Pink Hair.

Denna Beena and Travis Fillmen sometimes have friends over at their College Park home. They host outdoor screenings on their lawn of quirky classics like “Goonies.”  Denna has appeared in quite a few of my sketches. She is easy to pick out, because of her bright pink hair. As a matter of fact. I keep a second palette m my art bag specifically because it has just the right hot pink.

I sketched Denna and Travis’ wedding. A mannequin stood on stage with the wedding couple, and I was glad to to see that he had a permanent place in their home.

On this evening, Denna was helping a friend put pink streaks in her hair. Her black cat had a full run of the place from it’s high cabinet perch. A cross country sky exercise machine dominated the room. Travis has a gorgeous fresh water planted fish and gorgeous. It kind of makes me want to get back into the hobby.

Outside there was a Barbecue of hot dogs and hamburgers with plenty of time to mix and mingle before the movie screening. I had never seen Goonies before and I enjoyed the adolescent humor and simple quest for treasure. Simple pleasures like this make it fun to live in Orlando.

Weekend Top 6 Picks for May 13th and 14th.

Saturday May 13, 2017

4pm to 6pm Free. Young Voices. JB Callaman Center 102 North Parramore Ave Orlando FL. Teen Open Mic Every second Saturday of the Month.

7pm to 9pm Free. Brewery Tour. Orlando Brewing, 1301 Atlanta Ave, Orlando, FL.

10:30pm to 12:30am Free, but get food and drink. Son Flamenco. Ceviche Tapas Orlando, 125 W Church St, Orlando, FL. Hot blooded Flamenco dancers.

Sunday May 14, 2017 Mother’s Day

Noon to 1pm Free. Yoga. Lake Eola near the red gazibo. Bring your own mat.

2pm to 4 pm Free. Script Reading Workshop. Sleuths Mystery Dinner Show, 8267 International Drive, Orlando, FL. Read and workshop plays.

10pm to midnight. Free but get a coffee. Solo Acoustic Spoken Word. Natura Coffee & Tea, 12078 Collegiate Way, Orlando, FL.

Sunset “Paint In”.

The week long Winter Park Paint Out culminated in a Sunset “Paint In” held at the Winter Park Racquet Club, 2111 Via Tuscany, Winter Park FL 32789. The public was invited to see Paint Out Artists gathered on the shore of Lake Maitland as they captured a beautiful Florida sunset from the west-facing shores Lake Maitland.

This event has become incredibly popular. I arrived right on time and had to search the entire racquet club parking lot for a spot. I believe I found the very last parking spot in the grass. And even so, two tires were on a gravel path. A line of female artists were lining the path approaching the entry to the event. I passed them and decided to get closer to the water. I settled in and started sketching from in front of a hedge. It offered some privacy since patrons couldn’t stand behind me and look over my shoulder. Since I wasn’t officially a “Paint In” participant, I didn’t want to draw any attention to myself. Even so, I had some pleasant conversations with friends.

 Artwork was available for sale the night of the event and patrons could also see the evenings completed artwork in the Polasek’s “wet room” gallery the following day. There is a definite challenge to staring straight into the setting sun. I used my baseball cap to block the sun while I sketched the artists at work. I started my sketch because I liked the heroic stance of Patrick Noze as he blocked in his canvas on the far right. His broad stance suggested a confidence with his brush strokes being driven by his arms and shoulders. In contrast, Jeff Ripple was executing a small intimate painting on the left. His piece required the delicate details of tiny brush strokes. Vladislav Yeliseyev arrived later, and set up between the two artists. Vladislav is the one watercolor artist among the 25 or so plein air painters. His loose watercolors have a limited palette and have a full value range with little use of line. I vastly a mid every piece of his that I saw in the Polasek wet gallery.


Some artists who finished their paintings had frames that they used to store The is still wet panels. I had never thought about the notion that a frame is a good way to store and transport a wet painting. many paintings were sold right off the easels. A patron could walk away with a still that night. The me were free drink samples available. I tried a coconut rum mixed with pineapple juice. H was delicious, but the shot glass sized plastic cup left me wanting more. Hal Stringer offered me two drink tickets and I cashed them in at the end of the evening for two red wines. This paint out week is a fun event I really should be a part of next year as they celebrate their 10th anniversary.

