Easter Brunch

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The first night out I drifted off to sleep to the gentle rocking of the boat. I rather liked being rocked to sleep. In the morning Terry and I went to the main dining hall where a lavish Easter brunch was stationed. There were ice sculptures of bunnies, and there was an ice tower with blood red lobsters perched at every level. With so many choices, it was close to impossible to decide what to eat. People circled, backed up and bumped into each other in their quest for food. They swayed as they walked since no one had their “sea legs” yet. The noisy clanking of plates and the rush of the crowd made me uneasy. There were dozens of solid foot high chocolate bunnies on display and one woman plopped one on her plate and walked off. As a young child, I remember trying to eat a whole chocolate bunny in one sitting. The result wasn’t pretty and I refused to eat any chocolate for years afterwards.

All of the excess must have resulted in people gorging themselves. There were certainly plenty of overweight passengers. It had the opposite affect on me. I ate light. I believe I scooped some scrambled eggs on my plate, picked up a yogurt, a cup of orange juice and then went upstairs.  This was to be a full day at sea and I didn’t need to have anything sloshing around inside me. A porter tried to seat me near a port hole overlooking the ocean, but I insisted on overlooking the lavish madness.  Terry struck up a conversation with a lady at the table next to us as I sketched. Out of the blue the woman told Terry that she had a book in her. Terry was shocked since she has just begun toying with the notion of writing a book. The woman said she was clairvoyant.

We returned to this huge dining hall each evening to sit at a table with three Canadians and two women from Miami. I would say that cruising is much like trying to survive a week long wedding reception with its lock stepped schedule of planned events and formal dining.

Celebrity Eclipse

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Elaine Pasekoff and Derek Hewitt drove Terry and I to the Miami docks where our cruise ship was docked. There was some paperwork to fill out and the passports had to be checked, but getting on to the ship was a fairly painless process. There were maps of the ship near the elevators and we decided to go to the Ocean View Bar at the back of the ship to wait for embarkation. We ordered drinks and I relaxed into my first sketch on the voyage. Half way into this sketch the loud speakers crackled on and we were told that everyone had to report to an evacuation station point. I always finish a sketch yet here on vacation there were more interruptions than ever.

At the evacuation point we had to see a film and listen to crew members much like stewardesses on an airplane. Terry sat on my artist stool as the room grew hot from all the people pressing into a small space. After the film, Terry went to our cabin and I hiked back to the Ocean View Bar to finish my sketch. Signs that said, “Private Party” were blocking the entrance to the bar. I ignored them and made my way back to the bar. The Brits sipping their drinks with umbrellas must have been exclusive VlP’s.

I finished the sketch just as the boat started to move. Loud horn blasts announced our departure. Terry texted me to let me know she was coming to meet me. She got lost so I went on deck to find her. She was easy to find, since she was a few yards from where I exited the bar and went on deck. The water churned as the huge ship backed out of the dock. Everything moved in slow motion. It started to drizzle so I went to our cabin for the first time. My luggage was in the hall, so I rolled it inside and looked around. I relaxed on the balcony and watched the Miami skyline slide by as we went out to sea. The Celebrity Eclipse had set sail.

Miami Beach

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Stillman & Birn, a sketchbook manufacturer here in the United States sent me about seven sketchbooks to test out in preparation for NAMTA, an artist materials convention coming to Orlando in May. At that convention, I will be showing people the sketches I did and discussing the books from an artist’s perspective. I have been using, Handbook Artist Journals for the past three years to do all of the sketches on this blog. I have noticed recently that the pens have been making indentations on the Hand Book pages that show up on the back of the page. Since I sketch on both the front and back of the pages, this became a problem. For the past month I have been searching for a better sketchbook, trying Canson and Strathmore books. I just haven’t found the right weight and feel to the books I picked up at Sam Flax. Then out of the blue, I am told by an employee at Sam Flax, that a representative from Stillman & Birn wanted me to test out their sketchbooks..

It was Spring Break at Full Sail where I work part-time and my wife Terry decided to book us on to a cruise ship leaving from Miami and sailing the Caribbean. We drove to Miami Beach where we stayed at Elaine Pasekoff and Derek Hewitt‘s gorgeous condominium. It was a long drive and when we arrived, Elaine and Derek were out at a Passover diner. I went out on the windy ninth floor balcony and looked east towards the beach.

This is the first sketch I did in one of the new Stillman & Birn sketchbooks. I was delighted that I could lay colors down thickly and I loved how vibrant the colors were. I scrubbed some areas violently and with the previous Hand Books, the paper would come up in pieces, thinning the page. With this new sketchbook, I imagine my sketches will become more painterly and I can “work” the sketch with far more abandon. I can’t help but “geek out” about these new sketchbooks. I feel like a kid who has finally found a new indestructible toy.

