Say Goodnight Gracie

Theater in the Edge is opening its doors again after being closed for two years due to the pandemic. This theater company always accomplishes something truly  unique. This intimate space make you feel like you are living with the actors. The intricate and hyper realistic set design of Samantha DiGeorge instantly allows you to step back in time. I had been sketching for 15 minutes when Pam pointed out that the calendar on the wall was for 1979.

Good Night Gracie by Ralph Pape has a simple and straight forward story, friends are gathering to go to a high school reunion but in the hours that pass they get high and discover that none of them are living the life they hoped for.

House music included Pink Floyd so I felt instantly at home. Christopher Ivers as Steve entered and began rummaging through a cupboard for a can of soup. He ate the soup straight out of the can and I had to sketch this seemingly mundane moment.

Joshua Fulmer as Jerry entered and it it became cleat that Steve was an uninvited guest. These to were life long friend with plenty of baggage between them. Audra Torres as Jerry’s girlfriend had an accent I couldn’t quite place and seemed to lack confidence.

The rare exception is a performance by Natalie Bulajic as Catherine who embraced every moment. In describing her awakening in high school during the Cuban missile crisis she gave a performance that rivaled the dinner scene in When Harry Met Sally. It was the greatest laugh in the play. There were fun moments throughout as characters played off of one another. They however seemed stuck in time unable to escape the cycles that have played out since high school.

 

 

Talk Radio

Theater on the Edge (5542 Hansel Avenue Orlando, FL 32809) is presenting Talk Radio by Eric Bogosian and Tad Savinar. The set by Samantha DiGeorge is amazing in all it’s nostalgic splendor and detail. The space is divided into two rooms with a glass divider so that the soundboard guy can see the talent. The date is May 8, 1987 at WTLK in Cleveland Ohio. Spike (Christopher Ivers) who was in charge of running the ads was leaning back in his chair reading his Playboy. One radio show was winding to a close with a financial expert giving lofty and hard to follow financial advice to a confused listener. I started my sketch by getting him in place with his glasses and mustache. I wasn’t aware that he was about to be replaced by the star of the next hour of talk radio Barry Champlain (Marco DiGeorge). Champlain’s sound man was Stu Noonan (Alex Jackson). The two had worked together for years as Barry’s career skyrocketed. On this night the manager Dan Woodreuff (Christian Wienker) informed Barry that his show was about to go national and that the new sponsors would be listening in.

I grew up listening to talk radio in high school, So I was familiar with the insipid callers who would say, “Long time listener, first time caller.” It seems many would call in just to hear their own voice. Marco DiGeorge gives an amazing performance as the hardened talk show host who puts some callers down just to stay sane. Each character in turn had a blue illuminated cameo in which they relate their experiences with the radio talk show host. We learn about him from those who have to deal with him daily.

The soundboard used on stage must have been live because the calls came in quick succession. One caller claimed to have been partying for two days and his girlfriend was unconscious. There was some panic in the studio by Barry saw it as a prank call. On a second call in the high strung caller admitted he was making it all up. He then insisted on stopping by the studio to meet his talk show idol. Kent (Adam Minossora) had spiked up hair and his panicked manic performance caused me to stop sketching and just enjoy the performance. Kent was hilarious with his high wire antics and I thought for sure the executives would want him to have his own talk show. He rushed at the talk show host as if intent on murder but quickly shot a photo. Barry was actually a bit of a scholar before becoming a talk show host and Kent represented the lowest common denominator that Barry now had to accommodate.

Linda McArthur (Elaitheia Quinn) with a clipboard in hand produced the show. She wore a vibrant colorful jacket with neon colors. A raw and intimate moment came as she related how she felt about the talk show host. She decided to call in and she asked the host advice about how she should deal with her boyfriend. As they looked at each other through the glass window he told her she should move on and she stormed out of the studio visibly upset.

The entire show was an amazing roller coaster of emotions as the talk show host handled racists, bigots, and quiet fans who worshiped him yet really had no idea who he was. It all pushed him to the brink of giving up on humanity. Before social media and 140 character tweets, talk radio was where you got to experience trolls and desperate lonely people looking for attention.

I stood quickly for a standing ovation. Many of the cast were the callers who nettled the talk show host all night. The show was an existential rush felling claustrophobic with so many people calling with so many needs. This was a stellar show and should not be missed. The small theater had you right on top of the action. It felt like the host might fall into the abyss at any time and yet it was just one night that looked at a thin slice of crazy disturbing humanity.

Tickets for Talk radio usually run from $22 to $26. Every seat in the house is amazing. The show runs through December 8, 2019.

Orphans at Theater on the Edge.

Orphans written by Lyle Kessler is being presented by the artistic production team at Theater on the Edge (5542 Hansel Ave, Orlando, FL 32809). I am a huge fan of their hyper realistic set designs by the amazing Samantha DiGeorge. The attention to period detail allows me to get lost in that particular place and time. The plays presented in this intimate space highlight an American aesthetic of brutality and unfulfilled dreams. Orphans is set in 1989  in  a two story rundown Philadelphia row house. During the pre show, Philip (Adam Minossa) was mashing cereal in his breakfast bowl and then sat to watch a TV game show. He lived his innocent preoccupied life in the home as the audience filled in. He settled in on the couch to watch TV while hugging a red woman’s high heal shoe. When he sees his brother Trent (Zack Roundy) approaching, through the window, he rushed to clean up  the place and then hid in the closet.

Trent is a terror. He has returned to show off his earnings form the mornings robberies. He likes to taunt his simple brother and a game of tag became a power struggle between the siblings. The red high heal shoe becomes another point of contention and Trent throws it out the window on the front lawn. A painful head lock is the only sign of affection between the two.

On another occasion, Trent returns to the house with a drunk business man. When the man passes out on  the floor, Trent takes his brief case and forces it open on the kitchen table with his knife. Inside are piles of stocks and bonds. Kidnapping this man would clearly be extremely profitable. While out looking to cash the stocks and calling people for the ransom, he leaves his brother to watch the now tied up business man. The ropes are sloppily tied and loose so, Harold, the business man (Allan Whitehead) gets free. He doesn’t try to escape however and goes up stairs to clean up.

Trent isn’t pleased when he returns and there is a power struggle between Trent and Harold. Harold doesn’t play the part of a victim but instead says he likes Trent’s anger and could use hims as a body guard.  Harold grew up as an orphan and he sees a bit of himself in Trent’s deviant behavior. He becomes a father figure to both the boys offering support and affection the boys clearly lacked probably after their parents deaths. He builds Philip’s confidence to the point where the boy is able to venture out into the world alone.

The end of the second act ended with gut wrenching results. When the house lights came back up, there wasn’t a dry eye in the house. Someone said, there should be a warning before the show begins. All three actors did an amazing job exploring their characters and their underlying motives. The intricate relationships left me wishing there was more time to see what happened next. On the car ride home with Pam Schwartz, I was full of questions. I had a an affection for the characters and couldn’t let go. Perhaps that is a sign of great theater. This show got under my skin exposing regrets and the need for acceptance that seems never realized. I highly recommend this production.

Orphans

Theater on the Edge 5542 Hansel Ave, Orlando, FL 32809

Tickets: $22 to $26

Remaining Show Dates:

Saturday November 11, 2017      8 PM

Sunday November 12, 2017        2 PM

Wednesday November 15, 2017  8 PM

Saturday November 18, 2017      8 PM

Sunday November 19, 2017        2 PM

Friday November 24, 2017          8 PM

Saturday November 25, 2017      2 PM

Saturday November 25, 2017      8 PM

Sunday November 26, 2017        2 PM