Photographer J.D. Casto remembers Pulse.

J.D. Casto is a filmmaker turned photographer. The day before the Pulse night club shooting on June 12th 2016, he was dog sitting. That evening he started to get texts asking if he was safe. He immediately started checking online news sources and once he found 3 sources that confirmed that there was a shooting at the Pulse nightclub, he packed his camera in his bag. at 10:07pm he found a report that the first shot was fired. at 11:20 he found a report that five were dead and others injured. He rushed out to shoot photos. He caught an amazing series of photos at The Center as everyone watched the news in disbelief. He watched the entire city go through the stages of grief. All city organizations became fatigued. As an artist he had a war board to keep track of all the events he shot photos of. He worked 20 hour days. The camera offered security. For him photos give some form of closure.

After Pulse crazies crawled out of the wood work. One con-artist used the outpouring of generosity following the Pulse shootings to convince organizations to give him money which he then pocketed. The same thing happened after the Boston Bombings. On Facebook, angry people sent survivors photos of victims. Gift cards were donated for victim’s families and the FBI sat on them. Peoples moral compasses were off. On his right arm, JD got a rose pattern compass tattooed on his arm. The tattoo faces him and he considers it his moral compass. An event like this rips the blinders off and says look, the world is shit and I see it, but how do we make it better? He. wanted to be the one who who says no and stays on course, due north, while others manipulate an already horrific situation.

There was an after party for a Cabaret on the evening of the shooting. Two members walked out as the shooter walked in. A fraternity brother of J.D.’s escaped, but he lost a friend named Xavier Emmanuel Serrano Rosado that night. He became extremely active n the Orlando Gay chorus after Pulse. He talked about a huge chorus gala held in Colorado shortly after the shooting. When the Orlando Gay Chorus arrived they found banners of support hanging everywhere. The performances were in a huge opulent opera house. When the Orlando Gay chorus performed “You Will Never Walk Alone”, the entire audience of 5000 people sang along. Shocked by the outpouring of love, there were unexpected tears on stage. The Orlando Gay Chorus has performed over 400 times since the Pulse shooting. They sang at just about every event I sketched.

Six months after the shootings J.D. was still in triage mode, still shooting photos. Being gay shouldn’t define a person. Intolerance is intolerance, is
intolerance. This horrific event forced peoples hands so that perhaps
some good can come of it. He hasn’t had time to settle in here in Orlando. He still doesn’t have a couch. However, Orlando has become his home. He has found his groove and is rooted in Downtown and found his place in the community.

Cabaret at the Bay Street Players in Eustice.

I had never seem Cabaret before, except for a you tube video clip of the song “Willkomen”. It was a long drive from Orlando and I arrived a few minutes late. The theater was already dark and I stood in the back of the theater to let my eyes adjust. There was no chance I would find my seat number printed on the ticket. I asked if a seat was open and I believe the director David Gerrard suggested I find a seat in the back of house left.

The story is straight forward but exotic. American Clifford Bradshaw, (Austin Langford) arrived in Berlin hoping to live cheaply and write his first novel. His landlady, Fraulein Schneider, (Terri Lea Myers) begrudgingly allowed him to rent a room for a reduced rate. Her solo, “So what?” describes  her life of pain and compromise. She was excited to get a tenant who wasn’t a prostitute. Cliff is quickly invited out by another tenant to a club where the exotic and sensual nightlife became the norm for life in the big city on the verge of World War II. At the club, Cliff met dancer and singer Sally Bowels (Gabby Brown). She quickly found her way into his life, becoming his roommate and then lover.

Sally’s title song “Cabaret” is towards the end of the show and it is filled with lost hope and longing. Gabby’s singing was inspired. Sally hit rock bottom because she was unable to see the horrors to come and escape when a window of hope opened. Though a seedy life, being a cabaret singer has the false allure of fame. Kit Cat girl Crysta Marie helped get me in for the sketch opportunity, so of course I watched her every dance move on stage. Some girls had lipstick lips painted comically large but the excess was just enough.

The shows menacing central theme surfaces when Herr Schultz (Lloyd Holder) and Fraulein Schneider have an engagement party. One party goer was a member of the Nazi Party and his intolerance and hatred broke up the festivities. The theme hit close to home because today in America hatred and divisiveness seem to the the norm.

