FAVO

Faith Arts Village Orlando (FAVO) is an outreach ministry of Park Lake Presbyterian Church. Will Benton is in charge of helping renovate the motel which hosts artists who exhibit their work once a month. The mission of FAVO is to encourage art as an expression of faith. On January 4th, I visited to see which artists were exhibiting their work. The motel is located across the street from Park Lake Presbyterian church and is right off Colonial Drive. I discovered a parking lot quite by mistake.

Unfortunately it was raining continuously that evening. The January 4th Event focused on a New Year featuring local Orlando Art,
The FAVO Market and the soft opening of the new FAVO Gallery. This
Gallery will present all original works from local artists. All sales
from this Gallery will benefit the renovations of the property to meet City Requirements. Adequate sprinkler systems need to be installed and ramps built so the complex is accessible to anyone in a wheel chair. 19 Studios were open with Local Juried Artists showing their work.

There were several Food Trucks parked behind the motel with their generators buzzing loudly. The event was lightly attended, but the motel rooms glowed bright as the sky grew dark. Photographer Gail Peck introduced me to the work of a British Urban Sketcher whose work she felt I should see. He wrote a book called, London You’re Beautiful. Renee Wilson was showing pieces that were rendered with words. There was an image of a raven that was composed using the words from an Edgar Allen Poe poem. She does commissions where she interviews a person and then does a drawing using words from that person’s story to create the image. Bonnie Sprung was set up in the motel room closest to the food trucks.

A minister stood in an artists studio looking at the work. The artist asked him if he could bless her work since she believed in that sort of thing. I didn’t stay for the blessing. I searched for a spot out of the rain and I did a quick sketch. Mist from the rain kept moistening the page. Seth Kubersky and Donna Dowless said hello as I struggled with the sketch. The FAVO Gallery will be having it’s Grand Opening on February 1st at 5PM.

Leu Gardens

I went to Leu Gardens last week to sketch and report on a meeting of the City Public Art Advisory Board. This group selects artwork that hangs on the walls at City Hall and chooses the sculptures found in public places around town. Developers pay a 1 percent fee that goes into Public Art Fund coffers. As an artist I figured it was my responsibility to learn more. When I got to the Leu Gardens reception desk, I was told that there was not enough interest among members of the board and they didn’t have enough members planning to attend for a quorum. An e-mail was sent out at 8am that morning canceling the board meeting. I was not informed. Most people don’t know this board exists. Now I know why.

Later that week, I returned to Leu Gardens for the Annual plant sale. Terry and I go to this event every year to get inspiration for our own garden. It was a beautiful day with flowers in bloom everywhere. I arrived before Terry thinking I might get a sketch. Mosquitoes drove me away from one spot and an old man started telling me all about a geyser that apparently used to shoot up 100 feet from Lake Fairview. Since my sketch opportunities had been interrupted, I decided to get an ice cream cone. Delicious.

When Terry arrived I decided to simply stroll and enjoy the perfect weather. We kept running into people we knew, like Doug Rhodehamel, who now has a show called Dessication which uses dried plant matter to create whimsical under water creatures. Amanda Chadwick joined us. It was rather fun watching Amanda try and catch a photo of a Monarch butterfly on her iPhone. The Monarch never posed for long and Amanda was always in the wrong spot. I believe she did get her shot in the end. After seeing all the vendors, the three of us went down to the lake side gazebo. We bumped into Genevieve Bernard and Seth Kubersky And the conversations bounced between Passover practices, bird watching and travel adventures. Turtles and fish circled in the water expecting a hand out. An Osprey swooped down and splashed into the water grabbing a fish. The setting sun sparkled on the waters surface. It was a perfect way to end the day.

A Kindness of Ravens

There was a mad rush to get things finished opening night of Macabre Vignettes #3 Snow. There was the enraged search for an electrical chord which involved throwing things out of the way and then a mad flash of black Duck taping the wiring down. Audio equipment was being moved from downstairs to the balcony in the final moments. Seth Kubersky announced, “5 minutes to open house!” A few dancers who were still dressing and applying make up said, “Thank you 5.” That didn’t leave me with much time to finish my sketch. Below they were working on a dance routine that involved interacting with a large raven. The dancer held two lines that manipulated the birds sharp talons. As they rehearsed, Genevieve Bernard walked quickly by getting ensnared in the near invisible lines. “My bad.” she said. There was no harm done. It seemed like there were too many loose ends for the show to open on time. Leah called for a 5 minute extension. The pulse in the room quickened. Finally Seth shouted out, “House 0pen!” People started to drift in. I had a few more watercolor washes to add and I slapped them down. Showtime!

I walked down the web encrusted staircase and ordered a Blue Moon at the bar. Then I put the sketchpad away and relaxed on a green couch . The show had already started with dancers wandering among the audience marveling at the environment. Bloggers Jana Waring and Mark Baratelli wandered in. The dancers were in their own world never interacting with audience members. Once a dancer held a hand out towards a man walking by. He hadn’t noticed her and her longing gesture lingered. When the dancers moved among the ravens, one of the control wires got all tangled in a knot among the talons. The bird hung limply just a few feet in front of me. Finally I couldn’t resist, I stepped forward and untangled the poor bird and then held the control line. A dancer leaped toward me and took the line smiling. However the bird had spun so many times that he couldn’t be raised any higher. The dancer valiantly held the line but the bird would only loose altitude never going back up. It finally fell to the floor and was brushed aside by Leah. I admired the dancers for adjusting to such technical problems without missing a beat.

Over time the dancing was no longer enough to hold me. I needed some thread of story to keep me engaged. I never became involved enough to suspend my disbelief. Staging the large puppets was a problem since they were best viewed from the front. They would spend agonizing moments with their backs to the audience. I walked around the room incessantly, changing my point of view. Most of the audience however remained stationary unable to see the action or gesture of the puppets. Tamara Marke-Lars stated that the large creations were sculpture first and puppets second. She pushed the boundary between puppetry and art. Sometimes for me, art isn’t enough if it doesn’t support a solid story.