On day two of the Miami and Orlando Urban Sketchers crawl at South Beach in Miami, most artists were set up a block away sketching an Art Deco building on Collins Avenue. I wasn’t thrilled about just sketching a building, so I walked towards the crowds and commotion on Ocean Drive. I decide to sketch a long line of cars on display. Two Mini Coopers were at the front of the line. Pam Schwartz joined me and also sketched one of the cars in front of the Sury Hotel. The owner of the second Mini Cooper in line looked over my shoulder and was pleased to see his car in the sketch.
Pam was still busy when I had finished and I decided to rest in the shade of a palm tree and watch her work. I was amazed at how many people stopped to look over her shoulder. That must happen while I am working as well and I seldom notice. One young girl in ballet tights stopped to watch and she stood right in front of Pam blocking her view. I have had people do that as a joke as if posing might get them in the sketch, but I think this girl was oblivious to the fact that she was blocking the scene Pam was sketching.
We stopped at the cafe in the hotel in front of us and ordered a huge iced margarita to split. A parade of giant puppets began to dance its way down the street. They were about 15 feet high. There was a merman whose arms dangled listlessly at his sides but he danced and leaned over to look at the crowds. Charlie Chaplin walked arm in arm with Marilyn Monroe.
Other artists started to explore the festival, and we watched them sketch as we sipped our drink. All the artists gathered in about an hour to share their work in front of a courthouse about two blocks away. The Miami Urban Sketchers had a rubber stamp that could be used to place the Miami Urban Sketch logo on each sketch. We then took a huge group photo and walked across the street to a vintage silver streamlined diner. Sitting near the couple from Puerto Rico, I got to learn about their struggles after hurricane Maria.