I have to applaud choreographer Amanda Warren who worked out some sensual and inspired dance routines, which are the cornerstone of the production. The Emcee (Eduardo Rivera) gave  a sensual and playful performance. He mocked authority and delighted in the decadent.Thick stage make up and scanty outfits made him a delight to watch. When the Nazi forced the crowd to sing a German anthem, the emcee lifted his trench coat to show a huge swastika drawn on his right butt cheek. The audience gasped and laughed.

The final number, “Willkomen” was about how the club was a safe place where everyone could be themselves, playfully lewd and lascivious. Everyone was beautiful, from the dancers to the piano player (Eric Branch). This sentiment mirrored words I have heard so often about the Pulse nightclub. There people felt safe to be themselves, but hatred made its way inside. Hate in the play was symbolized by a single brick dropped to the floor that reminded us all of Krystal Nacht when German youths destroyed Jewish merchants businesses. The implied threat of violence to come, reminded me of the violence that took 49 lives in one night here in Orlando. Herr Schultz ignores the threat believing it will pass and in my gut I am screaming, “Wake up!” The ever playful and sensual emcee dropped his trench coat to the floor to reveal a tattered concentration camp outfit. In Orlando life has returned to normal for most as their life goes on. Although there have been so many signs of love and acceptance since the Pulse shooting, The GLBT community still faces hate and intolerance daily. I keep hoping Orlando is moving towards a brighter future, but it is so much easier to repeat history. Will it be a profit of doom or a celebration and escape in a cabaret?

The show runs through May 14th. Tickets are $18 to$21.

Put down the knitting, the book and the broom
It’s time for a holiday
Life is a cabaret, old chum
So come to the cabaret

Creative Momentum Gathering: What You Need to Know About Publishing.

Lezlie Laws hosted a creative momentum gathering at Cocina 214, (151 E. Welbourne Ave., Winter Park, FL). The gathering was for authors working on a writing project or dreaming of one. Leslie first emphasized that her goal was to shape the art that we were born to create. No matter where each of us was, on our creative journey, the potential to bloom is always there. She introduced Writing Your Life founder Patricia Charpentier, who helped in each step of the journey, as Leslie self published her book.

Patricia explored the next steps for publishing work. She outlines the publishing model in which it is important to know, who is doing the work, and who is paying. In the traditional model, the publisher does the work and pays. In traditional publishing today, you can’t get to a publisher without an agent. In self publishing, you do the work, and you pay the bills. There is now an indie publishing hybrid in which the publisher does the work, and you pay. Patricia does the hybrid model. If you decide to go the hybrid route, it is important to see samples, get the name and contact info for your project manager, and ask about how editing is done. There is line editing, developmental editing, and some hybrid publishers don’t even read what you submit.

You need to find out if your preferences in design are considered. How are changes made? When do changes start coating you more money? You need to find out about production. Can you approve a digital proof? Can you see a hard copy proof? Are changes allowed after a proof? How many copies of the book should you order? What is a minimum order? You need to get ISBN numbers and register your book for copyright and register the book with the Library of Congress. Do you want to create an e-book? How will you distribute and market the book? This last question is probably the most critical, and most overlooked.

You need to be an informed writer. You need to have a completed manuscript before you consider the publishing options. Finishing the book is often the hardest task. There are authors who nurse, write, and re-write a book for years. What message do you want to convey? The design of the book is critical. Not every graphic designer is a good book designer. You need to make decisions slowly and deliberately. You have to remain open to the magic. The final cost of self publishing a book might run along the lines of the cost of a really nice family vacation. As a hybrid publisher, Patricia might open the door, but it is up to the author to walk through.

One Orlando Task Force Announced.

On May 4th, a small stage was set up inside the protective fencing at Pulse nightclub. A long line of TV cameras was already set up to catch the early morning press announcement.  Getting to go inside the fenced area involved a metal detector and a full search of all my art supplies. The micron pens were inspected closely and as I raised my arms for the final metal detector wand sweep, a photographer shot photos. For the next half hour reporters milled about. I set up in front of a large container of ice. I figured  it might offer some air conditioning as the sun rose higher in the morning sky. I was blinded at first, but knew the sun would rise up behind an overhanging branch that would offer shade.