Connected, An Interactive Experience

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“Connected : The Interactive Experience” is the story of a man named Jacob who has shut himself off relationally from the world around him. As Jacob faces moments from his past that have caused him to isolate himself, he is awakened to deeper levels of intimacy in his current reality.

But Jacob isn’t the only one journeying into his memory. Through the use of technology, The Guide invites each audience member on a unique, introspective journey into their own emotional, physical and relational past. This illuminating process of discovery will welcome the audience into introspective and interactive moments that will surely be risky, challenging, humorous and healing.

This 60 minute theatrical experience combines drama, choreography and technology to connect the audience with the performers on stage, with one another and to the deepest parts of themselves.

I first learned about “Connected” when I went to Cole NeSmith‘s Facebook page to ask him about “The Tree of Light”. It turns out that “The Tree of Light” will be installed at Lake Eola on a cement pier that juts out into the lake on the Roseland Avenue side. The tree is just on hold until Cole finishes his work on “Connected.”  When I asked Cole if he felt that the Connected rehearsals are “sketchable”, he replied, “Yes, stop on by tonight!”

The rehearsal was at Downtown Credo (706 W Smith Street). Credo is a coffee shop in College Park where you pay what you want for your hot cup of Joe. I couldn’t imagine a dance rehearsal in a coffee shop so I had to see for myself. When I arrived, I noticed the dancers warming up in a back room. Holly Harris, the choreographer told me I could sketch from anywhere. I couldn’t place Holly, but she later let me know that she did the choreography for “The Pink Ribbon Project” which I had sketched. There was a couch in the room where the dancers were warming up so that is where I ended up. The cushions kept me from moving my arm as I drew, so I sat on the arm of the couch and moved the back cushion for freedom of movement.

In the first dance sequence, Cole sat in the center of the room wearing headphones and sunglasses. He held a flashlight which illuminated the ceiling. Dancers explored and swirled around him essentially guiding away from his insular world. Holly explained that some of the dancers would be holding canvas panels which would catch the shadows cast by fellow dancers. The dance studio was dark and Cole began to explore the edges of the staging area which meant he would be interacting with the audience. At one point, he lit up my sketch pad and looked down in wonder.

The second dance sequence was even more complicated. Dancers walked along diagonal lines and then froze for a moment while Cole moved among them. Later a group of four dancers stood center stage and individual dancers would move between them being tuned and toned through touch in a swift staccato factory styling before moving off refreshed and invigorated. Holly explained that these central dancers were “teaching people to connect.”

Connected will be premiering at the Green Venue at the Orlando International Fringe Festival in May. Tickets are $9 plus a Fringe button which is good for all the Fringe shows. Mark your calendar and get Connected!

  • Thursday 17 May; at 7:45pm

  • Saturday 19 May; at 8:30pm

  • Sunday 20 May; at 11:30am

  • Monday 21 May; at 5:45pm

  • Tuesday 22 May; at 8:45pm

  • Friday 25 May; at 10:15pm

  • Saturday 26 May; at 2:45pm

Snap! 2nd Live Fashion Shoot Out

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The Snap 2nd Live Fashion Shootout was held at the Orange Studio (1121 North Mills Avenue). At this event, photographers were given two beautiful models fully made-up and styled, a light and an infinity background. They then had five minutes to shoot. There was a cap at 40 photographers who could be professionals or amateurs.

I parked on a side street in the Mills/50 neighborhood. I passed a car with press credentials in the windshield and saw that it was from the Murder City Photography. Darn, I thought, I should have arranged a press pass to this event. I bumped into photographer Barry Kirsch outside near the entrance. He wasn’t going to be shooting photos. The suggested donation was $5 and I paid at the door. Patrick Kahn, the Snap Orlando Producer, greeted me and said, “It’s officially an event now.”

Inside I debated about sketching DJ Nigel who worked the sound board all night. I then noticed the models were still being primped and preened. I started a sketch but didn’t commit because the make-up was done before I could finalize a composition. I then found a spot in the corner of the photo studio that let me sketch the models and photographers. Models posed for a fraction of a second at a time as photographers shot. Each shot was then projected live on a screen so bystanders like me could see what the photographers were doing. Later in the evening, someone told me that a photo of me sketching was up on the screen. With my hiking boots and jeans I’m the antithesis of a fashion statement.

People on the sidelines were snapping cell phone pictures as well. A billion or so pictures must have been taken of the six lovely models. Tisse Mallon worked with two models, getting them to interact and have fun. Much of the time however the models glared at the camera threateningly. The room got packet with people sipping Peroni beer, and watching the leggy models vogue for the cameras. I had a chance to chat with Lisa Bates after the sketch was done. It seems her closet exploded like a volcano when she went in searching for an 80’s outfit for the Don Cornelius Soul Train Dance Party the following evening. The Orange Studio is becoming quite the social hot spot.

