Disney Internship: Harbor House

Posted on by Thor

With my jump animation assignment finished I took time off on the weekend to explore Disney MGM Studio. This was essentially where I worked but I was in a trailer inn the back lot parking lot and never saw the park while busy sketching at my desk.

I felt that many of the rids at MGM were rather corny but I guess that is what people want. Some of the attractions were worth the effort of standing in line. MGM can be seen in a single day. The larger theme parks might take more time to explore and sketch.

Columbia Harbor House is in the Magic Kingdom. It is an American seafood counter restaurant which mostly served fish and chips style meals. It is seafood with a serious slathering of breading and oil, along with fries and slaw.

After a while I decided to go back to my desk in the animation studio and do three more inbetweens on my assignment to slow down the ending of the scene. The scene was of a locust jumping and i had him perform on the animation desk which was new to me and therefor worth sketching as a background.

The internship was not a 9 to 5 work situation. Some artists never left their desks but I tried to keep to a set schedule to stay sane. The experience was a pressure cooker to see who thrived and who crumbled under the pressure. I paced myself and one steam valve was the ability to go into the parks and sketch on location. It calmed my nerves.

To this day, I still sit at my Disney Animation desk all day long and then, when I can, I venture out to sketch in the real world.

Disney Internship: The Stocks

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As a Disney Feature Animation intern, I enjoyed having free reign of the Disney Theme parks on the weekend to sketch.

On the week this was done, Barry Cook came to the Disney’s MGM Studios and pitched the idea for the next feature animated film which was called at the time China Doll, or FaMulan.

There was one section of the animation building which had a tall soundproof glass wall behind which tourists could watch the animation artists at work. Barry stood on a desk and told us the story of a daughter who joined the Chinese army as a man to save her father from conscription. Barry had a knack for storytelling and I was fully engrossed and hoped that one day I might work on the film which would later be called Mulan.

I also learned that as an intern I would have a chance to do some production drawings for the film the studio was now working on called The Lion King. The story of Lion King was built around the themes of Shakespeare’s Hamlet.

Disney Internship: Merry-Go-Round

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I spent a solid day exploring Disney World and sketching. This was a merry-go-round at Disney World. Late in the internship I would use a merry-go-round as inspiration for some story boarding I did.

I had already finished the second animation assignment which was a jump. I was feeling guilty that I finished so fast. So I started a second jump but abandoned it since I like the first animation better.

For some reason I had been given a Snow White poster and I wanted to give it to my niece Nikki. I was also given an Aladdin tape and I probably still have that packed away in some box somewhere.

Speedy Festival

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I am dreaming of life before the pandemic. In my New York City apartment I created a hot air balloon themed stained glass window for a transom over my bedroom door. For some reason I have always had a “thing” for hot air balloons. I have been up in a hot air balloon twice in my life. Once was  in Upstate New York before I started working for Walt Disney Feature Animation. The most vivid memory of that flight as quietly floating over a prison with all the inmates in the yard shouting for us to come on down so they could climb aboard for a jail break. I actually produced a whole series of sketches about that flight.

The next flight was many years later with Pam Schwartz. This balloon flew over an elephant retirement refuge, although I didn’t actually spot any elephants. The landing was at Wallaby Ranch which is an amazing spot to experience hang gliding, which Pam and I also experienced.

Between hang gliding and hot air ballooning, I preferred hang gliding since you really feel like a bird. You are rigged into the kite with a cocoon like sleeping bag. You steer by leaning from side to side. A highly trained pilot is strapped in with you. I remember that as I flew over the clouds, the shadow I cast created circular rainbows in the cloud. This would be the magic Icarus experienced before he flew too close to the sun.

Paint Nite at Roque Pub

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I went to Roque Pub, (3076 Curry Ford Rd, Orlando, FL 32806) because I saw an invitation for a Paint Nite, which I figured would be a great subject for a sketch. The invitation explained that pub patrons could create art over cocktails while guided by a professional artist and party host. Would be artists and friends would spend two hours drinking, laughing, and flexing their creative muscles. It sounded exciting.

Roque Pub used to be called Rogue Pub. I always find it odd that they changed the name. Roque is an American variant of croquet played on a hard, smooth
surface. It was popular in the first quarter of the 20th century and billed
“the Game of the Century” by its enthusiasts. I have never heard of it. Perhaps the pub name was changed because it was too close to Rogue Ales, which is an award winning brewery founded in 1988 in Ashland, Oregon, United
States. Either way, Roque it is an odd name.

