ODD7 was held at Maxine’s on Shine.

On January 7th we held the first Orlando Drink and Draw (ODD) event of the new year at Maxine’s on Shine (337 N Shine Ave, Orlando, Florida). Several tables were pushed together in front of the stage and amazingly eight artists filled every single seat. Two couples had heard about the event thanks to the Orlando Weekly. Actually all the artists were new to the experience except Audrey Zinder who runs the Sunday open figure drawing sessions at Crealde. I keep saying I wan to go each week for figure drawing but I’ve made a commitment to keep Sundays “Sketch free” so that I ha a day of rest. the only thing I do on Sundays is put together the week end Top 6 Picks.

I took the waitresses advice on a red wine and ordered muscles as an appetizer and then a full seafood stew. The food was amazing, and, since I was sketching the stage the dinner lingered for hours. I tend to get lost in the sketch for a while and then surface to play host for a bit. I have an ongoing project which is an eternal accordion sketchbook. It is often 2 good way to get new artists a chance to sketch something silly and small. I was quite happy that two writers joined the ODD group on this sketch outing. Janet Benge in a high heel respected author and she has just started doing watercolors. Her charming sketches might someday work their way into a children book. Logan Anderson is y poet who I see quite often at  events in town. He reminds me of an Urban Sketcher because he always has a leather satchel over his shoulder in which he carries his writing supplies. Where I catch a scene using lines and washes, he digs deep into the scene with his words.

Since there were three couples, I suggested that artists face each other and do five minute ruthless portraits of each other. The energy at the table multiplied as they worked, and then there was plenty of laughter when the five minute were up. This is a great was for artists to break the ice. Conversations blossomed. I learned where to find some real talented tattoo artists. I’ve sketched tattoo artists at work before and I am fascinated by the long labor of love. One artist had tried to be a tattoo artist, but the constant buzz of the electric needle caused his hand to go numb. It is sort of like wanting to be a sea captain but finding out you get sea sick.

Nick Landess performed for well over two hours on piano and guitar. I often feel like I’m the only person in a room who truly focuses on the talent that plays live background music in a bar, restaurant or at an event. I’m convinced that I become invisible when I’m sketching. I admire a performer who can work despite all the conversations going on in a room. Once my sketch ass done, I shouted to be heard at the vibrant conversation be the artists at the table. I had more red wines than I should have. A song on the radio on the drive home caused me to pause and remember a  Disney Feature Animation friend, Christine Lawrence Finney, who had died unexpectedly at the age of 47. The evenings frivolity turned to sadness. “Something touched me deep inside, the day the music died.”

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The goal isn’t to live forever, but to create something that will.

In April of 2015 there was a reunion for the former Florida artists of Walt Disney Feature Animation. The reunion was held in an Elk Lodge down in Kissimmee. The Orlando, Florida based animation studio closed on Monday, January 12, 2004, putting
approximately 250 artists, technicians and other personnel out of work.
This followed the cancellation of the feature, A
Few Good Ghosts
, which was being developed by the studio. Artists scattered to the wind but many, myself included, stayed since Orlando had become home.

At Disney I got to work side by side with many of the best artists in the world. The reunion was an incredible experience because so many of these artists had re-invented themselves. Aaron Blaise who co-directed Brother Bear, had worked on a digital feature film about elephants, but that studio closed down as well before the film was completed. He has since moved back to Central Florida and now instructs Creature Teacher courses online.  I’ve looked at several of his instructional videos and always pick up something new. He also had a successful Kickstarter campaign to raise money for another animated feature film called Art Story.

Christine Lawrence Finney, who had been the head of the clean-up animation department at the studio, gave me a warm hug and smiled as she said “I thought you would have changed the world by now.”  She had an amazing gift for making people around her want to live up to their full potential. Her eternal smile reminded me of all the things the were great about working at Disney Feature Animation, a sense of family, friends and pride in making some amazing films.

On a table in the front of the room were seven photos of Disney artists who had passed away. One was Kevin Proctor who had been in my intern group when we first started at the studio. He went into the layout department which drew the backgrounds for the films. At lunch time I would often sneak in a sketch of my co-workers, and I caught a sketch of Kevin as he worked on a drawing of Lilo’s kitchen for the film Lilo and Stitch. Pres Romanillos had been the lead animator for Shan Yu in Mulan. Christine was the lead of the team of clean up animation artists who created the final drawings that went up on the big screen for this character. As she said “Drawing in his shadow was one of the highlights of my Disney career! He
was extraordinary!! His passion was contagious…forever an inspiration.”

I danced for one song at the reunion, but spent most of my time in the back room finding out what artists were doing now as well as adding a sketch to a memorial book that was for Bob’s family. Christine and her husband Trey were now accomplished plein air painters. Photos were layered thick on tables and we could dig through to find the memories of a crew of artists who took pride in their work and knew how to celebrate as well.

Bob Walker who had co-directed Brother Bear with Aaron Blaise had passed away unexpectedly just before the reunion. Aaron related a story about the day Bob had been given a computer at Disney. Bob had a large stack of papers next to the computer, and he called Aaron in to ask a question. He pointed at the stack of papers and said,  ” How do I get this in there?” Laura Ashborne Sacks said a few words in Bod’s memory, her voice cracked as she looked back, “The goal isn’t to live forever, but to
create something that will. Everyone in this
room should be proud of the work we created.” This heart felt sentiment got me choked up as well. I will always miss the intense collaboration with incredible artists but know that those films we created will live on for generations.

That brings me to the reason I started writing this article. Christine Lawrence Finney passed away suddenly on January 5, 2016. She was just 47 years old. I honestly can’t wrap my head around this. She was so vibrant at the reunion. She was such a joy to work for.  Terry remembered that when we moved to Orlando, we were invited to a Disney artist party in Winter Park and to this day she remembers how warm and welcoming Christine was. Photos of Christine keep getting posted online and each heightens the loss of an incredible artist and a shining personality. On the evening after I heard the news, I had to host an event called Orlando Drink and Draw. I had more wine than I should have to numb the thoughts in the back of my mind, and on the dive home, I cried for the first time when American Pie by Don McLean played on the radio.  In my inebriated state, the song encapsulated my sense of loss. “Something touched me deep inside the day the music died.” I pulled off the road to sing along, calm down, and sober up. The title of this site, Analog Artist Digital World, hints at the idea that traditional hand drawn animation might die because of the advent of computer animation. Christine’s death makes me feel that the magic of hand drawn animation might indeed become a lost art.  She inspired so many of us to push ourselves. Perhaps creating is the only way to eventually come to terms with the loss.

Christine always paid tribute to the special people in her life, “To all my family, friends, mentors, and supporters thanks for the safety net! You
teach me how to fly.” She taught everyone she met how to fly as well.

Soar on. Christine.