The Orlando Weekly Best of Orlando Party.

This year I was nominated as the Best Artist of Orlando. Andrew Spear won first place, and Boy Kong took second place. They both certainly deserve the recognition. I came in third place but just being nominated meant I could sketch the Orlando Weekly Best of Party at The Beacham (46 N Orange Ave, Orlando, FL 32801). The party of the year is a celebration for winners of Orlando’s
most prestigious awards, Orlando Weekly’s Best of Orlando. It’s a free
party for 2000 taste maker VIP’s: Best of Orlando Winners, Orlando Weekly
clients, select readers, artists, politicians and media.
This is always a blowout event that gets super crowded. Pam Schwartz and I arrived somewhat early and as I sketched the venue filled up to capacity. Only when people left, would more people be allowed to enter.

There were two entrances to the event, a “Winners” entrance at The Beacham, and a general admission entrance at 64 North. A series of bars were interconnected, including The Social, Aero, and The Patio. Different things were happening at all the bars. Lasers and spotlights created a two point perspective grid over the crowd. I sketched the grid and then took it back out feeling it hid too much of the crowd detail. When the live performance started confetti was shot over the crowd. I like to watch the hectic action at the two island bars as the bartenders are swamped by orders for free drinks. Working digitally meant I could catch the amazing lighting of the scene.

With the sketch done, we agreed that we had seen enough. We didn’t venture into the other crowded bars.

Red Black and Ignorant at Valencia College.

Red Black and Ignorant written by Edward Bond is the first installment of a war trilogy. The play introduces Monster, (Daniel Cooksley) an inhuman being who presents the life that he did
not get to live because he was aborted and burnt to death in the nuclear global bombings. Killed within his mother’s womb, the play reveals the
world which would have awaited the unborn child: a post-apocalyptic
society of destruction and war.

The venue was a small circular area with cement benches. The cast uses the benches and the walkway leading to the site. The audience will be seated outside the circle. One cast member saw an animal move in the distance. She said it was the size of a raccoon but might be a possum. All the flashlights surveyed the edge of the woods. The wildlife watched the play unfold from a safe distance.

Daniel is the actor who played my part in O-Town: Voices from Orlando written and directed by David Lee. We hugged warmly as we waited for the rest of the cast to arrive. Jeremy Seghers is directing Red Black and Ignorant. He has a keen eye for staging plays in unexpected venues. He arrived carrying a pile of military clothing. He also had make up for Daniel. Daniel had to to wear colored contacts and black charred makeup. At the start of the play, the entire cast shined flashlights on Daniel while chanting an ominous hum. Daniel crawled up out of an imaginary pile or rubble. Jeremy explained that the set piece is almost done.

The mother of the monster (Blaise Terese Vance) delivered a moving monologue while her wispy frame was being lifted on the shoulders of the monster. She illuminated her own face from below with her flashlight. An imagined lover of the monster (Alyssa Zabel) spoke of what he might have become and seemed oblivious to his twisted self. The son of the Monster (Sean Kemp) found a woman (Anissa Hernandez) trapped under rubble. She screams for help but he realizes that her job would open up were she to perish. He feigns to help but leaves saying he would find help. His father comes across his son as he is debating the woman’s fate. The father takes control of the situation and saves her. While chastising his son. The best position the son manages to find is in the military. He embraces the role. His position gives him a place of power over the monster. This father son relationship was destined to be tragic.

This play explores issues of conformity, social morality, and ongoing
conflict between the individual and society, giving the story a terrifyingly
relevant and timeless tone.

Being an immersive, site-specific work, this is an outdoor show held in
a natural environment. I was advised to bring bug spray which was helpful.  The audience is advised to check in at the box office for a short,
escorted walk to the site. Walking shoes are advised.  Late seating cannot be accommodated.  It is advised to arrive 30 minutes prior to show time. This production will not have an intermission.

What:  Red Black and Ignorant.

