The Friday night performance of the 6th annual All Hallows hosted by Beth Marshal was completely sold out. All Hallows is a fund raiser and benefit that offers 10 plays from Fringe acts each taking about 10 minutes. The event cost just $10 and helps raise funds for next years Fringe Festival. People were encouraged to wear costumes and the top prize for best costume was a 2010 Super pass for the Orlando Fringe Festival. At 7Pm there was a reception in the patrons room with food and drink as well as a silent auction with such items as tickets to theaters museums, art work by local artists, the list goes on. In attendance at this nights performance were representatives form various cities who are members of the United States Association of Fringe Festivals.
This event offered an amazing variety of fabulous entertainment. One of my favorites was a scene in which a wolf man and a cross dresser sit on a park bench and they both discover that their partner has certain secrets. Chantry Banks played the wolf man and he didn’t utter a single line of dialogue which is very refreshing. Christopher McIntyre as the cross dressing fiance was also over the top funny.I was laughing out loud the whole time. Lindsey Cohen presented a short film about an old couple who are using youtube to try and raise funds for Halloween candy for their diabetic child. It was fun watching them bicker and fight revealing the worst in each other.
Since the place was packed, I sat on the sidelines and looked away from the stage at the audience. There is one more performance Saturday October 16th at 7PM at the Shakespeare Theater. I believe there are a few tickets left. For advance reservations call the Fringe office at (407) 648-0077 (MC/Visa). Cash Only on the day of event. Box office opens at 6pm. Trust me these are the hottest tickets in town. This show is a blast.
Fiddler on the Roof – Farewell Tour
Barnes and Noble at the Colonial Plaza Market Center had a meet and greet with the cast of Fiddler on the Roof. I have seen this show before and loved it, so I was curious to see what the cast had to say about this “Farewell Tour.” I had also read an article that said that Chaim Topol did an amazing part of playing the lead part of Tevye the Jewish Russian milkman. Topol was in the 1971 film version of the play and had performed his part more than 2,500 times over the years. Topol’s understudy was at the meet and greet. The shows theme of Tradition, rings true today more than ever. Times are hard but people with strong traditions know how to ride out the waves.
I was surprised that the seats were half full. The last time I came to one of these meet and greets, the place was packed to see the cast of Legally Blonde. I was also interesting that one actors chair remained empty much like the place setting that remains empty for the profit Elijah at Passover. The actors related the types of routines they go through in order to prepare each night for a performance. One actor stressed that “Every actor has something they do to get out of the way of the material”. He said “You have to let go and surrender to the play.” They all had hard knock stories about trying to get into and stay in the business of acting. When asked about any embarrassing moments, a story was immediately thrown out from last nights performance. The set pieces are on wheels and some have pneumatic pistons for helping move parts. That night a piston let out a long winded hiss of air which sounded very much like a person passing gas. Rather than ignore the loud unexpected distraction, the performer paused for a moment and then sniffed the air and waved his hand as if to clear the air. The audience loved it.
This event was over much sooner than I expected so I had to dash this sketch off quickly. I didn’t stick around for the autograph signing since I had to rush off to another location to get another sketch.
The Singing Christmas Trees – Habor Room
The First Baptist Church in Orlando holds a huge Christmas show called “The Singing Christmas Trees” each year. I have never been to the show before, but this year the director, Aradhana Tiwari, invited me in to witness how this huge production is put together. First Baptist is a large complex with many buildings and I got a bit lost trying to find the Harbor Room where the auditions were to be held.
When I entered she was explaining to everyone how the auditions were to run. In the hallway there were a series of rooms each assigned a specific task. One room was for measuring actors for costumes and others were for various paper work that needed to be filled out. A release had to be signed which would allow the church to broadcast the show on National Television. Everyone was issued a number, I was number 60, so I am assuming there are at least 60 actors in this cast. Aradhana’s mom was put in charge of all the children. She had sock puppets made and the kids might stage a mini play satirizing their parents roll in the production.
When everyone got back from all the paperwork and measurements, Aradhana asked them to stand in a large circle and hold hands. She prayed on every one’s behalf that any nervousness or actors jitters might be calmed. She asked that everyone in the room be able to serve with a glad and open heart.
