The Piano Man of Washington Square Park.

At the NewYork City Sketch Crawl, I decided to do a sketch of the piano player in Washington Square Park. of course poplin performances Orlando are rare, being limited to 27 Blue Boxes. But in New York city, I saw performers everywhere I went, in subway stations, on street corners and in the park. I know that performers who start creating music at Lake Eola are often chased off by city employees. The only music allowed at that park is the cheesy elevator music that is broadcast through all the speakers that surround the lake so that you are forced to feel like you are walking around a shopping mall.

Every weekend, Colin Huggins and a buddy wheel the piano out of a store facility in Greenwich Village and the roll it through ten blocks of traffic to it’s new home in Washington Square Park.  Playing a Grand Piano outside means that the piano need to be tuned for an hour before each performance. Colin was once the music director for Joffery Ballet, but now his busking earns him a modest living.

The classical music was delightful, and park patrons filled the benches nearby to listen in. In Washington Square Park, performers have to register for performance times. Once the time is up, the need to move to a new spot to allow a note performer to use the spot. When this piano man had finished his set he closed the piano lid and rolled the piano away, probably to a new location where he would once again set up. Some people stood by the piano to sing along. A plastic bucket acted as the tip jar or hat and the many tips were well deserved.

Wouldn’t it be nice if Orlando had just a fraction of the culture that can be found in a city like New York. Perhaps city officials will someday stop treating public performers like beggars and recognize that they liven up and add value to the streets and parks.

Rise up October closed down streets in NYC.

On the day of my 35th High School reunion, I met the New York City Urban Sketchers in Washington Square Park for a sketch crawl. About a dozen or so artists gathered near the iconic Washington Arch. A huge demonstration was going on, taking over the street on the north side of the park. While many sketchers focused on the arch, I elbowed my way into the protest.

Rise Up October,” a mass demonstration in New
York City, attracted an unprecedented number of protesters,
according to the Stop Mass Incarceration Network, a national protest group. The
activists predicted that some 100,000 people will disrupt normal business
and shut down street traffic in NYC to keep police brutality
in the public consciousness.

Following the police-involved deaths of unarmed African-Americans in
places such as Ferguson, Missouri; Staten Island, New York, and
Baltimore — to name just a few — the resulting civil unrest and
peaceful protests did not adequately move most Americans beyond mild
sympathy for the victims, one organizer said. Stopping “police terror,” a
catch-all term activists use for racial profiling, police brutality,
use of lethal force and mass incarceration in communities of color,
merits sustained disruption and civil disobedience.

Protesters handed out flyers to passing pedestrians. When one young man refused a flyer, the female protester got in his face and shouted, “Which side are you on? Thankfully I was exempt since my hands were busy sketching. An older gentleman in a cape and red mask caught my eye. Later, one of the urban sketches told me that he is one of New York’s more colorful characters. He is referred to as “The Mayor” since he is always found at events saying he plans to run for mayor. I don’t think he has ever been on the ballot.

One sobering fact that I learned from the protest is that, 85% of the people killed by U.S. law enforcement officers, were shot to death. 4% died due to rough handling, 4% due to vehicles, less than 4% died from tasers and 4% died from other causes. Having traveled abroad, I can say that some Europeans views America as gun obsessed police state and a dangerous place to live.