Best Sketches of 2012

Vote results are in for the best sketches of 2012.

1. July 18, (the Parentheticals),  nominated by, Mathew OGrady with 54% of the votes.

2. Oct 10, Blog Con, nominated by Bess Auer with 12% of the votes.

2. (Tie) Oct 24, Sunday in the Park with George, nominated by Zac Alfson with 12% of the votes.

3. Feb 21, Night of Fire. Analytics nominated post. With 4% of the votes.

3. (Tie) May 18, The Eighties Strike Back. Analytics nominated post. With 4% of the votes. 

3. (Tie) December 13th,

Last Tango in Paris. Nominated by Hengua, with 4% of the votes.

3. (Tie) June 6, NAMTA. Nominated by Analytics, with 4% of the votes.

 

3. (Tie) September 4, RAW: RADIATE. Nominated by Analytics, with 4% of the votes. 

 3. (Tie) January 5, We Buy Gold, Nominated by Analytics, with 4% of the votes.

To maintain the one a day posting schedule, here is a sketch of a Mall window display from the AADW Archives. The writing was on the window of a Saks Fifth Avenue store. The display was designed by Shepard Fairey of Studio Number One. Shepard was best known for doing the red white and blue Obama campaign poster.

(the parentheticals)

Every hour or so a new band would lug in their equipment and set up on the indoor stage at Austin’s Coffee (929 W. Fairbanks Ave.

Winter Park) for I-4 Fest. The second group I saw was (the parentheticals). I was enjoyed sketching the performers from my spot right next to the stage.

They played with energy and abandon. Luckily my sketch flowed with just the right amount of structure and looseness.

(the parentheticals) were born when three friends, all longtime  

singer/songwriter musicians but who had never worked together, decided 

 to collaborate for the first time on an original project. Despite the

distinctly different styles of writing, singing, and playing each brought to the table, they quickly found that their individual talents blended and complemented each other perfectly.  Creative bursts of  writing and jamming followed, and soon (the parentheticals) had crafted their unique laid-back, underground indie-rock sound.

Bill Massey was on bass, guitar, harmonica, keyboard and drum machine, Matt O’Grady on guitar, melodica and mandolin and Kristen DeAngelis on guitar and synths (when allowed). Everybody sings.  They are currently in the studio   working on their first collection of recordings while also playing live whenever possible.