There was a break before the dance auditions began and I had a chance to talk with a dancer named Rachael. She came to Orlando thinking it would be a good place to get her actors equity card but it has been years and she is still working as a temp for Disney. She came from a small town with a small Lutheran Church. She is a member of First Baptist now and finds it a contrast to the small church of her youth, but she loves the theatrical aspect of the place.
Crimes of the Heart Callbacks
This sketch shows Kylie Kusco and Heather Leonardi on stage with Beth Marshall and Aradhana Tiwari watching. Some monologues from the auditions were quite memorable. One fellow had a monologue about being strip searched. The whole time he was talking he was angrily throwing items of clothing on the floor, first his shoes, his socks then his belt. I stopped hearing what he was saying and started to wonder just how far he would go to get the part. The director put her hand over her face in amusement and embarrassment. Another actor rather than recite lines from a play started talking about how he ended up in Orlando after a student work exchange program for Disney and about his first love. I enjoy hearing slices of life like that but I don’t think it got him a part.
Actors who made it to callbacks were in serious consideration for a part. They would pair up and act out scenes from the play. Some scenes I must have heard close to a dozen times yet certain performances had me laughing out loud or swept away in the romantic drama while some left me unmoved offering me time to focus on the sketch.
Any time actors would leave the stage Beth and Aradhana would turn to each other and discuss how certain actors really worked well together or how several actors bought different energies to a particular role. I do not know how they would ever decide since every actor bought something new to the table.
One actress named Kylie Kusco, really stepped up to the plate and she was asked to perform an exercise where she and Beth could only say two lines “Their is not enough time” and “their is enough time”. Each actress had to convince the other she was right using body language and raw emotion. It was like watching two matadors in a ring each circling and moving in for another emotional exchange. The director let the exercise go for a long time and I thought the performances were some of the best I had witnessed that day. There is magic in moments like this.
Near the end of the day Beth and Aradhana placed all the photos out on the table and began to organize them into groupings of possible cast scenarios. They talked about the possibilities for the longest time. I’m reminded of a line from the play Sunday in the Park with George “a blank page or canvas, so many possibilities”. I finished my sketch and packed up to leave. As I left the endless discussion continued and all the actors who had made it through the day were coming back at 5 PM to continue the process. I had to go out to Sanford to do a sketch For Orlando Home and Leisure. Here is the final cast and cheers to what should be a great show!
Crimes of the Heart Auditions
I went into the “Crimes of the Heart” auditions not even knowing the story of the play. I hoped to discover the story through the actors constant readings . I arrived at the Lowndes Shakespeare Theater at 11 Am and only the Stage Manager Chasmin Hallyburton and the Director Aradhana Tiwari were on hand. Aradhana was busy reading a stack of papers in front of her so I just sat in the front row of the theater and started sketching the stage. I figured I could draw the stage and then just draw in the auditioning actors when they arrived. I was a bit disappointed since I had hoped to find a long line of aspiring actors all waiting for a chance to be in the play. The morning started off slow.
Beth Marshall showed up and she told me the rough outline of the story. Crimes is the story of 3 sisters in Mississippi. One sister has sacrificed her life to take care of the father and the family estate. Meg is the black sheep of the family and she is a force of nature and larger than life. The third sister is a bit of a socialite and is concerned with her reputation. The play revolves about these women coming to terms with their fathers death and coming of age. The women’s names are Babe, Meg and Lennie. There is also a cousin named Chick.
Slowly actors began to arrive and each would enter the theater and then present a short monologue. If this monologue was good enough, the director then asked the actor to go in the hallway and rehearse a scene from the play. When they returned Jason Horne would often read along with the them so there could be some interaction. Jason would even read the female parts if needed, which was quite humerus. In this sketch Jason is reading with Britni Leslie. She had on light southern summer dress and looked the part. She was ultimately cast as Babe and Jason was cast as Barnett.
SAK Comedy Club
The SAK Comedy Lab held a panel discussion among eight members of the improv comedy group. For the first half of the panel, Richard Paul acted as the MC and asked questions of the troupe. When asked where did each of you come from, everyone answered at once.
When asked what their greatest horror story was on the stage, Mark related a story in which he had been given a bottle of Champagne before a performance. He had never had Champagne before but he decided to have a few drinks right before going on stage. He stumbled onto the stage and “acted” drunk holding onto the bottle. Before long he realized that he was drunk and his act was quickly sliding down hill. Unfortunately he wasn’t a funny drunk. This was his most embarrassing moment of his career.