Where:  Valencia East Campus
701 N Econlockhatchee Trail, Orlando, FL

 Show dates:

Thursday, November 9, 2017   7:30pm

to 8:45pm

Friday, November 10, 2017      7:30pm

to 8:45pm

Saturday, November 11, 2017  7:30pm

to 8:45pm

Sunday, November 12, 2017    7:30pm

to 8:45pm

Monday, November 13, 2017   7:30pm

to 8:45pm

Tickets: $12 General Ticketing; $10 Valencia students/staff/alumni and seniors.

Contact Name: Valencia College Box Office

Contact Email:  boxoffice@valenciacollege.edu/arts

Contact Phone: (407) 582-2900

The Hound of the Baskervillesat at Shakes.

The Hound of the Baskerrvilles, written by Sir Conan Doyle was adapted for the stage by Steven Canny and John Nicholson. The 19 parts are played by just three actors. Steven Lane played Sherlock Holmes and I grew anxious since he didn’t play the part of Sherlock very often. This hilarious  production at times involved the actors breaking character and talking to the audience one on one. They poked jabs at each other for the past productions they had done. Dr. John Watson, (Simon Needham) was a natural at the British accent since he comes form England. The other actors joked that he is taking good paying actors work from American actors. Chris Crawford played Sir Henry Baskerville among other roles. The production involved many very quick costume changes.

After the first act there was an intermission and the second act began with Steven Lane reading a note form an audience member in the center section. It stated that his acting was lackluster and sluggish. The response was for the cast to re-act the entire first act at an insanely accelerated pace. This time costumes were often only half assembled as the actors ran around the stage to hit their marks. This was hilarious and impressive at the same time.

The Baskerville family suffered from a curse that began when a young woman was imprisoned at their Devonshire estate. A huge and vicious hound then attacked the guilty abductor. Since that date the family carried the curse. Each generation would suffer from the attack of a devilish red eyed  hound. The recent death of a Sir Charles Baskerville rekindled the story of the cure and brought in Holmes and Watson on the case. Holmes was busy but sent Watson to the estate to investigate.

There is an escaped convict on the moor and mysterious candle messaged sent at night. Sherlock takes multiple disguises to watch the activity of the state from afar. His several attempts to reveal himself to Watson, are hilarious since Watson is blinded by theater blindness that allows for a costume change to be an absolute disguise.  Myth and mystery eventually give way to thought and reason and the suspect is discovered.

We were seated in the back row of house left which was a great vantage point when the actors left the stage and wandered into the audience. I almost tripped an actor as he rushed out the fire escape door setting off the alarm. I highly recommend the show for a light hearted evening of theater.

The Hound of the Baskervilles.

Orlando Shakespeare Theater, The Goldman

812 E Rollins St, Orlando, FL 32803

Tickets are $13 to $50.

Remaining show dates:

Wednesday, November 8, 2017 – 2:00 PM

Wednesday, November 8, 2017 – 7:30 PM

Sold out! There are no tickets available.

Thursday, November 9, 2017 – 7:30 PM

Friday, November 10, 2017 – 7:30 PM

Saturday, November 11, 2017 – 7:30 PM

Sunday, November 12, 2017 – 2:00 PM

Sunday, November 12, 2017 – 7:30 PM

Tuesday, November 14, 2017 – 7:30 PM

Thursday, November 16, 2017 – 7:30 PM

Friday, November 17, 2017 – 7:30 PM

Saturday, November 18, 2017 – 7:30 PM

Sunday, November 19, 2017 – 2:00 PM

Sunday, November 19, 2017 – 7:30 PM

The Perceid Meteor Shower..

The Perseid Meteor shower is supposed to be the brightest meteor shower of the year. According to NASA meteor expert Bill Cooke, the Perseids are perhaps the most popular meteor shower of the year. Typical rates are about 80 meteors an hour, but in outburst years (such as in 2016) the rate can be between 150-200 meteors an hour. The meteor shower’s actual peak was around 1 p.m. on August 12, which means that the night before and the night after will both have good rates; Cooke said the show would be slightly better in the predawn hours of Aug. 12, but that there would be a decent show both nights.

