The Eighties Strike Back

Imagine if the original Star Wars trilogy took place in the 1980′s – and it was a musical! That’s what this Fringe stage production is all about. The lyric from some of the most memorable songs from the eighties were changed up to re-tell, in detail, one of the most known and beloved stories of modern times. I first learned of this production when I took a required course at Full Sail called “Using Improve in the Classroom.” Simon MacDonald was one of the instructors and the class was a blast. Simon is directing “The Eighties Strike Back.”

A dress rehearsal was held at Lake Howell High School. It poured on the drive over. I ran under awnings and started searching the hallways for the auditorium.  A student finally lead me there. A band concert was going on and the audience was full of adoring parents. Trumpet solos blasted notes off tune but still the audience went wild. I started to think I was in the wrong place but then the concert ended. I watched the mad shuffle to move orchestra chairs and music stands. Then the stage stood empty with only a few students still posing for photos in the isles. Cody Donaldson stepped out on the stage dressed all in gold with a golden Frisbee on his chest. There could be no denying that he was an 80’s version of C3PO. Kelly Dunn Lowenberg skated on stage as a roller derby version of R2D2.

The cast assembled and then they did a full run through of the show. The production certainly pulled out the Star Wars geek in me. Richard Barados rendition of Chewie in one of the musical numbers had me laughing out loud. Emily Cutting added some new dance moves to one of the numbers and as Leia, she will earn any fan boy’s attention. Matthew Mendel as Luke was dressed as Marty McFly from “Back to the Future.” He wanted to be sure I captured his hair wave accurately in the sketch. Adam Bellas had a fun rebel punk attitude as Vader and Simon was particularly hilarious as Yoda. I was bobbing my head and ended up singing along as I sketched. They get my vote for a super awesome, fun, Fringe show!

Show times are:

Saturday, May 19th, 11:15 am

Sunday, May 20th, 3:00 pm

Wednesday, May 23rd, 7:30 pm

Friday, May 25th, 5:00 pm

Saturday, May 26th, 7:45 pm

Sunday, May 27th, 1:45 pm

Tickets are available on the Orlando Fringe website. Prices are $10 per show and there is a $1
handling cost. (If you are a card carrying member of the 501st or Rebel
Legion you get a $1 discount.) It is also required that in order to see
a Fringe performance that you have a Fringe button which is $8. All information is available on the Orlando Fringe Website.

The HeART of Theater

0n May 10th and 11th, Central Florida Community Arts presented, “The HeART of Theater, An Evening on Broadway.” The event featured the Central Florida Community Choir, orchestra and Dance Team, at the Northland Church (530 Dog Track Road). When I pulled into the church parking lot, I saw a mini van unloading seniors in front of the venue. My NYC snobbery kicked in and I expected to experience an amateurish production. Most folks waiting in the lobby did have grey hair but I had to do a reality check, so do I.  The worship center was huge and the large crowd in the lobby filled maybe a third of the available seats. I sat midway back so I could capture the immensity of the space.

Joshua Vickery, the founder and Executive Director introduced the evening. He stressed that Central Florida Community Arts positively influenced the community by connecting, serving and performing. The group has a vision to make the performing arts more accessible and to help local charities achieve their missions. This volunteer singing group has performed for the Coalition of the Homeless, Runway to Hope, the Society for the Prevention of Cruelty to Animals, Hope for the Nations, Florida Hospital and many other great local organizations.

The ongoing theme to the Broadway Musical numbers performed, was how the arts inspire and enrich the artists who perform. Staged scenes, and dance numbers punctuated the evening between choral performances. I was swept along by the shear power and enthusiasm of the performances. This was an energetic evening of music that far exceeded my expectations. The last piece called “You Can’t Stop the Beat“, had everyone standing, clapping and singing along. Beach balls floated down from the catwalks high over head and the audience batted them about. This was an energetic, wild evening, with CFCA splashing on the Orlando Arts scene like a tidal wave reaffirming the creative spirit. I’m indebted to Sharon Hegedus, who first introduced me to this amazing group.