Robyn who is the only female member of the cast related that she grew up in a family with all brothers and herself.She said that growing up in a family of all brother prepared her for the stage. She then gestured to all the med seated beside her. She then related that she would like to see more women get into comedy. She also want to see women break out of established roll, for instance the ditsy blond. She also said women can aspire to any position and any roll is possible. At this point David Russell shouted out “Except President!” This got a big laugh from the audience.
David Russell related a story in which he decided to go on stage with pants o n his arms and his legs stuffed through shirt sleeves. He wanted to enter on stage walking on his hands but dressed as if he was right side up. He forgot that the shirt had a large opening for his head and became concerned when he felt a breeze between his legs. Mike Carr chimed in “That is why they call it the SAK Theater.”
David summed up the ingredients for great comedy with three simple ingredients: Truth, Excellence, and joy. This was my first time visiting the SAK and I definitely want to experience more.
War of the Worlds – Its a Wrap
At the War of the Worlds Wrap party, Chantry Banks complained that in all the copy I had written about the show, I had never mentioned his name. So to satisfy his ego, here is a post lovingly dedicated to Chantry.
Whenever there was a break in rehearsals Chantry would pick up his knitting needles and start knitting. Erika who had to knit on stage while listening to the radio broadcast consulted with Chantry to get her up to speed. During every rehearsal Chantry would say something that would get everyone in the cast laughing. Sometimes after one of these outbreaks an actor would try and say a serious line and would end up cracking up and start laughing for no apparent reason. Chantry is a true professional however and often volunteered to read the Mercury Theater broadcast parts when it would help in the Public’s independent rehearsals. If there was any doubt about what would motivate his character, Chantry would never shy away from clarifying the point with the directors.
While doing this sketch I was intrigued by Chantry’s focus, his hands moved with sure deft precision. Did I mention Chantry? Chantry, Chantry. Chantry.
The play had its final performance two days ago. I am going through a bit of withdrawal. It is hard to say goodbye to such an amazing cast. I miss them all. Hopefully I will see some of them again if I sketch at other show rehearsals.
War of the Worlds – Costume Designer
As I entered the Shakespeare Theater I noticed one of my blog readers Patricia looking at the board covered with sketches I had done of the War of the Worlds rehearsals. I walked up behind her and said “I know that artist, he is a hack.” We laughed and she introduced me to her friend. She asked if I was sketching or just enjoying the show tonight and I explained that I planned to sketch backstage again. She said she probably would not have known about the show had it not been for my blog posts. That made me extremely happy. Several students from my class at Full Sail also came out to this evenings performance.
Once back stage I decided to watch the hectic activity around the prop table again. Kelly – Anne Salazar the costume designer was relaxing and reading a magazine. She had already put out all the costumes and the actors were busy getting changed upstairs. Lindsay Cohen walked past and said “Hey TT“. She has a nick name for just about everyone in the cast and now everyone refers to me as TT backstage. Sigh, its not very dignified, but I have to live with it.
The stage manager announced “Five minutes” and the actors replied “Thank you five”. Alan who plays Orson Wells quietly went over his opening lines to himself. Everyone began wishing each other luck and then the show was on. What I like about sitting back stage is that the place feels like it is in a time warp. Kelly – Anne looked like she could have been straight out of the 1930’s and the poster on the wall hearkened back to war times.
While I sketched I heard a teenage girl sobbing on the stairs above me. She was one of the younger actors performing in “The Two Gentleman of Verona” in the next theater over. I could hear the muffled singing from this musical as I worked and quite honestly the singing was often way off key. Another girl finally tried to comfort the sobbing actress. “What did you do wrong?” The sobbing actress said something in between the tears, but just thinking about it slowed down the emotions. “OK is that it.” “You didn’t do anything wrong.” “It is soooo not your fault.””We are all freaking out, it isn’t your fault.” The crying actress finally said “I didn’t want to do anything wrong.” “Come on.” The two actresses came down the steps hand in hand and went to the green room.
Suddenly a huge standing ovation broke out in the Golwin Theater and I realized War of the Worlds had rocked the house. The actors came out laughing because there had been a strange sort of group delay when they bowed. The audience didn’t seem to mind, they went wild.