Comet Swift-Tuttle is the largest object known to repeatedly pass by Earth;
its nucleus is about 16 miles wide. It last passed
nearby Earth during its orbit around the sun in 1992, and the next time
will be in 2126. But in the meantime, the Earth passes through the dust and debris it leaves behind every year,
creating the annual Perseid meteor shower.

Pam Schwartz and I traveled to Magnolia Park on Lake Apopka in the hope of getting away from some of Orlando’s light pollution. We arrived at the lake side park just before midnight. Several people were leaving the boat launch area in their SUV and they shouted out that a big gator was lurking there. We found a spot on a dock and waited patiently, seated on my artist stools..

In my nocturne I could clearly see the orange glow of the city light pollution on the horizon. I was afraid that this might hinder our chances of seeing meteors. Another drawback was that it was cloudy. After an hour of sitting on the dock, the clouds started to part and thin out. While I was staring at my sketch, Pam shouted out that she saw a meteor. I stopped sketching and stared at the night sky.

In the reeds near by two beady eyes stared back at me. It was a huge gator watching us and waiting for his chance to lunge. It was kind of hard to look at the sky with those reflective lenses staring at us. I finally did see a streak of light on the horizon. It was just a flash out of the corner of my eye, but I saw it. On a different occasion I saw a meteor that was huge and seemed to linger in the sky like  an open wound. If there were a hundred meteors and hour on this night they must have been only active when it was cloudy. What I remember far more vividly are those ravenous glowing doll like eyes. We left shortly after I saw my one meteor. Although the gator might have wanted blood, it was the mosquitoes that feasted the most that night.

Hand to God at the Dr. Phillips Center for the Performing Arts.

Hand to God written by Robert Askins, was presented by Generation Productions at the Dr. Phillips Center for the Performing Arts and was an unexpected, hilarious, and irreverent production. In a church Sunday school class, students are using puppets in a morality play. Timothy, a shy boy, played by Jerry J. Jobe had a puppet with plans of his own. The puppet calls out Timmy’s attraction to Jessica (Devan Seaman) in rather lascivious ways. Jason, (Andrew Romano) skulked with crossed arms and was anxious to cause trouble. The Sunday school puppetry teacher was Margery (Rebecca Fisher) and she was also Timmy’s mom.

The play’s title is a bit misleading. From the moment the foul-mouthed puppet on Timmy’s hand spoke for himself the laughs just kept on coming. This is no quiet morality play. The underlying unspoken heartfelt drama came from the loss of Timmy’s dad. The brunt of the action was aimed at resolving the fractured relationship between Timmy and his mom. The stakes got higher when Pastor Greg (Jason Blackwater) insists that Margery present a play at the next service. Timmy, knowing he has no control over what the puppet might say, has to let his mother down.

Both Jason and Pastor Greg made advances on Margery. She was left devastated after her husband’s death and crashed against the rocks. The classroom became a devil’s den complete with a satanic star and a teddy bear, pubic hair included, with an arrow through it, when Timmy and his puppet take over.

One of the funnier moments came when Jessica decides to speak to Timmy’s puppet through her own puppet. The result is a hilarious 5 minute sex scene with the two puppets as she is able to confide in Timmy, all as the distracted puppets bumped together. The production was a blast being a cross between Little Shop of Horrors and the Exorcist. Rebecca Fisher as Margery was fantastic. This was an amazing role for her. Jeremy J. Jobe also did an amazing job as he tried to remove the satanic puppet from his life.

The play was produced by Aaron Safer, and featured direction by Kenny Howard. The set design was by Bonnie Sprung, with costumes by Kyla Swanberg, and lighting design by Amy Hadley.

The Collective presented the Opera Del Sol launch party.

The Collective presented Orlando’s most exciting new performing arts concept, Opera del Sol at the Citrus Club
(255 S Orange Ave, Ste 1800, Orlando, Florida 32801) on August 7, 2017. The evening was hosted by Andrae Bailey and Jon Busdeker of The Collective. That night also happened to be the birthday of  Orlando Mayor Buddy Dyer. At the party, I focused my attention on sketching the string quartet.