Upcoming performances include, American Pops on May 19th, The Classical Music of John Rutter on August 11th and a choral concert version of the musical, Titanic on September 7th to commemorate the 100th anniversary of the sinking. On August 4th there is The Heart of the Arts Gala, held at the Gaylord Palms, which will raise funds to help CFCA impact the community where we work and live.

The Central Florida Composers Forum Concert

CF2 was evening of new music by local composers at the Timucua White House. I arrived with Terry about an hour before the concert because the idea had been tossed around with Serena Jones, that it might be nice for me to project a sketch I was working on live during the concert. Unfortunately for technical reasons, that didn’t work out but I still got a great sketch from the second floor balcony. Serena worked the multi media imagery on a flat panel TV screen from her laptop.

The featured artist for the evening was Woody Igou. Woody set up a series of sculptures on card tables. One sculpture was of a series of hollow horns stacked up. At the beginning of the performance he mixed some gorilla glue with pigments and salt and he poured the mixture inside the horns. For the rest of the evening the mixture expanded like the blob, overflowing and oozing down like lava.

The CF2 concert offered contemporary composers an open forum to showcase their recent work.

Featured Composers on the Program:

Daniel Crozier (Rollins College) – Piano solo (2009)

Benoit Glazer (Music Director for La Nouba) – Brass Quintet and Percussion Quintet (2011)

Charles Griffin (Full Sail University) – Flute Quartet, prerecorded audio and video projection (2010) Rebekah Todia (Full Sail University) – Soprano and piano (2012)

Charles Griffin’s composition featured animated projections that responded to the music. The audience was encouraged to repeat vocalizations as they appeared on the screen. Everyone followed with shhh, and ah, ah sounds. This gave a primal feel to the proceedings.

The concert was an invigorating multimedia mix of electro acoustic, post-minimal, contemporary art song, solo piano and big-band jazz pieces by musicians and composers from Rollins, Full Sail, UCF and of course, Benoit Glazer, the musical director of Cirque du Soleil, and resident of the (Timucua) White House.

Israel Independence Day Festival

Terry and I went to the Israel Independence Day Festival in Cranes Roost Park behind the Altamonte Mall. Cranes Roost Boulevard was blocked off and lined with festival tents and food trucks. It was hard to distinguish from any other festival except for the occasional tiny Israeli flag. There was a large kids play area with inflatable jumper rooms, slides, a bungee sling shot and even pony rides. I decided to get a sketch of the face painter. She wore butterfly wings and could bat out a face painting every five to ten minutes. There was often a line of kids and their parents waiting expectantly. The little boy I sketched turned into Spiderman.

Terry and I ordered some Israeli food from one of the tents and we sat in the shade of a tree on a cement wall. A chorus began singing Israeli folk songs and some people in the audience joined in. Artist Bonnie Sprung was there with her mom selling tie died shirts with hand painted designs. Terry bumped into some friends from book club and while I sketched, she finished up a crossword puzzle.

Brad Meltzer

On the morning we arrived back at the port in Miami, Terry got incredibly sick to her stomach. Passengers started getting off the ship at 7am. I left her lying on the bathroom floor with a pillow, and made my way down to the medical office. No one was there. I then went to the concierge to try and get some medical help. There was a long line of people complaining about this expense or that. When I finally got up to the counter, the concierge informed me that the medical office had just opened. So, I went back down. The nurse gave me a few pills in an envelope and I rushed back to the cabin. Terry took them and sprawled out on the bed. Passengers disembarked in waves based on a letter printed on the room key. We were among the last called. Terry couldn’t get out of bed so I went back down to the concierge to try and get a wheelchair. A porter came to the room with the chair and we were off. We slipped past lines of people waiting to get off. Elaine Pasekoff picked us up curbside and after a short ride, Terry got to lie down again in Elaine’s guest bed.

