I arrived at the Wild Rivers Film Festival several hours early, because I was ‘t sure what the drive time was like from Medford, Oregon. From the airport to the coast I drove over a mountain range and had a blast driving down winding switchbacks through magnificent scenery. I drive through the huge Redwood forest and down flowing rivers. I didn’t stop to sketch because I wanted to be sure to get to the festival on time. I had looked up the screening time on my film and suspected it would show with a shorts block early in the day.
with several hours to kill before the screening, I decided I should sketch the theater where COVID Dystopia would screen. The problem was that there was a fine misty rain. I picked up a poncho next door at a Dollar General. The poncho didn’t solve my dilemma however because the sketch9 pages still got wet. I went back to dollar general and picked up an umbrella. That worked better, but the mist was so fine that it found a way to still soak the sketch page. I gave up and sat in the car. I couldn’t just sit on my hands, so I drove a few yards in the parking lot and looked out over at gnarly tree roots from a fallen tree. The scene suited my mood. The fine mist created a foggy atmospheric effect that I liked.
Sketching in the car kept me warm and dry. As the sketch neared completion. I started to wonder why I wasn’t seeing anyone enter the theater. I looked through the inline program and found out there was a film production workshop at the Town library. Someone there would have to know what was going on. I still needed to pick up my filmmakers credentials and figured the some staff member at the library would know what direction to point me in.
The misty, mossy and lush landscapes of Oregon agree with me. I didn’t pack a jacket however and I was cold any time I hiked about. I now had too much rain gear and noticed that the locals just let themselves get soaked. I needed lo line more like the locals. I was taking precautions for the sake of my sketching.

