked the few blocks over and waited in front of the house. The text never came, so I called the realtor again and he lead me on a hunt for the lock box. He said it might be attached to a water pipe which I found odd. The front door of the home opened and I explained to the fellow sho came out that I was looking for the lockbox for the rental. He pointed to a side door. His eyes were bloodshot, and I was just happy that he didn’t have a gun.

When I got to the side door there sure enough was a lockbox bolted to the doorknob. The realtor finally gave me the code over the phone. The apartment was on the second floor. I climbed the narrow staircase. I knew that I would not be able to get my artist desk up those stairs. There was a grey room that was maybe 10 b y 12 feet with windows that overlooked the back yard. A door lead to a tiny bathroom and another door was the closet. I tried to turn on the ceiling fan but it refused to spin. The kitchen was set up with windows on three sides. The refrigerator blocked the view out of one of the windows. I tried faucets and electric to be sure everything worked.

One more door lead up to the attic which is where the skylight was. This was my hope for a grwt studio space. As I climbed the steps I realized it must get hot u0 there. At the top pf the steps I realized that I could not stand up. My head hit the ceiling. If I were to use the space as a studio I would always have to sit and then walk hunched over like Quasimodo.

I am only thinking about renting the place for a couple of months, so I thought, maybe I could survive in the cramped space. I need to be thinking about more than surviving. I want to thrive. I am already finding myself sketching at an accelerated pace now that I can walk to arts events. If I can find a decent studio home base then I can continue to thrive.

Rather than leave right away, I stayed to sketch the place. While sketching, I get to weigh the pros and cons of a place. This apartment is in a fantastic location, but it is just too small. The upstairs space with the skylight would only be used for storage since I am unable to stand up. What I am left with would be a 10 by 12 foot room that would have to work as the studio and bedroom. The place without WiFi seems like a palace in comparison but it is furnished and far more expensive.

Howie in the Hills Christmas Festival

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I went to Howie in the Hills to sketch a small town Christmas Festival. I fell on love with a home in Howie in the Hills which looked like a 1920s Hollywood hacienda. The home was on the main road where traffic is supposed to travel at 35 miles per hour, but the huge 18 wheelers seem to roar by at 55 miles per hour. The studio would have faced out on that main road.  I returned to the home a second time to see if the noise was an issue. The first time the real estate brokers had been talking constantly. This time I wanted a moment of peace to stop and reflect. There was a tall grouping of bamboo between what would have been the studio windows and the road. I considered planting more bamboo to further muffle the roar of traffic.

On the second floor the real estate broker confided for the first time that there was termite damage to a door frame. The termites had infested the home starting in the kitchen and then migrated through the walls upstairs. The door frame was so hollow that the door higes had nothing to hold onto. The door was resting 0n the floor. I hadn’t tried closing the door on my first walk through of the home. I abandoned the idea of buying that home. It was also too far from the events that I love to sketch each day. I like being able to walk to coffee shops and arts venues to sketch at a moments notice. Howie in the Hills is about an hour and a half drive from any Orlando events.

I am 0n a staycation at an AirBnB in Thornon Park, Orlando Florida. Since staying here, I have been doing several sketches every day. After I teach a virtual class tonight, I will be walking down the street to City Arts Factory to sketch Story Club. If I was still out in the country the hour and a half drive would have made the sketch opportunity a no go. The AirBnB is in a great location, but it has no WiFi, so I have to move again in a couple of days.

I parked across the street from the Howie in the Hills home I had decided was all wrong for me and I walked to the Christmas Festival. There was a stage for performers and I leaned against it to sketch the inflatable bounce houses. One of the staff who were supervising the bounce houses and slides set up beside me to eat lunch. He explained that he had to ask one kid to leave because the kid was bullying other children. By refusing the bully admission, the other kids could play without the harassment. If only politics were so easy.

I enoyed watching the kids trying to scale the rock climbing tower. One boy kept trying and failing at reaching the top. I admired that he never gave up. An older girl managed to get to the top on her second try. She raised her hands in victory and was lowered to the ground swaying on her safety rope. The little boy looked on in wonder and then attempted his climb with renewed determination. He failed again. He was dropped to the ground swinging on his safety rope with his arms dangling. I don’t know if the little boy ever made it to the top of the tower. As I packed up my sketchbook he was in the midst of another attempt.