The
mission of Opera del Sol, in partnership with the
Space Coast Symphony Orchestra, is to change the way audiences experience opera and
performance art by creating curated, conceptual productions in
unexpected places. They are creating new ways to experience
opera, musical theatre, and visual arts, opting out of traditional
venues, and instead creating alluring productions in unique and intimate
settings. They will combine the visual and performance arts with cleverly
curated foods and beverages to provide those
unexpected thrills.

Founder Nichole Dupre was there to introduce the inaugural season. With venues in both Orlando and Brevard
County, Opera del Sol will open this Fall with
Opera Wars,
an original production set in outer space, and close with
the thrilling musical theatre classic, Sweeney Todd.

Keeping with their cross-arts mission, the company will also feature a curated art
show with local artist Peterson Guerrier, and will also perform
Bon Appetit, a one woman opera based on a well known Julia Child
broadcast, accompanied with a five-course dinner presented by Publix.

Mark Your Calendar. Opera del Sol is hosting a Happy Hour fundraiser and Opera Wars
Cast Meet and Greet
on Tuesday November 7, 2017, from 5:30pm-7:30pm at Ace Cafe (100 W Livingston St, Orlando, Florida 32801).

 The countdown for Opera del Sol presents Opera Wars in Orlando
begins. Join the cast at The Abbey Friday November 24th and Saturday
November 25th. Show times are at 7pm, with a matinee on Saturday. Tickets
available at: operadelsol.ticketleap.com

Weekend Top 6 Picks for November 4th and 5th.

Saturday November 4, 2017

8 AM to 3 PM – Free. Fourth Annual Chalk the Walk. Winter Park Central Park (251 S Park Ave, Winter Park, Florida 32789). This is the fourth annual street painting event held on the first
Saturday of the month of November. There are adult, high school and middle school artists creating art and competing for prize money in a one day
event. It is always a great event to attend and see artists
enjoying the day.

6 PM to 9 PM – Donations. One Voice Orlando Benefit. Timucua White House (2000 South Summerlin, Orlando, FL 32806). All proceeds to benefit Proyecto Somos Orlando (the funds will benefit Pulse survivors and and also Puerto Rico relief efforts). Includes a screening of my short film, “Finger on the Pulse.”

6 PM to 10 PM – $30. Puttin’ on the Ritz Fundraiser. Wayne Densch Performing Arts Center (203 S Magnolia Ave, Sanford, Florida 32771).  Each year the Densch celebrates a decade: this year it’s the flower power fab-1960’s! The street in front of the theatre will come to life with groovy music, classic cars and entertainment. Supporters of the arts don their favorite 60s look and enjoy food from local Sanford restaurants. Inside the rehearsal hall, you’ll find a far-out silent auction. Be the highest bidder for fun, unique and other must-have items. There will be something for everyone. When food and bidding have closed, the fun is moved inside the historic theatre to view a live multimedia presentation highlighting musical talent from the Repertory Company and video reels helping us find our way back to the 1960s!

Sunday November 5, 2017

10 AM to 5 PM – Free Saturday and Sunday. Fall Fiesta in the Park. Lake Eola Park. The free, pet-friendly event includes artist and craft booths, food
vendors, live music, a huge children’s play area and more.

10 AM to 5 PM – $7-$50 Lady of the Lakes Renaissance Fair
(12835 County Landfill Road Clermont. FL). Travel back in time to the middle ages and enjoy food, drink, vendors, games, entertainment, and more.

Noon to 3 PM – Donation. Music at the Casa.  Casa Feliz Historic Home Museum, (656 N Park Ave, Winter Park, FL 32789). Guitarist, vocalist, composer George Grosman.

A Study of Dreams.

Ricky Brigante contacted me about sketching what I assumed was a haunted house experience. He and Sarah Elger had produced a warehouse interactive experience called Catharsis which was beautifully designed and a joy to sketch. This production was built around the idea of being a dream world. Sigmund Freud considered dreams as wish fulfillment and this production pushed that concept to the edge.

