My Last Urban Sketching Workshop

My last Capturing the Event Workshop took place on the street leading to Puerta del Conde. I knew the ancient fort would close it’s gates at 5PM so there wasn’t much time to get a sketch inside. I was really pleased that Urban Sketcher Nina Johansson from Sweden sat in on this workshop. I admire her vibrant watercolor sketches. It was cloudy out which meant we didn’t have to hunt for shade. I sat in the middle of the street sketching the architecture. The previous day, a cocoanut salesman and guitar player showed up on this corner and I hoped they would return. Sure enough, when I was halfway into the sketch, the cocoanut salesman arrived on his tricycle loaded down with cocoanuts. He cut open the coconuts with a machete to serve it.

It began to rain and I backed up into a shop vestibule. One of the shop assistants gestured to offer me a spot to sit. This happened to me while I sketched in the park as well, a gentleman offered me his seat on a bench. They seem to take pity on aging artists in Santo DomingoLapin showed up as the rain began to ease. I gave him a quick rundown on the workshop and gave him the class notes. I caught him in my sketch as he stood sketching a mannequin. Then he started asking people if he could sketch them. A crowd gathered around him as he sketched.

I gathered up the troupes and we shared our sketches. We then posed for a photo in front of the sign that I had sketched. There was a wonderful variety of styles. Everyone weathered the storm.

Urban Symposium Panel

Right after lunch each day there was a panel discussion where instructors from  the Santo Domingo Urban Sketching Symposium would get up in front of the room full of artists and talk about their experiences sketching that day. I had this sketch fairly well layed out when Gabi approached me and asked me to be on the panel. Sigh, I would have to finish the sketch the next day. I sat center stage, sandwiched between the amazing talents of Veronica Lawlor and Nina Johansson. Gabi Campanario, who founded Urban Sketchers, had heard about my run in with the guards at Puerta del Conde and he wanted me to relate the incident. My main point was that it was important to always finish the sketch, come hell or high water. This was the first time that the person who insisted I stop sketching was carrying a gun.

It was incredibly rewarding to hear students from my first workshops relate what resonated with them.  I thought that instructing and standing in front of a room full of piers might be stressful, but the opposite was true, I felt at ease and at home among artists who shared my desire to document and record events by sketching. The next day, I sketched Marc Holmes, Lynne Chapman and Liz Steel into my unfinished sketch from the day before. Lynne, smiled broadly, radiating good humor and Liz had filled an entire sketchbook already. I had taken Marc’s class and it made me realize that it helps to be thrown outside the usual sketching comfort zone when being asked to think about sketching in a different light.

Puerta del Conde

For the afternoon, Capturing the Event Workshop, I invited students to sketch on the city block leading to Puerta del Conde or inside the Puerta. I leaned against a pole and worked on the view down the street to the fort. The street bustled with merchants selling everything from sun glasses to art. The tropically themed art all looked the same as if it was pumped out of a factory. One of the sketchers can be seen working in the lower right hand corner of my sketch. I knew that two other sketchers were seated on the benches at the next light post down the road. The remaining sketchers went inside Puerte del Conde to sketch.

Residents of Santo Domingo were curious and inquisitive. Once one person stopped to look over my shoulder, there would soon be a crowd. Questions would be fired my way, but all I could do is shrug and say “No Espanole.” In a way, not knowing the language was a major advantage in that I didn’t have to interrupt the sketch to answer questions. I didn’t feel rude working away as they talked amongst themselves.

As I was finishing up my sketch, the students came as a group to let me know that the monument had been shut down before they finished sketching. I looked down the street and sure enough, an iron gate blocked the arched entry. I gathered up the remaining sketchers and we all put our sketchbooks on the street to compare notes. It was a strong afternoon’s work. What a delight to mentor such talented sketchers. A musician started playing guitar behind me and a coconut merchant hacked open coconuts with a machete. The events were there to be found but my sketch was done and I was hungry for dinner.