The full lyrics for this shot of the film, COVID Dystopia are, “Flesh dropped like a waterfall from every Nazi face.”
I hand animated the candle falem in this shot and the flames around the edges of the Constitution were animated in After Effects.
Rudy simply rotates a bit using a depth map. I am considering opening his mouth a bit and it might be good to hand animated a couple of drips flowing downward. If I fully animate the hands that might help as well. The consideration is always weather the move is actually needed.
I am going through the whole film now and making sure the camera moves work the way I want. Since I deleted all the snap zoom effects there are often hold at the beginning and end of each shot where those transitions happened. I just need to expand each of those markers out for the duration of the shot.
As I am doing all those camera move tweaks I am also compiling a spreadsheet so I can keep track of all the things I might consider improving in each shot. I will go back through all these posts since I often shared those considerations here.
This past week I have been swamped with moving the studio but now I can start animating again. I watched the film through this morning without the snap zoom effects and it is starting to grow on me. By the end of today I hope to have any camera move timing issues cleaned up. I also need to finish cleaning up the Times Square Hazmat shot. I am just making sure the line work in that shot is crisp. They say you learn from your mistakes. Well on this film, I seem to have made every mistake possible.