Tickets for this show sold out within hours of going on sale. Groups are
limited to ten guests at a time. The experience was a beta test for a bar
concept that the producers are considering. They used the home as a way
to work out the kinks of a possible ongoing  interactive experience.
Were they able to bring the idea to International Drive, it might very
well take off.

I paused at the entrance to the home, afraid to ring the doorbell. Something was off. It was a small unassuming house in Thornton Park. The front windows were all covered with plush red fabric. Ricky met me outside and escorted me through dark corridors to the living room area. This was the heart of the show where much of the action would take place. I set to work immediately. Sarah asked if I could execute a sketch in 5 minutes. I didn’t want to abandon what I had already started. Ricky showed me a photo of the scene she was considering. A beautiful nude woman stood in the shower bathed in red light. Bloody hell I thought, I need to figure out how to sketch faster, but I most certainly would be an odd addition to the bathroom. Ricky smiled and said, “I forgot to mention, this is a 21 and up show.”

A flat screen TV next to the bar had abstract images in motion. An actor looking at the screen prior to the show suddenly realized that the images were pornographic. Once you could see the images, it couldn’t be unseen. Sarah explained that guests were essentially kidnapped from a local park and then transported by van to the site. I had about 20 minutes to work before guests would get to the living room area. Odd cubist painting hung from the ceiling along with translucent gauze fabric. A spinning store rack had black mannequin heads with white strips of paper taped to the foreheads. Guests would take the strip with their name on it to find out what dream wish fulfillment awaited them. Menus also defined the delights that awaited.

A married couple had come to the experience. He wanted to experience the dreams as a way to get rid of his wife’s nightmares. She was shy and afraid that others were watching her, even desiring her. She was pulled away and he encouraged her to go alone. That wasn’t a great decision. The dream world was built by a doctor who was obsessed with phrenology, the study of skull shapes. The doctor, dressed all in black sat next to me on the couch. He had a drink and his hand shook. He was mumbling to himself that everyone should escape while they still could. The dreams didn’t all function as wish fulfillments, sometime there were darker unexpected consequences.

The wife returned while her husband was off in another room. She was transformed, sensual and ravenous for interaction and pleasure. A woman seated next to referred to her as a succubus. She sat on the arm of the couch next to me and asked what my greatest desire was. I was a bit flummoxed. My desire at that moment was strictly to finish the sketch I has started. A man entered the room dressed only in his underwear, holding his crumpled clothes to his chest. He had just come from the bathroom and apparently had taken a shower with the sensual woman inside.

A red glow emanated from the next room. Red icicles dripped light from the ceiling. I could hear the moans of a woman the entire time I sketched. One guest rifled through all the papers looking for clues about what was happening. I couldn’t avoid being part of the experience. Guests were curious about what I was doing. My sketch might be a vital clue. I simply explained that I was sketching the dream and kept working.

A semi-nude woman pulled a man down onto the mattresses on the floor to my right. They embraced passionately and kissed, but these moments happened so quickly that I didn’t manage to catch them in the sketch. The husband was approached by the doctor who was holding a large drill. He said it was time to wake up, just before drilling into the husband’s head in a horrific violent moment. The dreamers just watched in amazement. I imagine this was some barbaric form of lobotomy.

Towards the end of the evening, the disheveled husband was held in a chair by other women and his wife undressed in front of him. In a black garter she teased him and then strangled him. Pleasure always seemed laced with pain in his dreams. I finished my sketch after the guests had been called back to their waking life and responsibilities. I slipped out before the next guests began their dream. My dream had been fulfilled.

Howler’s Theater presents Wind Up 1957 at the Savoy.

Howler’s Theatre‘s World Premiere production of an immersive play, written by Scott Browning, which invites audience members into a gay bar in the 1950’s to witness life and love at a time when the truth could get one arrested and conformity was almost mandatory. “Wind Up 1957” is a theatrical experience that dissolves the law of time to ask, has much really changed since then?”

The play was inspired by the book “Gay Bar” by Helen Branson – the first novel about gay culture that was legally printed in the U.S. Playwright Scott Browning explains, “I fell in love with Helen so much that I just wanted to bring her and her boys back to life, 60 years later, at her Hollywood bar “The Windup.”

