Orlando Director’s Forum

I went to the Orlando Director’s Forum at Valencia College East Campus (701 N Econlockhatchee Trail, Orlando, Florida 32825). The forum featured a group of Orlando’s most stylistically diverse stage. This was a great opportunity to hear unique perspectives on inspiration, casting, rehearsal process, trouble-shooting, and overall creative process of directing. Seth Kubersky hosted a moderated discussion followed by a questions and answers with attendees.

The event featured (in alphabetical order)…

Rob Winn Anderson: Consulting Artistic Director – Garden Theatre

Mike Carr: Artistic Director – SAK Comedy Lab

John DiDonna: Program Chair of Theater – Valencia College, Director/Creator – Phantasmagoria

Pam Harbaugh: Director – Theater on the Edge

Beth Marshall: Producing Artistic Director/Theatre Artist – Beth Marshall Presents

Eric Pinder: Director in Residence – Opera Orlando

Donald Rupe: Director of Theatre – Central Florida Community Arts

Jeremy Seghers: Independent Producer and Director

I love these kinds of events because listening to these directors talk about the creative process reminds me that all the arts share the same creative challenges. It offered inspiration to keep sketching and painting despite any setbacks. I have seen and admired the work of each of these directors in turn as I sketch the arts scene around Orlando. Orlando has such a vibrant theater community since so man actors come to Orlando to work for the theme parks. Those rolls offer limited artistic challenges, so they are always looking for more edgy options to test their chops.

American Buffalo at Theater on Edge.

I went to a dress rehearsal of American Buffalo at Theater on Edge, (5542 Hansel Avenue Orlando, FL 32809). The theater is very intimate with just two rows of seats. Monica Mulder, an actress who played Oberon in a recent production of Shakespeare’s, A Mid Summer’s Night Dream invited me to the rehearsal. She was seated in the audience having a quick fast food diner. I assumed she would be in the production. I was wrong however, she is also a photographer who took shots to promote the show. I had followed a young man into the theater. He spoke to Monica multiple times in a barely audible whisper. I finally had to ask Monica if he was “in character” and she laughed, saying he was. He had a tough role as Bobby in the production.

American Buffalo is a 1975 play by American playwright David Mamet. The stage set was amazing. It replicated the chaos of a junk shop. A tiny horse carousel trinket reminded are of the Glass Menagerie that I had sketched days before.   Donny, Allan Whitehead, who owns the junk shop where the entire play takes place, had sold a buffalo nickel to a customer for ninety dollars but now suspects it is worth considerably more. He and his young gofer, Bobby, Zack Roundy, planned to steal the coin back. Teach, Marco DiGeorge, a poker buddy of Don’s, arrived and learned of the scheme. He
persuaded Don that Bobby is too inexperienced and untrustworthy for the
burglary, and proposed himself as Bob’s replacement. Teach suggested they
steal the whole coin collection and more. Don insisted that their poker
buddy Fletcher join the heist to watch their backs. Teach insisted that Fletcher was not needed. 

From the moment Teach arrived in the shop in his brown leather suit and brown pants, along with his 70s style handlebar mustache, he was a a violently paranoid braggart, a raw nerve of twitching swirling energy. He was a stark laughable contrast to Donny and Bobby’s lazy meandering conversation about what to get for breakfast. These high-minded grifters fancied themselves
businessmen pursuing legitimate free enterprise. But the reality is
that they were merely pawns caught up in their own game of last-chance,
dead-end, empty pipe dreams. Their dream was based on false information which lead them to turn on each other. 

I was completely riveted. In one scene, Teach almost choked on his breakfast bacon. The director Pam Harbaugh, later said that this wasn’t method acting, she was concerned for his well being. She was also thrilled that the audience of media were laughing so much during the production. After so many rehearsals, it is rewarding to hear the reactions. Violence later the play was shockingly real. I was caught off guard. I loved the intimate staging that left a fine line separating the audience from the action. 

American Buffalo runs from November 3rd to November 20th. Seating is very limited, so be sure to order a ticket online.