Lynching Memorial – Analog Artist Digital World

After sketching at the Lynching Memorial in Montgomery, Alabama, I wandered the empty streets in search of another subject. I settled in to sketch Saint Pete’s Roman Catholic Church, but discovered the major problem of using a digital sketchbook on location… the battery dies.

A small wooden church was built on the site in 1833 and was dedicated in 1834. A brick building which is part of the present structure was built in 1852. The current Spanish style tower and facade were added in 1882.

After the battery died I searched for a lunch spot where I might be able to recharge. I found Chris’ Hot Dogs which was opened by a Greek immigrant in 1917. Until the 1960s he offered curb side service which resulted in long lines of cars waiting to be served. The dogs are served with a secret chili sauce only known by a few family members. Millions of customers were served in the first 10 decades. President Franklin D. Roosevelt often ordered boxes of hot dogs when his presidential train traveled through town. Other presidents included Truman and George Bush one and two. Dr. Martin Luther King Jr., Hank Williams Jr., and Elvis Presley all sampled these delicious hot dogs. My two dogs were soggy with chili sauce, but quite good. People in the know, lined up at the bar and had their dogs within minutes. I sat at the bar, which reminded me of the many bars in the south where sit-ins were held during the civil rights era.

I eventually found a plug in a public park, but by the time the pad was recharged, I decided I didn’t have time to go back to complete the sketch. It had to stay the way it was. It shows my loose thought process early in a sketch before details are added.

Members of the onePULSE Foundation Board flew into Montgomery, Alabama to visit the Legacy Museum and the National Memorial for Peace and Justice, commonly known as the Lynching Memorial. Pam Schwartz and I flew in the same day, but on a separate flight. While the Board explored the museum, I walked over to the memorial to sketch.

Entrance to the memorial costs $5 and there are two metal detectors for security. Video isn’t allowed but still photography is fine, although they don’t want people taking selfies in front of the sensitive statues of enslaved people. Since we were only in town for a day, I had a change of underwear in my artist stool and I hoped I wouldn’t have to drag it out while going through the metal detectors. My sketch pad should get through fine.

I was surprised when security told me that I would have to leave my art bag behind, although I was told I could take out anything I needed. I said I would need my sketchbook and then I was informed that sketching was not allowed. I would also have to leave my art stool, so I faced the prospect of standing for several hours as I sketched, which can be exhausting. I decided to turn on my heel, get my refund, and leave.

I hiked around the block until I found this view of the memorial from an abandoned empty lot across the street. About half way into this sketch another security guard walked down the steps and across the street from me. I stiffened up, thinking he might try and stop me from sketching from this public spot. The opposite happened. He apologized and said I could could sit inside on one of the granite benches if I wanted to. I thanked him for the offer but I was already deeply committed to this sketch. I also had shade from a tree on the empty lot which was needed. There were few trees inside the memorial property.

This is the nation’s first memorial dedicated to the legacy of enslaved
black people, people terrorized by lynching, African Americans
humiliated by racial segregation and Jim Crow, and people of color
burdened with contemporary presumptions of guilt and police violence. The memorial uses sculpture, art, and design to contextualize racial
terror. The site includes a memorial square with 800 six-foot monuments
to symbolize thousands of racial terror lynching victims in the United
States and the counties and states where this terrorism took place. These rust colored monuments hang from the ceiling. The Equal Justice Initiative is inviting counties across the country to claim their monuments and
install them in their permanent homes in the counties they represent.

The streets of Montgomery, Alabama are strangely deserted. I got the feeling like I was the last man on earth walking the quiet streets. When a car did rush by it seemed out of place. The city wears its history of hate and racism on its sleeve with pride.