War of the Worlds – Prop Table
For Friday nights performance I immediately wandered back to the Green Room to contemplate what I should sketch next. I arrived a bit early and found the room filled with chattering and excited teenagers who were performing next door. Sophia was sitting among them. We both wondered where the War of the Worlds actors were going to change. We walked into the Goldwin Theater and Fletch was there to explain what was happening. It turned out the Young Actor Company had a performance in the theater next door at the same time as War of the Worlds. He found two other rooms for our actors to change in.
When Sophia disappeared Fletch told me about another major problem. Lightning had struck the Theater the night before and the stage lights had been blown out. Suddenly everyone as in a panic. In the final minutes before the show an electrician was called in to try and fix the problem. Fletch dreaded the thought of having to performing the play with just the house lights on.
While all this was going on Lesley Ann was working on the wardrobe placing actors props such as hats and shoes in the appropriate taped grid on the floor. Other props rested on a table with a similar grid. The stage manager gently opened the vintage lunch box and placed in an apple which Joshua would eat on the stage edge facing the audience in the first moments of the play.
Before the actors had finished changing into their wardrobes, the electrician walked past me up the stairs with a line of nervous stage hands and lighting technicians behind him. Five minutes later, an eternity for the directors, the electrician walked past me again down the steps saying, “Another tragedy averted.” He was the hero of the day. I spotted Aradhana at the bottom of the staircase I was sketching from and shouted “They fixed the lights! You have lights!” She shouted with glee.
The actors just before going on the stage would tap fists together and tap elbows for luck. Andy who played Orson Wells, flipped through a magazine. The pace of this show is very fast. Actors would often run to the table to grab something and then they dashed right back on the stage.
The small rag doll on the prop table was created by Tanja and her daughters. It is made from extra curtain material she had on hand and filled with cotton balls. The hair was made from curtain lining material that they soaked in tea.The doll has a quirky endearing quality. For Tanja it is now a family heirloom.
I went to Tastings Wine Bar to celebrate with the cast. They had much to celebrate since the night was a near disaster that turned into a glowing success. Tonight is the FINAL performance of War of the Worlds. It starts at 7 PM at the Shakespeare Theater in Lock Haven Park. I plan to dress is a fine suit to celebrate a great run with an amazing cast. The end is near.
War of the Worlds – The Green Room
A green room is a room in a theater, for the accommodation of performers when not required on the stage. Its function is as a lounge so that performers do not have to go back to dressing rooms and are still easily accessible for their call. For the Sunday performance I finally ventured back to the green room to see the performers before they went on stage. I held off going earlier because I was concerned the actors might feel uncomfortable with me sketching them as they got into costumes. There are three sets of dressing rooms and they all open into the green room. There was a plate of cookies on the table and several actors joked about not being able to stop eating them, “This is my last cookie, honest”.
Linsay Cohen asked everyone including myself to pose for a group photo. She coached us all telling everyone “You just found out Thomas Thorspecken painted you naked”. I smiled broadly, perhaps to broadly and after inspecting the Digital shot Linsay was disappointed that none of the actors had shown disgust or dismay. Kelly – Ann Salazar was on hand in case any costuming alterations were needed. Everyone was energetic and excited. I realized I couldn’t catch all the actors so I simply locked down the few who sat down and relaxed prior to the performance. This left the actors I did sketch sort of isolated as if in an Edward Hopper painting. Perhaps that is why Edward Hoppers paintings seem so lonely, it is simply because he couldn’t sketch the joyous activity fast enough!
When the play started the green room lights were turned off since the light would bleed onto the stage. I was concerned since I hadn’t started adding watercolor washes yet. I considered doing another sketch of the actors waiting in the wings, since there was some light to be found there, but finally I returned to the green room with the stubborn intent that I always finish a sketch once it is started. Painting in the dark was actually easy once my eyes adjusted. I kept the washes fairly light so the room feels light filled.
I worked on the sketch for the entire duration of the show, about 50 minutes. This left me to experience the action on stage strictly with my ears. The performance thus had the impact of the original radio broadcast. All the visceral panic and terror could still be felt just from my listening to the play. When the applause died down, the actors poured back into the green room and there was a blur of activity as they returned to this century. The cast went out to Stardust Video and Coffee for drinks after wards, but for once I returned home to watch a movie with Terry.
You can still see War of the Worlds tonight at 8 PM at the Shakespeare Theater and tomorrow night at 7 PM. Don’t miss it! Time is running out!