Biloxi Blues

Walking down Plant Street in Winter Garden, I was surprised to find a Dixieland Band playing in the central gazebo. A few older couples sat in folding chairs watching. I didn’t have enough time to do a sketch, so I kept going. At the Garden Theatre, I asked Sherri Cox, the front house manager, a huge favor because I wanted to sketch the stage from the second floor lighting booth. She was wonderful and made the arrangements. I just had to wait till it was closer to curtain time before she guided me up. I watched everyone enter the theater. It was an older crowd. Some of the men might have served in WWII themselves. Upstairs, I was seated on a tall stool next to a huge black metal spot light and some device that looked like it catches sound waves. This was the first time I saw Biloxi Blues and it was a treat.

Winner of the Tony Award for Best Play, Biloxi Blues is the semi-autobiographical comedy-drama by Neil Simon and the second in the trilogy which includes Brighton Beach Memoirs and Broadway Bound. Biloxi Blues follows
the story of Eugene Jerome as a young army recruit going through basic
training during World War II and the harsh lessons he must face while
stationed at a boot camp in Biloxi, Mississippi. Antisemitism among the recruits was a recurring theme throughout the play which is ironic since America was at war with the Germans who were exterminating Jews.

The play is directed by award winning-playwright and acclaimed director Rob
Anderson
. This is Anderson’s directorial debut with both the Garden
Theatre and Beth Marshall Presents. The role of Epstein will be played
by C.K. Anderson, the son of Rob Anderson. C.K. starred in the lead role
of the Beth Marshall Presents production of The Diviners last season at just 14 years of age. I must say that the young actor did an amazing job playing Epstein, who questioned the reasoning behind every training method used by the Drill Sargent Toomey, played by Tyler Cravens.

Towards the end of the second act, I heard torrential rain pounding on theatre’s roof. Maybe I noticed it more than the audience below since my ears were so close to the ceiling. It distracted me from the romance blossoming between Eugene, Carl Krickmire, and Daisy, Julie Snyder, on stage and I wondered how I would get back to my car without the sketch getting soaked. The rain stopped long enough for me to get to my car and then it poured on the drive home.

 Biloxi Blues by Neil Simon has one last performance today, Sunday February 24th, at 2PM in the Winter Garden Theater (160 West Plant Street).

The Diviners

Beth Marshall Presents brought this Depression Era story set in the dust bowl to the Garden Theatre (160 West Plant Street, Winter Garden). Directed by Aradhana Tiwari, opening scene set the stage full of movement as townspeople went about their daily routines. A windmill stood in stark silhouette and Buddy Layman played by CK Anderson gasped awake. Walking down a dirt road was C.C. Showers played by Michael Marinaccio. C.C was a former priest running from his fathers calling. He found work with the Layman family.

Buddy Layman was a high spirited, somewhat retarded boy who referred to himself in the third person. He had a gift for divining where there was water. He used a tree branch to search as farmers followed with eager anticipation. He had a natural gift. He could feel a storms approach on a clear day. It became clear in time that the boy feared water because he once almost drowned. His mother died in that incident and Buddy was unable to accept that she would never return. Buddy and C.C. developed a bond, a brotherly friendship. Buddy’s fear of water was so severe that he would bolt at the sight of a bucket. He feared he could not breath when it rained. He never washed, and that became a problem cause he constantly had itchy feet.

The cast did an amazing job with thick accents and rural mannerisms. I was particularly taken with Marinaccio’s performance. When he demonstrated his father’s preaching, he became bigger than life, bombastic and powerful. What he yearned for however was a simpler life away from the priesthood. But once townsfolk discovered his past calling, they wouldn’t let him be. He was asked to say grace before meals and anytime he was seen with Buddy, they thought he was saving the boys spirit and that he could cure Buddy’s fear of water. This conflict between too much and too little faith is what caused a tragic oversight.

The final scene of the play was beautiful and tragic. The stage was illuminated from below with a green flickering light. C.C. had lost Buddy in the river. They moved under the water and the theatre filled with the muffled sounds of bubbles and rushing water. When they burst up for air, the light burst warmly on and the watery audio stopped. When then slipped back under, the world flickered green and muffled again. They struggled against the current. Townspeople moved in horrified slow motion.

The play ended as it began, a full circle, with townspeople going about their business and then Basil, the town farmer, and Dewey, a farm hand, gave a eulogy. The weight of their words had new meaning. Amazing Grace filled the dark theater. The Diviners will run December 15 -18th. Performances are on Thursdays, Fridays, and Saturdays at 8pm , and Sundays at 2pm.