The Big Bang

On the second day of the Accidental Music Festival, there was an open rehearsal at Urban ReThink for a big band orchestral work titled “In the Beginning”. Composed by John Alvarez this was a new work that referenced what the beginning of the universe might have sounded like. Chris Belt conducted the piece which was organized in three movements, Before Time, the Big Bang and the Expanding Universe.

A computer crash held up the electronic sounds associated with Before Time. After the computer was re-booted, the piece began with the a gentile rise and growing unrest of pure electronic noise. Big band members who did not have to play began to shield their ears from the high pitched sound.

In one punch the whole big band attacked a note announcing the Big Bang. Alto, tenor and barl saxophones mingled and fought with the trumpets, trombones and percussion. The drummers each had bright day glow flexible tubes they waved over their heads like lassos. This created a mysterious hollow tone like wind singing in a cave. Much of the composition is cacophonous and aggressive yet every note was planned. Several times players got lost in the chaos and everyone would begin again.

On September 11th at 7pm the world premiere of “In the Beginning” will be held at the Timucua White House (2000 South Summerlin Avenue). With September 11th also being the ten year anniversary of the attacks on the World Trade Center, the sounds of the Big Bang will likely evoke emotions tied in to another chaotic moment that continues to cause unrest. As always the concert is free just bring wine or a snack if you would like to imbibe.

Accidental Music Festival

The Accidental Music Festival will feature 10 nights of concerts, lectures and films celebrating creativity in music. The festival was started by Christopher Belt. He asked to use the space at Urban ReThink and it just happened that The Civic Minded Five, another music group had scheduled concerts the same week. He said to Patrick Green, “It’s like an accidental music festival.” The name stuck. On the second day of the festival, I stopped into Urban ReThink to see Jason Kahn and Bryan Eubanks perform.

I arrived sweaty after a full day of painting the Mennello Museum Mural. I waved to Pat Green in his office and headed straight to the bathroom. Opening the men’s room door, I was startled to see two young women. The woman directly in front of me had her shirt off, wearing a black satin bra. She shouted raising her hand up. Time slowed down. I responded, “Whoops, sorry!” as the door slammed shut. I sat on a small stack of chairs in the hall which shifted awkwardly under my weight. I waited for a while, then I decided they might need privacy, so I went to grab a beer.

The instruments were a huge tangle of wires. Jason sat behind mixing boards, coils, contact microphones, and a sound recorder that played back ambient sounds of the room. A synthesizer processed and modulated sounds, creating feedback loops. Bryan who built many of his instrument components, used guitar effects pedals, a master mixer to mix sources like radio frequencies, ambient room noise and sound clips he randomly collected over the years. He used Super glider,a computer program, to generate sound. All the sounds were generated live in real time.

Initially the sounds generated reminded me of the THX sound system audio played at the start of movies. Brian described their music as a collaborative structure with both players seeking a balance to fill it out. The music generated was unpredictable. Both musicians sought control but the form was complicated by movements or unexpected shifts. This would knock the musician out of the ring, out of control, as he adjusted. Lisa Bates shouted out, “Just like in life!” Jason agreed feeling their music corresponds to the vast barrage of information generated by social networks today. The music was completely intuitive with balance and disruption. It is not your typical acoustic sound. The sound generated inspired me to attack the drawing aggressively my hand moving in syncopation to the changing, unpredictable modulations.

Two young college girls inspected my sketch. One was an artist herself. She did a pencil sketch of Bryan during the performance and gave it to him. The artist seemed annoyed at me, but her friend was enthusiastic and affable. I told her about Urban Sketchers and said she should take a look at the sight. I wondered if these were the women I had interrupted in the bathroom. I couldn’t be sure. In shock, I forgot to look at her face. The Accidental Music Festival will continue through September 13th. Admission to all the events is free but donations are accepted.