Screw fireworks, we all need some Santa on July 4th.

Usually on the first Monday of each month, I host Orlando Drink and Draw (ODD). In May, I decided to host the event at Frosty’s Christmastime Lounge (50 East Central Blvd, Orlando, Florida 32801). Frosty is a snowman, Frosty is also what you call a cold cocktail or beer. However you interpret it, it is correct. Frosty’s wants to give you the feeling of the holidays all year round. Why wait until December?

Located right near the Orange County Regional History Center, Frosty’s does sport plenty of Christmas bling, like stockings hung with care under the liquor bottles, to a fat Santa near the entrance and the the sexy leg lamp won in the film “A Christmas Story.” Old school large bulb Christmas lights were strung from the rafters and the TVs only played Christmas specials and movies like “Home Alone.” The images on the screen have a strange blue electric haze that may or may not have been intentional, but looked like it was a short circuit.

The specialties at Frosty’s are the craft snow cones with names like, Porky’s Liposuction, Coconuts roasted over an open fire, and the last wurd. I was the only artist around, so I figured it might be a short evening and I ordered a Heineken. Besides myself, there were only 3 people at the far end of the bar. The sketch progressed quickly. Mandi Ilene Schiff stopped by with her fiancé Robert Johnston. Mandi worked up an intricate redesign of the Frosty’s logo. They were soon off to another party as I was finishing up my sketch.

Going to Frosty’s early on a Monday night wasn’t very exciting, but I am sure the place perks up as the evening wears on. I heard that there is snow sometimes, but I didn’t witness it myself. I might return as the weather cools down a bit.

The Orlando Strong Group Body Paint at The Other Bar.

Mandi Ilene Schiff of BASE Orlando organized this amazing evening where 49 models were each painted a separate color of the rainbow. Of course the 49 models represent the 49 who fell at the Pulse Terrorist Attack. Six survivors are still in critical condition. The Other Bar (18 Wall St, Orlando, FL) is located right next to the Orlando History Center. Outside the bar was a huge wooden chair with each of it’s wooden slats painted a different color of the rainbow.

When I entered, models were already being painted. Robert Johnston , Ilene’s fiancee offered me a seat at the bar, and I got right to work. The model closest to me was being painted purple. She must have locked her knees because she suddenly felt faint and had to sit down. People rushed to get her water and juice. She gradually recovered. I have had this happen with a model before and it can be quite terrifying for the model, and the artist. There were far more women being painted than men. I admired James Brendlinger, a producer and director who was being painted blue. Perhaps in the future if male models are needed. I will volunteer. It would be nice to get a bit more fit first. Some of the women were extremely fit. Model Monica Edwards created special Pulse Tribute Dolls that sell for just $25 each. This tragedy hits incredibly close to home for Monica and these dolls are
intended as a fundraiser for the victim’s recovery and for the families
of those we lost. All proceeds will be going to the Pulse Victims Fund, gofundme. 

 Outside the bar was a surreal scene in which dozens of beautiful brightly colored people milled around the bar and socialized. Every model got a wrist bracelet with brightly colored beads. It was funny to find that clicks formed over time with the reds sticking together at the bar. One purple woman exited the bar and shouted out for a short purple man. ” Did anyone see a short purple man?” A purple woman hugged a yellow woman as they posed for pictures. A beautiful lesbian couple kissed in front of models that represented every color of the rainbow. There was so much love everywhere I looked. All the bright colors swirled around me.  Then all 49 models were encouraged to go to the park in front of the Orlando History Center for photos. I stayed and watched, soaking in the joy and lore for those still trying to recover. Mandi created an amazing event that celebrated life while honoring those lost.

The Blue Boxes are disappearing but the law requiring their use is still on the books.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These
boxes are for panhandlers and buskers. Busking is possible only during
day light hours. Although set up for panhandlers, police often insist
street performers must use the blue boxes. Performing outside the boxes
can result in 60 days in jail and a $500 fine. These Boxes represent the only places downtown where
theoretically there is freedom of speech. They are Orlando’s First Amendment Zones.

On February 29th Mandi Ilene Schiff offered to do a body painting in Blue Box number 6. On the map, the box is located near the Bob Carr Theater on West Livingston Street. Because of construction this street can only be approached from the West off of Parramore Avenue. Mandi arrived before me and was waiting in front of the UCF Center of Emerging Media. Her model, Yvonne Clar, hadn’t arrived yet. I began searching across the street for the blue box. The problem was that half of the street and sidewalk was ripped up and now fenced off due to construction.

A guard from UCF came out and asked if he could help us navigate the construction to get to downtown Orlando. My experience with people who say, “Can I help you?” is that they will be an obstruction to my completing a sketch. Though he went back inside the UCF lobby, I knew we were on his radar. Our search for the blue box was out of the ordinary. Mandi and I decided to settle in front of a large blue banner that was the logo for the construction company that was digging up this prime real estate. Mandi’s idea was to camouflage the model, so she disappeared against the Blue sign. As she unloaded her paints and brushes, the guard came out and shouted “You can’t be setting up over there!” I thought it odd that he didn’t cross the street to speak to us. He was like a dog who barked at the edge of its property. I shouted out, “Why is that?” He shouted back that he had to protect the high school kids. That is odd, I thought, UCF is a college, there are no minors. I contacted a UCF instructor I know, just to verify that this guard has no idea of the age of the students he sees everyday.

