Decolonize Teatro

Actor Lisa Morales gave me a heads up about Decolonizearte TEATRO, which presented a series of two short plays at the White House (2000, S Summerlin Ave, Orlando, FL) here in Orlando in honor of Hispanic Heritage month. She was  in both plays presented.

Descolonizarte TEATRO is a professional theater organization committed to promoting the Latin American experience, its culture and talent, through theatrical, literary, artistic and educational programming. Descolonizarte Teatro uses theater as a tool for decolonization, providing accessibility to performances and arts-based education for the Latin American community, including the under served and underprivileged. Descolonizarte TEATRO supports and showcases underrepresented Latin American talent, offers an opportunity to recognize the Latin American experience, and celebrates Latin American culture and its contributions in and outside the United States.

I was shocked at how tight parking was near the White House. It turned out that the plays were being presented on the same evening as a high school football game across the street. Loud drums an a brass band could be heard through the white house’s acoustic walls. The white house hall was packed, so I made my way to the highest balcony to distance myself from the mask less in the audience.

Director Nadia Garzon explained that the first production was shorter, but I couldn’t resist sketching the woman in her flowing red dress. She seemed to be talking about a book she was holding. Every word was in Spanish. I only picked out two words during the evening that I understood, Gracias, and muerte. The explanation she was offering I could not understand, but the dance I certainly could.

La Maestra (The School Teacher) explores the “legal” violence that plagues our countries. This was a more serious play. A man seemed imprisoned  and his daughter was under threat. The teacher was bear foot in a white dress. By the end she stood shrouded in a red shawl. Others on stage were shrouded in black shawls. Eventually the woman in white had her red shawl removed and it was replaced with a green shawl of hope and renewal.

Afterwards there was a discussion in the audience. A woman stood in the front row and talked about how her families lands had been stolen. People attempt to fight back but as long as people buy the lumber from the region, the rich will continue to suppress the poor. Nadia translated which I greatly appreciated.

Perhaps I didn’t understand every word, but I felt the culture which is being kept alive. After Pulse, families had to hope for news about loved ones who had been in the club. Doctors and police only spoke English so they couldn’t understand what was being announced. Now the rolls were reversed. Now I couldn’t understand a word, but I felt the current of sorrow that coursed under the presentation. I feel honored that I could sketch the moment.

The next presentation is Third “Encuentro” of Latinx Artists / Tercer Encuentro de Artistas Latinoamericanxs. This show will be on December 2, 2022 at the Timucua White House. Presented by Descolonizarte TEATRO. Tickets seem to be $5.

CRAIG’S LUST: a Sexploration

Ryan Price of Invisible Frisbee Productions is producing an improvisational comedy show for this year’s Fringe called Craig’s Lust. I went to a rehearsal held at Rollin’s College. When I got there Ran was at the rehearsal space waiting for a meeting to clear out. The space was a small conference room on the ground floor of the Bush Science building room 102. This improv show had a creative edge because all the comedy skits revolve around the romantic crushes that people often don’t act upon. “Meeting people is hard. Meeting sane people is harder. Meeting sane
people on Craig’s list is nearly impossible! Join us for an improvised
adventure into dating, modern romance, and missed connections. Come
see us, and who knows, maybe you’ll be someone’s missed connection…
Your suggestions fuel the scenes. From the people who brought you 2013’s
improvised version of The 39 Steps.”

Stage manager Jamie Lynn Woods sat beside me filming the rehearsal. The rehearsal began with a quick session of zip, zap, zoop in which the cast members stood in a circle and threw imaginary knives at each other. Each comedy act was improvised with the actors building off of the scenarios that were offered by the other actors. I admire this sort of high wire act performed without nets. It was of course fun to watch the female actors flaunting their sexuality when needed, however if a male role was needed they could switch genders. It was when such roles were embraced with a flourish that I found myself laughing loudest.

One skit involved a company bowling outing. An employee’s wife caught the eye of the boss as she leaned down provocatively to pick up the ball. The boss patted her on the butt and she didn’t seem to mind at first. Such uninhibited lack of personal boundaries were often the source of a laugh. The woman’s husband was up for a promotion, so he encouraged her performance while hoping it didn’t get out of hand.

Nadia Garzon‘s friend was crocheting during the whole rehearsal. I could identify with his busy act of creation. At the end of the rehearsal, he gave me what he had made. It was a 4 inch high mushroom. I wasn’t sure what to do with it, but it traveled with me on a trip to Virginia. I decided to “plant” the mushroom on a wrought iron public bench figuring someone would be happy to discover it. I like this idea of leaving tiny artistic tokens around town. I’m considering the notion of an Origami business card that I could leave behind wherever I have planted myself to sketch. What I lack is the time to create them.

Craig’s Lust is being performed at the Orange Venue, Lowndes Shakespeare Theater (812 East Rollins Street, Orlando Fl.)

Thursday, May 15th, 2014  10:30pm to 11:30pm

Sunday, May 18th, 2014  10:30pm to 9:45pm

Thursday. May 22nd, 2014  8:15pm to 9:15pm

Friday, May 23nd, 2014  6:30pm to 7:30pm

Tickets are $11 along with your $9 Fringe button which is needed to get into any show.