Elaine is the host of a literary radio program called “The Book Report.”  She interviews authors about their books. The show airs in nine major markets. That evening she was going to Books & Books to see author Brad Meltzer. I joined Elaine and Derek Hewitt on their outing to get a sketch, unfortunately Terry still couldn’t move, although she was regaining strength. Brad was at Books & Books to talk about the book he wrote for his six year old daughter called, “Heroes for my Daughter.”  A few years prior he had written, “Heroes for my Son” and his daughter kept asking, “Where the heck is my book?” Brad pointed out that our American culture seems to only highlight the achievements of sports stars and actor/celebrities. He told us how a middle school teacher encouraged him to write. She told him, “You can really write.” He figured everyone knew how to write but she saw his talent and encouraged him. He sought her out years later to thank her. These were the types of heroes he wanted his children to know about. He was wearing a T-Shirt with Abraham Lincoln on it. The shirt said, “I am Abraham Lincoln.” This line of shirts were designed for kids to emulate real role models.

The room was packed, with people standing in the back of the room. Brad’s wife and children were there, as a matter of fact his six year old daughter did the reading. An audience member asked Brad how to get started writing the first book. Brad equated writing a novel to placing grains of sand in a bottle one at a time. “If you write a page a day, then at some point you will have a book.” Another question came from a comic book fan. Brad has written for the comic book industry for years. The fan wanted to know if there was any comic art that Brad favored above all the rest. Brad did covet some art done by Rags Morales of Batman and Robin crying. Brad went so far as to contact the artist to purchase the original art. Unfortunately it had already been sold to another fan. Years later Brad was signing books at a comics convention. A fan walked up to him and asked him to sign the very same piece of art. He tried to convince the fan to sell it to him but he must have come on too strong. He scared the fan away. Years later however the fan contacted him and sold him the piece.

St. Martin

I didn’t do much sketching on the islands since time was limited and we were always on the move. When the Celebrity Eclipse docked in Puerto Rico, we hiked from the cruise ship towards Castillo San Filipe del Morro. There was a path, called Paseo del Morro, that followed the shoreline. 20 foot high cliffs covered with foliage were on our right and the rocky shore of San Juan Bay was on our left. Kites were everywhere, their strings winding among the vines, lost in the foliage. A fortress wall was at the top of the cliff. The path lead us to the foot of the fortress but there was no way to get up to it. We had to hike all the way back and find another route through Old San Juan. We eventually did explore the fortification. Cannonball shrapnel was still lodged in the walls from a battle hundreds of years ago.

In St. Martin, we rented a jeep and Terry drove around the whole perimeter of the island.  We drove up to Pic Paradis, the highest point on the island then got lost in the city of St. James. This sketch was done when we stopped at the beach. We sat under an umbrella and a local immediately asked us for $10. Rather than pay, I walked back to the shade under a tree to sketch and Terry went for a walk on the beach. I sketched quickly to try and finish by the time she got back. When the sketch was done, we went to a beachfront bar and ordered Pina Coladas. Terry had things she needed to say. I was speechless. The waves crashed and the gorgeous aqua water sparkled behind the bright yellow umbrellas.

Ice Sculptor

On the deck of the Celebrity Eclipse, near the pool, an ice sculptor demonstrated his techniques. The activities coordinator had a microphone and she kept the crowd guessing as to what he was sculpting.  Large chunks crashed to the deck and then he chipped away, refining the shapes. I never caught the sculptors name but he was from the Philippines. Another crew member had a squeegee and he collected the pile of shavings and chips. Children were discouraged from taking any of the ice chips since there was salt in it.  The first sculpture, completed in less than 15 minutes was of a parrot. The second sculpture I believe, ended up being a turtle riding a wave.

Within half an hour, the sculptures were done. Parents posed their children next to the new creations and then the kids grabbed large chunks of ice and ran to the pool or hot tub. The parents were too relaxed to care.

Avengers ASSemble

I went to a rehearsal for “Avengers ASSemble.” This will be a burlesque show put on by Skill Focus: Burlesque, themed after the recent blockbuster hit.” The cast, featuring, Ruby Darling , Rosita Sparkles, Cherry Bob-omb,, Syber Digit, Shy LaBuff , Nekkid RoboJoe and Stephen Focking were going to assemble at Theater Downtown (2113 North Orange Avenue.) When I arrived at 9pm, Ashley Small, the Skill Focus stage manager, was the only person in the theater’s lounge. She looked like she was in charge, so I asked her if I was in the right place. The room was a furnace, partly because I had just walked several blocks from Ethos Kitchen.  She informed me that the cast had a multilevel stage to work with and that tonight would be an undress rehearsal of sorts.