Women in History

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Candy Dawson from Altrusa International, invited me to sketch a fundraiser for Pace Center for Girls. Pace is a nationally recognized prevention program for adolescent at-risk girls. The program understands the impact that gender responsive prevention services have on decreasing juvenile crime and in helping adolescent girls turn their lives around. The program integrates social services, education and career development in an individual manner. Pace is recognized as the most effective program in the country for keeping adolescent girls out of the juvenile justice system.

The fundraiser featured the usual silent auction items. When it was time for the main show, a valiant effort was made to get the women to stop shopping and quiet down. The girls from Pace had been rehearsing for weeks on this show. They were each dressed as a woman from the past and they had lines about how they helped forge and shape history. Candy introduced “The Supremes” with a flourish. Rather than the singing group, girls came out in black robes. They were the first women who were elected to the Supreme Court. Abigail Adams came out in a gorgeous white lace dress. Amelia Earhart came out in a vintage leather flight jacket. She forgot her lines but was helped out before she crashed and burned. Chief Warrant Officer Mia Perdue of the US Army spoke humbly of her service overseas. Her ship was the first at the front lines when the U.S. became involved in Iraq.

I was told afterwards that the girls didn’t have much confidence going into the show but they all rose up to the challenge when it was show time. I thought they seemed like seasoned actors. It warmed my heart to think theater could offer such an important lesson in Confidence to these girls from Pace.

Dog Powered Robot Rehearsal

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Dog Powered Robot is gearing up for action at the Orlando Fringe Festival in May. Rehearsals are happening twice a week at the Jewish Community Center. When I arrived, the cast was standing in the center of the room in a circle. There were lots of new faces indicating that the show would be bigger than ever. An actor got in the center of the circle and started acting like an orangutang. Once people started to laugh, he walked back out and stood in the circle. The person who laughed first had to stand in the middle. He acted like a giraffe, regal and slow. He looked over at an actress and started to curl his long tongue the way giraffes do. She couldn’t help but laugh. So she was next. I laughed non-stop since I was safely outside the circle.

 This evening was to be devoted to choreographing several dance and fight scenes. Darci Ricciardi was in charge of the choreography. Katie Green, the DPR director asked all the froggers to rehearse their part right after the dance scene. The scene was run multiple times without the costumes. I drew all the actors in pencil and was about to ink them in, when everyone was told to “suit up”.  Lollibot, played by Serafina, wandered bewildered. She came upon this gang of deviant froggers lead by a  frog with a large fedora and a cigar. Grace “Scully” Nolan was high above everyone else on her stilts. The head frogger entered the scene between her stilts. Part of his his costume got caught on her stilt. They had to stop the scene and untangle him. “Good to know!” Katie shouted, “That’s why we rehearse.” “I was so excited when I saw his head made it between my legs!” Scully shouted back. Everyone started laughing till they were red faced.

Christie Miga sat beside the director working non stop on a moving set piece. Evan Miga entered the scene as Dog Powered Robot when needed but he didn’t suit up. New ideas playfully sparked up throughout the rehearsal. Fisher, the dog behind Dog Powered Robot, kept track of everyone. Some robots are still being constructed and refined at the Dog Powered Robot Labs.

ReFresh

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ReFresh was a two-day art sale giving local artists an opportunity to showcase their artwork as well as providing art lovers with affordable, original art. The event took place at the Orange Studio, (1211 N. Mills Avenue) on Saturday April 21st and Sunday April 22nd from 11:00am – 5:00pm. Food trucks, including KBurgers, Fork in the Road, Yum Yum Cupcake Truck, Gastro-Truck, Fro2Go, and The Flattery will be on site during the event.

The Orange Studio is a cavernous one story building which is used for photo shoots. The last time I was there, Voci Dance was performing a Valentines themed show. There were three food trucks in the parking lot behind the building. The back door to the Orange Studio was open so I walked in. All the walls had framed artwork neatly framed and hung. I had expected an informal fair like setting but was pleased to see the work hung gallery style.

There were large three foot photo prints and splashy serigraph prints that depicted the start of a marathon and the Prix de France. Orit Ruben is the one Orlando artist who’s work I recognized. She does pastels of the nude figure. There were quite a few very large abstracts, both warm and cool. I was surprised I didn’t recognize more of the artists. I didn’t linger too long. I wandered back outside and decided that the food trucks were the main attraction at ReFresh. The Gastro Truck seemed to offer cheesy delights. Some people ordered food and never went inside to see the art. No one ever seemed to order anything from the Gourmet Flatbreads truck. The Fro-2 Go Truck did a brisk business. Even the woman taking orders at the Gastro Truck ordered a Fro-Yo. I hope there are more places that will open their doors to artists like this.