A chorus sang, Bridge over Troubled Water, Somewhere over the Rainbow, and Seasons of Love. Then Andrea Day‘s voice sang Rise Up, offering hope and inspiration in the abandoned lot. Angels were on stage and at the back of the lot near the TV cameras. Barbara Poma and a board member took to the stage. Several videos gave the crowd a felling for how Pulse had been a place of acceptance and a place where anyone could be themselves. Barbara briefly talked about how important Pulse had been to her. She lost her brother to aids and that loss became the inception of the club’s name. Now that the scene is the site of a horrible loss of 49 lives, Barbara recognized that the site must become a memorial that serves all of Orlando’s communities.

People from around the country are rising up to support this task force. Rock stars and Hollywood actors are among the names that are behind the process of building something that might bring healing to the city. For some reason Cindi Lauper‘s name sticks in my mind. But this morning wasn’t about politics or the of names of celebrities, it was about giving back to the community as it comes to terms with immeasurable loss.  Barbara read a long list of the people she needed to thank for getting the task force to where it is today. I felt pride for friends and co-workers who were on the list. Although the meeting was for the media, it was also for families directly affected by the tragedy.  Each chair in the audience had the name of someone who was a member of the task force, or whose voice might inspire the new creative initiative.

Family of victims, survivors, and first responders are all being given a questionnaire crafted by artist Jefri, that asks their opinions about what they hope to see on the site where the dark empty shell of a building now stands. Questions might range from, What emotional impact should the site leave on a visitor? Should it inspire hope for the future or should it express the loss that the community still feels and will feel for years to come? Should the site have water features, trees, color or be monochrome, how can a memorial best serve the community? An international design competition is being considered to help find the design that will best express what the community feels. All family of victims have a voice, and meetings have begin to set the process in motion. Barbara acknowledged that they are learning as they go and the process will be a long one. Barbara and others went to the 9/11 memorial, and  Oklahoma City memorial to get a feel of what can be done and ask how to accomplish the task. Some of the audio at the Oklahoma site was too hard to hear so soon after Pulse.

This meeting was just the first step on a long road to find beauty and perhaps hope in such a scene of devastating loss.  Outside, at the curb facing the street, three people held a long rainbow banner that said, Gays Against Guns. I considered a second sketch but was l was ready emotionally drained. The fence was again the site of many items left behind by people coming to terms with the tragedy. We are fast approaching 525,600 minutes since the shooting that began
around 2am on June 12th at Pulse, Orlando has rallied and continues to answer the tragedy with love.

You Should Do…

One year ago today, Brian Feldman hosted a series of five minute, in-person, one-on-one meetings in a small elevator inside the Orlando Shakespeare Center. He maneuvered two full length mirrors into the elevator creating a visual infinite loop. I sat in on a series of these short meetings with the egg timer reminding me of the swift passage of time. For the first time in his career, Brian will genuinely consider all pitched project ideas to him during this one-time-only event, without his standard “You should do it” response. Interested participants registered for one of the 36 available meeting times on May 6, 2016.

Over the course of his 13 year career as a performance artist, people would regularly approach him with ideas of their own for projects that he should do. His response has always remained steadfast: “You should do it.” … Until now. He genuinely considered all pitched project ideas during this
one-time-only event, without his standard “You should do it” response.

At the time of this performance, Brian was recovering from a horrible mugging in Washington DC which resulted in multiple broken bones.  Among
the many things he struggled with at the time was an inability to devise any new project ideas. While friends and family members assured him that these ideas will return to him in due time, he was impatient for the muse to strike.

By
participating in “You Should Do,” participants acknowledged that Brian Feldman
only agreed to genuinely listen to and consider the proposed project
idea. It did not imply an agreement that any project would actually be
produced. Note that any projects sent through Twitter are public
and may be produced by anyone, at any time, worldwide and without your
permission.

I didn’t have any inspired ideas other that having an artist document each performance. The space got cramped once three people sat in the tiny elevator meeting room. Seth Kubersky had some wonderful ideas that would tie in with a certain local themes park’s anniversary. His suggestions seemed to hold the most weight. As of today, one year later, none of the projects have been produced but there is always a chance that they will surface and bloom, even years later. Case in point, this sketch sat tucked way in a sketchbook until today.

Weekend Top 6 Picks for April 6th and 7th.