Sooo… I stopped in and got a beer. Long story short, there was no Paint Nite. It was canceled because no one signed up. A few folks were drinking at the bar, so I got to work and started sketching. There was an exciting game of darts going on. At Walt Disney Feature Animation, dart championships swept through the studio. With some of the most talented artists in the world playing, it was a badge of honor to even compete. Artists have some wicked eye/hand coordination, so I got my butt handed to me on many an occasion while trying to compete. I never returned to Roque to see if they do hold a paint nite. Who goes to a pub to get creative? Far better to go to knock back a few too many beers.

The goal isn’t to live forever, but to create something that will.

Posted on by Thor

In April of 2015 there was a reunion for the former Florida artists of Walt Disney Feature Animation. The reunion was held in an Elk Lodge down in Kissimmee. The Orlando, Florida based animation studio closed on Monday, January 12, 2004, putting
approximately 250 artists, technicians and other personnel out of work.
This followed the cancellation of the feature, A
Few Good Ghosts, which was being developed by the studio. Artists scattered to the wind but many, myself included, stayed since Orlando had become home.

At Disney I got to work side by side with many of the best artists in the world. The reunion was an incredible experience because so many of these artists had re-invented themselves. Aaron Blaise who co-directed Brother Bear, had worked on a digital feature film about elephants, but that studio closed down as well before the film was completed. He has since moved back to Central Florida and now instructs Creature Teacher courses online.  I’ve looked at several of his instructional videos and always pick up something new. He also had a successful Kickstarter campaign to raise money for another animated feature film called Art Story.

Christine Lawrence Finney, who had been the head of the clean-up animation department at the studio, gave me a warm hug and smiled as she said “I thought you would have changed the world by now.”  She had an amazing gift for making people around her want to live up to their full potential. Her eternal smile reminded me of all the things the were great about working at Disney Feature Animation, a sense of family, friends and pride in making some amazing films.

On a table in the front of the room were seven photos of Disney artists who had passed away. One was Kevin Proctor who had been in my intern group when we first started at the studio. He went into the layout department which drew the backgrounds for the films. At lunch time I would often sneak in a sketch of my co-workers, and I caught a sketch of Kevin as he worked on a drawing of Lilo’s kitchen for the film Lilo and Stitch. Pres Romanillos had been the lead animator for Shan Yu in Mulan. Christine was the lead of the team of clean up animation artists who created the final drawings that went up on the big screen for this character. As she said “Drawing in his shadow was one of the highlights of my Disney career! He
was extraordinary!! His passion was contagious…forever an inspiration.”

I danced for one song at the reunion, but spent most of my time in the back room finding out what artists were doing now as well as adding a sketch to a memorial book that was for Bob’s family. Christine and her husband Trey were now accomplished plein air painters. Photos were layered thick on tables and we could dig through to find the memories of a crew of artists who took pride in their work and knew how to celebrate as well.

Bob Walker who had co-directed Brother Bear with Aaron Blaise had passed away unexpectedly just before the reunion. Aaron related a story about the day Bob had been given a computer at Disney. Bob had a large stack of papers next to the computer, and he called Aaron in to ask a question. He pointed at the stack of papers and said,  ” How do I get this in there?” Laura Ashborne Sacks said a few words in Bod’s memory, her voice cracked as she looked back, “The goal isn’t to live forever, but to
create something that will. Everyone in this
room should be proud of the work we created.” This heart felt sentiment got me choked up as well. I will always miss the intense collaboration with incredible artists but know that those films we created will live on for generations.

That brings me to the reason I started writing this article. Christine Lawrence Finney passed away suddenly on January 5, 2016. She was just 47 years old. I honestly can’t wrap my head around this. She was so vibrant at the reunion. She was such a joy to work for.  Terry remembered that when we moved to Orlando, we were invited to a Disney artist party in Winter Park and to this day she remembers how warm and welcoming Christine was. Photos of Christine keep getting posted online and each heightens the loss of an incredible artist and a shining personality. On the evening after I heard the news, I had to host an event called Orlando Drink and Draw. I had more wine than I should have to numb the thoughts in the back of my mind, and on the dive home, I cried for the first time when American Pie by Don McLean played on the radio.  In my inebriated state, the song encapsulated my sense of loss. “Something touched me deep inside the day the music died.” I pulled off the road to sing along, calm down, and sober up. The title of this site, Analog Artist Digital World, hints at the idea that traditional hand drawn animation might die because of the advent of computer animation. Christine’s death makes me feel that the magic of hand drawn animation might indeed become a lost art.  She inspired so many of us to push ourselves. Perhaps creating is the only way to eventually come to terms with the loss.

Christine always paid tribute to the special people in her life, “To all my family, friends, mentors, and supporters thanks for the safety net! You
teach me how to fly.” She taught everyone she met how to fly as well.

Soar on. Christine.