Les Mamelles De Tiresias at the Dr. Phillips Center for the Performing Arts.

Les Mamelles De Tiresias (The Breasts of Tiresias) presented by Florida Opera Theater is a comical opera that was basically written to encourage people to go home and make more babies after the war. Therese is a housewife who is tired of her domestic life and wants the exciting life of a soldier. Her husband keeps interrupting her singing to come effect by demanding bacon. She unhooks her apron, and her breasts float away like balloons and she becomes a man. After she goes off to war, the husband puts on her apron and becomes the wife. As the wife he has to fend off the affections of a police officer who is taken in by the female attire. The improbable changes of sex seemed to ignite a heightened desire.

In the second act, the husband (wife) has given birth to more than 40,000 babies. All his children had successful careers in the arts making him a rich man. As a finale, the two large balloon creatures I sketched, floated over the audience. Phallic appendages gave the creatures a surreal appearance. Each had trap doors in their under bellies and those doors opened, raining balloon babies down on the audience. I had hoped to sketch the stage hands work in the pulleys that hoisted the balloons over the audience. I was asked to move twice and then to to leave the upper balcony by the spot light operator. Only staff were allowed. I finished the sketch on the ground floor in my assigned seat in row L.  Of course I was in a foul mood, but I managed to complete the sketch. To add insult to injury, I lost my bag of art brushes in the theater. I checked with lost and found, but they were never turned in.

General Tiresias wage war on childbirth. But her former husbands success in raising so many children thwarts her plan. There is a playful scene with dozens of children singing and playing hide and seek in a nursery. This was definitely one of the strangest Operas I have ever seen. I’m still not sure what to make of it.

Opera Orlando at the Dr. Phillips Center for the Performing Arts.

Spring time marked the boisterous rebirth of Opera in Orlando. Opera Orlando presented The Impresario, which is Wolfgang Amadeus Mozart‘s “comedy with music”, followed by Les Mamelles de Tiresias, Poulenc‘s “fertile farce.” A small orchestra was set up in the lower balcony. I went to the final dress rehearsal which had a small audience with friends and family.

Mozart’s comedy was quite fun and director Eric Pinder did a fabulous job of modernizing the story so that it referenced Orlando. Two producers contemplated a small low budget opera. They admired the theater and even shot a selfie in the opulent theater. I liked that the ghost lamp remained on stage. A ghost light is put on stage when the theater is unoccupied. Superstition states that it allows ghosts which occupy the theater the opportunity to perform on t empty stage. This appeases the ghosts so they do not sabotage a production. To keep costs down, t he producers decide to stage a production with no set pieces. A diva entered from house left and walked up to the stage. She was an older well established performer who faced rumors that she could no longer hit the high notes. She performed a solo that was comically flamboyant and over the top. She demanded $5000 a performance and stormed off stage.

A theater patron, Deep Pockets, entered and offered a sizable donation if the producers would hire a female singer he had discovered. She turned out to be a bawdy burlesque performer who also demanded $5000 a performance. What followed us a hilarious battle of wills as the two female divas tried to out sing each other. This was a hilarious production that was sung and perform in English, so there us no need for subtitles.

The only hint of the second production, Les Mamelle de Tresias in my sketch, is the large balloon creature in the upper balcony. It had many appendage like an octopus and a snout that looks like a large inflated rubber. This creature would hoover over the audience at the end of Poulenc’s farce about fertility. I plan to go back to do another sketch.

Mark your Calendar! There are two performances left. One is tonight, Saturday April 23rd at 7:30pm. The other is Sunday April 24 at 2 pm. Tickets cost between $10 to $66. You can call the Dr. Phillips Center for the Performing Arts (445 South Magnolia Avenue Orlando FL) box office Monday through Friday 10am to 4pm. Saturday from noon to 4pm.