Since I was getting over a cold, I decided to walk across the street so I didn’t have to shout. I told him that I was documenting the 27 blue boxes and explained what they are for. I showed him the location of blue box number 6 on the city map figuring he might help me in locating it. “I don’t know anything about no blue boxes, all I know is that you can’t set up over there. I have to keep these kids safe. There are pimps, prostitutes and drug dealers who are always hanging around this area.” Now, If I was a prostitute I wouldn’t work this abandoned stretch of road, I thought. Did he think Mandi was a prostitute? He would definitely have a heart attack if the model took off her shirt in front of the school. This was a loosing battle, since we didn’t have the security of a blue box to stand in, I decided we needed to move to the next blue box which was half a block East near I-4. I shook the guards hand, thanked him for his help, and we headed East.

Blue Box number 7 was also torn up by construction, but there was a hint of several blue dotted lines remaining on a curb. Yellow caution tape separated us from being able to stand in the patch of dirt which had once been the blue box.  We decided instead to set up outside the rented fence near the Orlando Centroplex sign. Yvonne showed up just as Mandi was settled in. I was in the midst of blocking in my sketch, and I didn’t want to spread my cold, so I kept working. This was the first time that the performers were not protected by actually standing inside a  blue box. The stakes were high, but Mandi and the model bravely took the chance. City codes on indecent exposure had been researched, and the model could have legally been painted in nothing but pasties and panties, but Nix Herrera another body painter, had advised Mandi against taking the chance. It could have resulted in regulations for an art form that has so far stayed off the city commissioners radars.

With a liberating flourish, the model took of her shirt and her black bra defied any notion of indecent exposure. The race was on to complete the sketch and body painting before we were caught. Mandi began by painting a blue box on Yvonne’s belly, then she began painting iconic Orlando imagery, like a swan, the fountain, an orange breast, and the skyline wedged in Yvonne’s cleavage. Ten minutes into the sketch, I felt that art had won. I had enough on the page, so that even if police or security stopped us, I could finish the sketch back at the studio. A construction worker asked what are were doing. I discussed the blue boxes and explained that we would be done within an hour. “I don’t mind.” he said with a smile.  Theo Lotz, the Flying Horse Editions director from UCF also asked about our project and I quickly explained the Blue Box Initiative. I get excited, having the chance to explain the need for free artistic expression. His bus arrived and he had to run off mid sentence.

We were right near a bus stop and each time a bus stopped you could see a dozen passengers with then noses pressed against the windows. A driver honked his approval. My quick rough sketches don’t do Mandi’s amazing work  justice. Be sure to check out these photos her fiance Robert Johnston took. It certainly felt like we were tempting fate on this day, but some amazing art was created.  Yvonne became a gorgeous living postcard that celebrated the City Beautiful.

Base Orlando keeps pushing the boundries of themed Body Painting.

I arrived at BASE Orlando “British Invasion” Body Painting Show at the Majestic Event Center, (801 North John Young Parkway, Orlando, FL) a bit early so I could watch the talented body painters transforming models into living works of art. I immediately decided to focus on Nix Herrera who was painting a group of model to camouflage them against a British flag. A camera was set up on a tripod and from the camera’ vantage point the models blended in perfectly with the flag. The artists had to consult the came often to be sure they were on track.

Some of Orlando’s top entertainers also be performed on stage throughout the evening. Entertainment included BalaChandra Belly Dance,
Corsets and Cuties, and
Rock Hard Revue
Team Rush
.Vendors were also set up around the venue so there was plenty of art and fashion. For me, the event is always an exciting and challenging sketch opportunity, as I document the models who are transformed as I sketch.

BASE brings together the talents of renowned Face and Body
Painter Mandi Ilene
who has been painting for over a
decade,
and Photographer Robert Johnston. From humble
beginnings of face painting at princess parties, Mandi was inspired to
see the entire body as a canvas and potential work of art. Since then,
she has won multiple face and body painting awards, painted across the
state, on cruise ships and in the Bahamas and currently does face
painting in Orlando. Mandi and her dynamic team now bring their work
together at BASE Orlando for an imaginative experience unlike anything
else.

After her community of body painters spent years
gathering in bars or homes to practice and exhibit their art, Mandi
founded BASE in an effort to reach out to a wider audience and produce a
complete art show. After many wildly successful events, Mandi and her
team continue to offer visitors a remarkable experience through their
one-of-a-kind collection of local artists and performers.

Mark your calendars! On January 14th, Base Orlando will present the Steampunk Body Paint Art Show at the Majestic Event Center. Doors open at 8pm. Tickets are $11.54 to $27.37. I’m excited about the Steampunk Show. I can already imagine the women being transformed into exotic mechanized creatures. Since the event features artwork on nude models, all guests should be over 18.