Saturday April 6, 20

4pm to 8pm Derby on Park $69 General Admission. Winter Park Civic Center 1050 W Morse Blvd, Winter Park, Florida 32789. Orlando’s Premier Kentucky Derby Party:

Presented by Mercedes-Benz of Orlando and Anthony Dinova, Realtor. As a guest at Derby on Park, Central Florida’s Premier Kentucky Party all you have to do is enjoy the best Derby Day party experience! Dress in your favorite derby attire, eat, drink, and cheer for your favorite horse. During the 4-hour event, Orlando’s top merchants set up to offer unlimited complimentary food, wine, specialty EG Vodka cocktails, Mint Juleps and Craft beer. Meanwhile, The Dana Kamide Band performs their Las Vegas show plus special guest on saxophone—all leading to a fun evening.

$69 General Admission Includes:

  • Being greeted with a mint julep or champagne
  • All the drinks you want (alcoholic and non-alcoholic)
  • All the fun you and your friends can have
  • Music Featuring The Dana Kamide Band + Guest sax
  • Best Hat Contest – $500 in cash and prizes for top 3 voted hats
  • Viewing the most exciting 2 minutes in sports (the Kentucky Derby) on multiple large screen TVs while rooting for your favorite horse. 
  •  

     7pm to 10pm Free.  PechaKucha v20 Celebration! The Orange Studio 1121 N Mills Ave, Orlando, Florida 32803. 20×20! Please join us for a private invitation-only party to celebrate reaching our 20th PechaKucha Night in Orlando! We’re inviting every one of our past speakers (135 of  you!) to come celebrate with us (and some surprise guests). A chance for you to see old friends and for us to say Thank You! There is no charge, but please follow the link and register with Eventbrite to help us estimate crowd size.

    8:30pm to 10:30pm Free. The Geeek Easy with Amy Watkins and Open Mic. The Geek Easy 114 S. Semoran Blvd Suite #6, Winter Park, Florida 32792. Open to all: Musicians-Lyricists-Artists-and Poets of all kinds. Bring out the cape and have some fun.

    Sunday April 7. 2017

    10am to 4pm Free. Lake Eola Farmers Market. South East corner of Lake Eola.

    Noon to 1pm Free. Yoga. Lake Eola near red gazibo.

    Noon to 3pm Donation. Music at the Casa. Casa Feliz Historic Home Museum, 656 N Park Ave, Winter Park, FL 32789. Beautiful Music String Quartet.

    Plein Air Painting Demo at the Kerouac House.

    Plein Air painter Cory Wright offered a free painting demonstration at the Kerouac House, (1418 Clouser Ave, Orlando, FL 32804). The painting demonstration was one of many offered this week as part of the Winter Park Paint Out hosted by the Albin Polasek Museum. When I arrived, Museum Curator, Rachael Frisby was setting up an information table and setting out some lawn chairs.  A tall banner announced the Paint Out. It took the evening breeze like a sail held up by a mast. Once a table leg was planted on the base, it was secure.

    A young couple arrived with a blanket which they spread on the lawn for a picnic. They ate chicken and sipped wine, while Cory got her easel and palette set up. I liked how she had a paper towel roll neatly hanging from her easel. She held a fist full of brushes, but told us that she tended to just use two on any given canvas. She pointed out that if you want To become a good painter, then the best thing to is draw all the time. She talked quite a bit about painting into the effect which means, having an understanding of the light direction and using that knowledge to inspire the direction the painting takes.

    Cory described her process… “The beauty of plein air painting for me,
    aside from the obvious delight of simply being outdoors observing
    nature, is communicating the energy, immediacy, and sense of feeling
    about a particular place through painting. I find I’m constantly on the
    lookout for interesting patterns and contrasts in shapes, values and
    color, be it a shadow cast on the sand or the reflection of a rock in
    the water. Driven to make the most of sharing the beauty I experience
    in my surroundings, I aim to snatch a moment of changing light and
    reveal that fragment of time to others. In doing so regularly, my hope
    is to become evermore skilled and masterful as an oil painter.”

    As the sun set, and the golden light faded, Cory finished up her painting adding some dappled light she had observed earlier in the evening. She thanked the dozen or so patrons who had come out to watch her work and there was a moving round of applause.