I walked down the street filled with tents where vendors offered their Christmas knick knacks. I wasn’t tempted to purchases anything. To be honest I kind of skipped Christmas this year. My Christmas highlight this year was a Christmas market in Plettenberg Germany and sipping mulled wine while overlooking Wiesbaden Germany from a mountain top. This small Howie in the Hills estival felt overly commercial and shallow in comparison. There wasn’t much history behind the festivities. Being single and completely unattached, the holidays have less meaning. I might just treat myself to a new sketchbook or some new tubes of paint. I can’t order them online, since I don’t know where my next address will be.

No Kings Protest Orlando Florida

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Stella Arbeláez Tascón has wanted to build a large puppet for some time. When she found out that a No Kings Protest was being staged nation wide, and in Orlando Florida, she decided it was time to build a 14 foot tall puppet of Donald Trump as a Jailbird in Chief. Such large puppets are often build in Europe but it is a tradition that has not yet taken root in America. I became Stella’s studio assistant to help bring this behemoth to life.

Stella found many videos online that showed how these large puppets could be built. She borrowed from various puppet workshops to come up with her n. A walker was cut apart and when turned upside down to became the spine of the puppet. She borrowed the shoulder straps and belt from an existing backpack and miraculously they fit neatly onto the walker.

The Trump head was constructed from 1/4 inch plastic tubing which formed the three dimensional framework. Paper mache was then added to create the skin of the face. The result was a highly stylized and expressive head. In the final night of construction, I was tasked with building the hands and painting Trump’s’ Orange face. When Stella gave advice on using thin washed of red over the nose, and ears, the face started to gain a ruddy life. Bruises and blotchy skin were replicated. By 3 or 4 in the morning I had to drop off to sleep, but Stella kept working. She had to sew the huge orange prison jumpsuit by the time we would have to leave for the protest in the morning.

The rib cage of the puppet had to be cut back to allow the puppet to fit in the hatchback of her Prius. The giant head could just fit in the passenger front seat. It is an absolute miracle that the entire fourteen foot puppet managed to fit in her Prius.

Stella hired a second puppeteer to handle the extremely large left hand. She dressed like a secret service agent with a white dress shirt, black tie and sun glasses. Since I am living out of a backpack, I didn’t manage to pull together an equally stellar garb. I made due with what I had.

Assembling the puppet and getting Stella set inside was challenging. We practiced the assembly at her studio and then recreated the steps outside the parking garage near Orlando City Hall. The trickiest part of the assembly has snapping the bulk of the puppet onto the walker that Stella had strapped to her back. With the huge Trump head mounted on top, the puppet wanted to topple. I was grateful when everything snapped into place. Stella’s solid hips and low center of gravity were an absolute advantage.

The puppet was so tall that it could not walk under the covered awnings on the side of the skyscraper leading to City Hall Plaza. When we stepped out of the shadows into the open plaza people shouted out, “The hands are too big!” That is my fault, I built those monsters. The puppet would be so much more manageable with tiny little raptor hands. You know what they say about tiny hands, right? Anyway, that was the ongoing joke all day long.

We marched the puppet around every corner of the City Hall complex. In several places the tree branches were too low to allow passage. We found other ways to navigate around. Hundreds of people were gathered. I kept shouting out, “Jailbird in chef coming through!’ to help clear a path. Stella was the brains of the operation. She would let us know which direction to turn and make sure we were all lined up. If one of us walked too fast we could throw off the balance and cause the puppet to topple. When Stella wanted the hands to wave she would let us know. She then wanted us to walk the diamond shaped crosswalk in front of city hall. When we did that the honks and shouting from the cars waiting at the light became overwhelming. Crossing quickly with a fourteen foot puppet isn’t an easy task. The Trump puppet can’t break into a run when the time runs out on the crossing signal.

Since I was busy holding the rod that controls the puppets right hand, I didn’t get any sketching done at the protest. In one of the videos I saw of the protest, I overheard someone saying “Wow pretty awesome.” I was sure he was taking about my stellar puppetry performance in waving that right hand. I was a sweaty mess by the end of the day and muscles I didn’t even know I had were sore, but it was sooooo worth it.

I returned the next day to sketch city hall and then added protestors and the puppet when I got back to my Thornton Park studio. The Jailbird in Chef go plenty of coverage on the news and social media.