A Day Devoted to Dance.

Holly Harris, a talented local choreographer and dancer helped bring National Dance Day to Orlando.  National Dance Day celebrates dance by offering a whole day of free dance instruction to anyone who attends. This incredible event just happened to fall on the same day as the 48th International Sketch Crawl, so I contacted Holly, a she agreed to allow artists to sketch the entire day’s activities.

This year’s event encouraged families and friends to begin the morning of July 25 at the National Dance Day Orlando (NDDO) Community Celebration, located at Orlando Cultural Park, (the lawn in front of the Loch Haven Neighborhood Center) to participate in exercises, dance routines, and performances by Central Florida dance professionals.

Within walking distance of the park is the Orlando Ballet Central Campus where 30 free specialized dance classes will be offered throughout the day to ages 3-100, including special needs movement classes. Central Florida dance company directors, choreographers, and fitness instructors will share different styles of dance through body conditioning, dance technique, and choreography at beginner, intermediate, and advanced levels.

National Dance Day Orlando desires to bring educational, community-driven dance opportunities to non-dancers and dancers alike! About six artists came out to sketch for the day.

The day began at 8:30am with  Stretches and Cardio

9:00am – 1st National Dance Day Routine

9:30am – Performances by Professional Central Florida Dance Companies

10:00am – 2nd National Dance Day Routine

10:30am – Performances by Professional Central Florida Dance Companies

National Dance Day does Improvisation

National Dance Day was a full day of free dance courses. The day began at Cultural  Park (lawn in front of the Loch Haven Neighborhood Center) y and then moved into the Orlando Ballet Rehearsal halls. Participants were encouraged to participate in exercises, dance routines, and performances by Central Florida dance professionals. In the Orlando Ballet Central Campus 30 free specialized dance classes were offered throughout the day to ages 3-100,  including special needs movement classes.  Central Florida dance company directors, choreographers, and fitness instructors shared different styles of dance through body conditioning, dance technique, and choreography at beginner, intermediate, and advanced levels.  NDDO strove to bring educational, community-driven dance opportunities to non-dancers and dancers alike!

This sketch was done in the Improvisational Dance Class. After stretches and warm ups, participants were encouraged to move freely and abstractly. No one moved the same way. Some of the exercises simply involved moving from one side of the room to the other. It looked like z whole lot of fun since the re were no fancy moves to memorize. This was one of the last classes of the day, so people were already warmed up, limber and ready for anything.

I was hosting a sketch crawl. There were about 6 artists to start, but by the en of the day, there were just four of us left. Being able to sit in and sketch so many dance classes meant that we got limbered up and loose by sketching so many gestures all day

Puzzle

Brian Feldman informed me about this sculpture titled “Puzzle” which is located in the Orlando Cultural Park on Princeton Street right across from the Science Center at the corner of Alden Road. I had no idea this even was a park. It looks like a vacant lot. It used to be covered with greenhouses. The installation was put in place by artist Chris Scala on August 18th and will be up until September 18th. If you drive past this location daily you will be surprised to find these bright yellow lightweight pieces change position every day. I e-mailed Chris and he told me to stop by that evening at 6pm when he would be moving the pieces again. As the sun sets, it paints the whole field a bright warm yellow and the long shadows grow more dramatic.
I arrived a bit early and walked around for a while before finding a shady spot which offered a good view of the sculpture. As I sketched, I noticed a MINI Cooper drive up and park on the road behind the sculpture. I added the car to the sketch noticing two men as they removed tools out of the back trunk. They approached the largest puzzle piece and knelt down using a power tool to remove stakes which held the light sculpture in place much like a tent. After they finished moving this piece, Chris walked up to me and introduced himself. He pointed out that over the course of the month, the pieces of this “puzzle” will move closer together and join, becoming first three then one large unit.
Chris went on to explain that a group of skate rats have been vandalizing the sculpture ever since it was installed. They would spray paint obscene messages and punch holes in the sculptures until he felt he had to remove the damaged pieces. When I asked him about the graffiti which claimed that the artwork was our tax dollars at work, he explained that there have been huge budget cuts in the city’s Public Art department. It took him eight months of hard work to get this installation approved. Paul Wenzel, the Public Art Coordinator for the city of 0rlando was instrumental in guiding him through all the never ending paper work. While the city is sponsoring the project, allowing him to use the park, he is not being paid anything for all the ongoing work he is putting into the piece. Chris goes on to explain that this sculpture is just a study for a larger permanent piece he wants to make with wire forms. He likes how the wire forms allow a viewer to look past the surface of the sculpture seeing the inside form as well as the overall structure.
As we were talking two kids on bikes shouted out, “Why are they moving that way again?!” Chris pointed out that they were probably two of the kids vandalizing the project. They circled all the way around the block watching the artist’s progress. Suddenly I felt I was in a war zone. Chris and Lance Parker, who is helping him with the project, moved the pieces further west closer to the street lights. Chis thinks by moving the pieces into the light it might slow the destruction and vandalism the artwork is being subjected to. On one sculptural piece a capital A in a circle is crudely sprayed. Lance explained that this is a symbol for anarchists. Even anarchists have to conform to a certain code. I get the feeling that as soon as I leave this site, and the sun is set, the spray cans will come back out and the mindless destruction will continue. I wonder why there isn’t more public art in Orlando?