Cherry Bob-omb went into the theater, and I decided to follow and check out the stage. The theater itself was thankfully cool. I immediately found a seat and started sketching the complex set with it’s multitude of levels. The cast assembled all at once and they quickly got into costumes. Syber Digit was the first out of the dressing room and she had on an awesome Thor outfit, complete with a large hammer. She relaxed on the set and I was exited to sketch my namesake. Ruby came out in her black wig and a stunning red and gold, Iron Man themed outfit. She asked the cast at hand to pose with her and I sketched frantically. I was self conscious about how much time I was taking, so my hands flew.

Stephen Focking had a vintage WWII helmet painted blue with the letter A inscribed on it. He found a  large Tupperware lid in the dressing room and he used it as his Captain America shield. Each performer in turn went through their strip tease. Each item of clothing was telegraphed and the gyrations accentuated. This troupe has a wonderful way of taking an age old tradition and making it fun and playful. You will scream, holler and cheer as they shake it down Marvel style! The performance will be at Theater Downtown on Saturday May 12th. Doors open at 10pm and the show starts at 11pm. Tickets are $10 at the door or in advance.  There will be an after party in the lobby with the cast.

Eclipse Theater

On the Celebrity Eclipse, I took the glass elevator down to deck five. Dropping down I watched the library slip by and I watched people in the opposite elevator as they rose up. I walked down a long hallway past flashy boutiques, the Molecular Bar and the flashing lights of the Fortunes Casino. Terry was in our cabin reading, while I made my way to the Eclipse Theater to see an Iron Chef style cook off. I sat in the nose bleed section of the upper level to try and capture some sense of the enormous space.

The chipper activities coordinator announced the contestants. Two passengers had been picked to compete against each other with the help of some of the ships chefs. I believe they only had 15 minutes to prepare their dish using the raw produce available on the back tables. The female contestant talked smack by saying her opponent wasn’t even working his pans over the burners. She had a point, the crew chef was helping out quite a bit.

When it came time for the judging, an oval platform rose up with three passenger judges. One judge was from France and she said that the female contestants dish reminded her of her childhood. The male contestants dish however had too much spice. Every judge actually didn’t like the male contestants dish. They didn’t hold back their criticisms. The female contestant won.

I was still working on the sketch as everyone rushed out of the theater. It seems that these cruise ship activities are designed for audiences with short attention spans. A tech came out of the sound booth and approached me. He told me I would have to leave the theater. I can’t believe it. This was the second time I had been interrupted while trying to finish a sketch on the cruise. I asked why. He said they had to rehearse that evenings performance. I asked if I could do another sketch of the rehearsal. No, he had rules to follow and I left fuming. I don’t like being herded around like cattle. The final color washes were added in the cabin. We never returned to the theater to see the show.

Hot Glass Show

On the top deck of the Celebrity Eclipse, next to a grass lawn and between the two huge smoke stacks sat a glass blower’s studio. The Corning Museum of Glass partnered with the cruise line to bring this working glass blowing studio to the high seas. Several ovens were burning brightly to heat the glass on metal rods. Three glass artisans were at work creating an octopus from a child’s drawing. Children on board the ship had entered a competition to see who’s sketch would become a glass menagerie.  Bob Swederball and Dan Alexander worked as a team while Tom narrated the process for a crowd of passengers on bleachers. Bob sat at the work bench forming the body of the creature while Dan heated some glass that would be used for tentacles.

Large air ducts blew cool air which was used to cool the glass on occasion. The molten glass glowed orange as they worked. One oven had multiple doors allowing for larger openings as the glass was formed. There was a four foot high glass wall around the working studio to make sure passengers didn’t get burned and the reflections made it a challenge to sketch at times. The octopus was created in a matter of about an hour. With a gentle tap, the glass sculpture was broken free of its iron rod. Once it was finished, all the children in the bleachers filed out and the craftsmen then started to create an ornate vase by folding the glass and twisting several different colors together. The three craftsmen all came from fine arts colleges where they first started molding glass. Their fine artwork used glass in unique ways. Not a bad gig for a working artist.