The Barber of Seville – Analog Artist Digital World

On October 30th I went to a choral concert at Rollins College, Tiedtke Concert Hall. The evening featured the Women’s Choir, the Small Vocal Ensemble and the Rolling Singers. The concert hall was half full and it was easy for me to get a front row seat. Sarah Joseph was the student accompanist and George Atwell turned the sheet music when needed. The second group had additional musicians including a bass player that I included in the sketch.

The house must have been full of adoring parents and supportive College friends because when performers walked on stage the audience went wild. You’d think you were at a rock concert rather than a classical recital.

My favorite choral piece was Hallelujah Arranged by Jens Johansen and Jamey Ray William Mitchell. The last piece was a rather humerus rendition of The Barber of Seville. Choral members mimicked instruments in an orchestra using their voices. The recital was a free fast paced sketching opportunity. I had just enough time to finish the sketch when the performers took their final bow.

217

On October 23rd there was The Barber of Seville: Press, Blogger, Tweet Night, at the Bob Carr Performing Arts Centre (401 W Livingston St, Orlando, FL), which was the final dress rehearsal before the show opened. An usher informed me that there was no photography allowed, but I was ready with my sketchbook. I had to use the book light to see, but thankfully there was no one seated near me. The Orlando Philharmonic’s semi staged operas usually have the orchestra on stage but for this production they have been moved to the music pit. Emily Lindahl, the Philharmonic)s PR person, said that the musicians are much happier down there. For her there is magic in seeing the musicians lit from below like a Degas painting. It feels more like an age old opera. Projections kept the simple set lively.

The Barber of Seville by Rossini opened October 25. The 3-hour production left me plenty of time to sketch in the first act. Since I was busy sketching, I didn’t have time to read the subtitles. In general the Opera seems to be about a lecherous barber Wooing a married woman. She instantly fell in love when he sang to her as she stood on her balcony. There were several funny scenes where her husband wandered outside and the barber hid by lying on his back like a rug, or pretending to be a bush. The old man must have pretty bad eye sight. No wonder his wife’s attention wandered.

I only know the music because Bugs Bunny and Elmer Fudd performed in dueling barber chairs. One scene reminded me of the one aria sung by Citizen Kane‘s mousy girlfriend. The opera was actually based on the novel Salammbô by Gustave Flaubert, which was a much more straightforward sword-and-sandals story of a princess, barbarians and that sort of thing. Susan Alexander Kane just didn’t have the chops for the job. In the Orlando Philharmonic Barber of Seville production however the music was sublime. My mind just always wanders as I sketch.

Mark your Calendar! You only hare one more chance to see the Barber of Seville!

The next performance is October 27, 2 p.m.

Venue: Bob Carr Performing Arts Centre

Address: 401 W. Livingston St.

Phone: (407) 770-0071

Web Site: http://www.orlandophil.org

Price: $20-$82

Choral Concert

The Barber of Seville: Press, Blogger, Tweet Night