Imprint Show

June’s Imprint Show at The Gallery at Avalon Island ( 39 S. Magnolia Avenue, Orlando, Florida) featured all women artists. On June 29th the artists talked about their process. The first artist to speak was  Emilie Finney. Her work featured large sheets of drywall with words cut into it. I was sitting in the bay window and when she started talking I realized I was sort of sitting in the midst of her piece. l considered moving but I was well into the sketch at that point.

Emily likes to get to the heart of the matter. She loves reading and writing and she grew up in a bilingual household. She is concerned that literacy is on the decline. A linguist said that it is possible to learn any language if you just memorize the 250 most used words. She began to wonder what the 250 most used words are in English. Around the same time she was reading George Orwell‘s “1984” where the elimination of language resulted in the elimination of creativity and expression. She carved sayings from “1984” into drywall. She began to wonder, “What defines America?” Is it the Declaration of Independence? The “I have a Dream”speech? The Star Spangled Banner song? What would these look like if they were only written with 250 words? Emily discovered drywall because her uncle was using it. With a single swipe of his blade he could cleanly crack the drywall in two, she was hooked.

I sketched Lesley Silvia as she spoke about her Sherenschitten, or black paper cutouts. She considers herself a recovering photographer. She did some very experimental and creative photography but there are so many photographers which made it hard to be seen. She started with cutting paper because it is part of her European heritage. She discovered that she loved the process. Many of her pieces were based on European Folktales but they are also deeply personal. She brought along a loose leaf binder where she keeps all of her developmental thumbnail sketches and research. I looked through it after her talk and was astounded at the level of organization and how many ideas were taking form and being developed. Every step in the process was preserved. It reminded me of the notebooks that Edward Hopper kept to document his paintings. It was exciting to see her process so clearly preserved. I have so much yet to learn.

Birkbeck, Duff and Ball

On June 20th (Third Thursday), The Gallery at Avalon Island featured musicians Rick Birkbeck, Duff and Ball at the opening reception for The Imprint Show. A large fabric instillation grappled its way through the entry where the main exhibit was and where the musicians performed. Naomi Butterfield was there listening and Terry and I joined her. One of the musicians was related to Naomi, but I don’t recall the links on the family tree. The musicians had to perform over the ever louder conversations that erupted around the art.

The Imprint show featured all women artists including Dina Mack and Leslie Silvia. Dina and Leslie’s work are exact opposites visually. Dina had quiet abstracts that featured white on white while Leslie’s work had black paper cutouts that boldly featured folklore bordering on nightmares. Britty Metty aka Brittany Metz, had a complex installation that resembled an alter with an illuminated Virgin Mary that had her skull shattered. Stuffed animals and an intricate assortment of found objects were piled up at the Virgin’s feet.

This was the evening of the last game in the NBA Finals, so Terry wanted to go to Frank & Stein’s (150 South Magnolia Avenue Orlando, FL) for some hot dogs and watch the game. It was an exciting game, with the Miami Heat winning. Towards the end of the game, Frankie Messina, Naomi and several others stopped in to watch the climax of the game. Frankie gave several of us “Emblems of Power” necklaces made by Mo4us Da Heru. Mine was an all black bead necklace with a golden cross encased in a black cube.