Pam I went to a dress rehearsal in The Savoy (1913 N Orange Ave, Orlando, FL 32804). Director Vera Varlamov was incredibly welcoming. She bubbled with delight each time an actor arrived dressed in their best 1950s suits and ties. music from the 50s filled the theater in the round. Actors checked their cellphones to pass the time until the rehearsal started. The setting for the play was perfect. The Starlight room is an intimate cabaret space inside the Savoy. The air smelled of cigarette smoke covered by strong perfumed cleaners. In this interactive space, an actor might just sit down next to you.

Vera lead the actors in a viewpoints session. The actors walked the space getting used to the new space which was larger that the spaces they had been rehearsing in but also filed with chairs. Vera referred to the chairs as the ghosts in the room, soon to be filled by an audience. The actors had to get used to walking among the seats.In the first phase they walked the space not acknowledging each other. Then they added eye contact and emotion to their steps. In the final phase, they projected outward filling the space with their presence as they moved. For me it was  a quick introduction into how each character moved.

The edgy and funny bar keep, Carol Begerow-Adubato, was my favorite character in the production. She didn’t take any crap from anyone and she instinctively knew how to protect her patrons. There was a natural playfulness to many of the scenes, like the characters were regulars who often joked together. Scott Browning was good at being intense and brooding. A slow dance with his stand in partner was incredibly sincere. One actor was in another production across town, so his lines had to be read by the tech.

Since this was the first time in a new space, the scenes had to stop once and a while to work out staging issues. But in general the production flowed nicely. The director acknowledged the audience of two and when the seats fill, there will be a new energy that will fill the space.

Other acting talents included Mitchell Dean Wells, Benjamin Dupree, Josh Breece, Barry Wright, Alina Alcantara, Rashad Alii, and Brandon Fabian Lope.

Tickets are $12.

Where: The Savoy (1913 N Orange Ave, Orlando, FL 32804)

When: All shows are from 8 PM to10 PM.

Friday     November 3, 2017

Saturday November 4, 2017

Friday     November 10, 2017

Saturday November 11, 2017

Friday     November 17, 2017

Saturday November 18, 2017

Friday     November 24, 2017

Saturday November 25, 2017

Maker Faire at the Central Florida Fairgrounds.


The Orlando Maker Faire was held at the Central Florida Fairgrounds on October 21st and 22nd.

Maker Faire is a gathering of fascinating,
curious people who enjoy learning and who love sharing what they can do.
From engineers to artists, to scientists and crafters, Maker Faire is a
venue for these “makers” to show hobbies, experiments, and projects. It is called the Greatest Show (and Tell) on Earth – a family-friendly showcase of invention, creativity, and resourcefulness. It is a chance to glimpse the future and get inspired.

Pam, her sister, Jen, and I parked in the Fairgrounds field and walked towards the Faire. To our left was the weekly flea market. Right before entering the Maker Faire, there was a drone obstacle course. It looked like a fun racing opportunity, but not a very sketchable one.

  

Susan Haugen helped us make all the arrangements to get wrist bands and we were ushered into the main building. She was very generous getting us acquainted with the event. A robot war was in progress behind clear Plexiglas barricades. The crowd was pressed tight around the ring. The metal crunching against metal was loud and ominous. Between shoulders, I could see a low-lying robot whose only limb was a bulldozer shovel. That shovel kept pounding down on the helpless competition. I couldn’t watch. I desperately wanted to sketch robots but the crowd was chanting for blood and it was probably close to the end of the violent competition.

We wandered into the next room where all the steam punk, props, and cosplay were to be found. In the far corner was a row of R2D2s. Occasionally one would wander off and interact with the crowd. A steam punk R2D2 started dancing with a Senate Commander Trooper. Blonde flowing hair poked out from the trooper’s uniform. At the end of the dance routine, the droid tipped his top hat. Such a polite droid. Behind me was the menacing Dalek from Dr. Who. He shouted in his metallic voice, “You will be exterminated!” He would cross over into the Star Wars universe where he then declared, “I am not the droid you are looking for.”