The Way of the Cards

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“The Way of the Cards” is a new play written and directed by Aradhana Tiwari. It will have its World Premiere tonight at 8:30PM in the Lowndes Shakespeare Center, Mandell Theatre (812 E. Rollins St, Orlando). I went to a tech rehearsal a few days before the opening. Aradhana welcomed me warmly and introduced me to Tom Mangieri, the set designer. This was the first time the cast saw the set, so stage manager, Brenna Nicely, gave them a walk through. Apparently the steps could be hazardous. The set wasn’t complete yet, but the sink had running water. Everything was a bit off kilter, giving the domestic scene an unsettled feeling

Aradhana said to the cast, “Don’t let
the largeness of the space take away from your power.” She pushed the
actors repeatedly to project to the back row. As the scenes were
rehearsed, she moved to different seats in the theater, getting a feel
for the scenes from all angles.  She handled the music cues from her iPhone.

The play is about the dysfunctional Arlington family. Tip, played by Anthony Pyatt, narrates the plays opening, structuring his narrative around a single
hand of Texas Hold ‘em. He teaches cards in order to
relay the most tragic hand of his life. He spends much of the play munching cereal trying to remain disconnected from the drama swirling around him. His mom, Sass, played by Kate Ingram,  may have been the “First Lady Of The
Vegas Strip” at one point in her poker career, but now she is simply a
tired hack who plays on a riverboat. Tips sister Tally, played by Olivia Richardson, tried to bring some order to the home but she never could fulfill her absent mothers expectations. The youngest member of the family, Lucky, played by Gabe Patrick, dreamed of someday being a “Mechanic” which is someone who knows how to cheat at cards.

Sass needed to convince Lucky that cheating at cards was disrespectful to the game. “In life there are players and there are dealers, you don’t want to look back and wish you had played a hand. The way of the cards is in the people that hold them. There is always some sucker hoping there is a special card that will save the day.” “Don’t worry mom, I’ll earn my wins.” Lucky replied.

This is a powerful heartfelt drama born right here in Orlando. Get out and experience this show for yourself. Be a player, not a dealer. We all have to work with the hand we have been dealt.

When:

April 27th through May 6th
Fri 4/27- 8:30PM
Sat 4/28- 8:30PM
Sun 4/29- 2:30PM
Mon 4/30- 8:30PM Industry Night
Thu 5/3- 8:30PM
Fri 5/4- 8:30PM
Sat 5/5- 2:30PM(Matinee, no night show)
Sun 5/6- 2:30PM

Cost:
General Admission: $15

Industry Night: $10 (Guaranteed seating with previous reservation, we
are also offering a walk-up admission of pay what you can, it’s not
guaranteed seating, but you can pay whatever you want!)

Time:
Fri/Sat/Mon- 8:30PM
Sun/Sat(5/5)- 2:30PM

For tickets and more info: Visit PlayTheMoment.Com.
(Tickets are now on sale )

The Creative Village

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The old Amway Arena was imploded at 7am several weeks ago. I didn’t get up that early to see the devastation, but a week later, I drove past the site as I was weaving my way through side roads to avoid a back up on Colonial Drive. A large banner declared the wreckage to be the “Creative Village” and I had to sketch the ironic sight. The wind caused sheet metal to flap sounding a bit like thunder. Clouds of dust rose and danced among the exposed beams. The four corner structures remained intact with dark red interior stairwells looking like bloody eviscerated flesh.

I enjoyed the Orlando Magic games I saw in this arena. I never understood why an extra large arena had to be built to house a basketball court. But what is done is done. According to a site online, The Creative Village will be a magnet for knowledge workers to live, work, learn and play – a place where high-tech, digital media and creative industry companies integrate with residential, retail, and academia in a neighborhood that is connected to the surrounding community and plugged in globally. Innovative in its architecture, thoughtfully mixing living and working spaces, the Village will be designed to enhance the lifestyle of creative people and become a supportive, business-friendly environment in which digital media and related companies can thrive. Hopefully the Creative Village will live up to its name, but for now, it looks like a war zone.

I had a wrapper from some peanut butter Girl Scout cookies in my art bag. Half way into the sketch, an ant bit my leg. I slapped it off and looked around to be sure I wasn’t sitting on a fire ant mound. I noticed ants swarming around my bag. I pulled out the wrapper which was now covered in ants and I disposed of it. Slowly the ants dispersed but some still chose to bite me occasionally.