Pecha Kucha at the Dr. Phillips Center for the Performing Arts.

On January 8th Pecha Kucha moved into the grandeur of the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, Florida). Eddie Selover  took to the stage to introduce the speakers in the brand new Disney Theater. Pecha Kucha means chit chat in Japanese. The concept is simple. Speakers present 20 slides and they can only speak for 20 seconds with each slide. There is no stopping, no going back or revising one’s words. What results is a concise easy to digest presentation without extraneous and pointless verbiage. The presentations become a for of pure poetic communication. Even poets could learn to ed and extract just the heart of the subject.

On this evening the presentation that left the biggest impression was by Evan Miga. In high school, Evan was told the the dollar bill is s well designed, that it could not be reproduced. Evan took that as y challenge and us” his computer and Photoshop , he set about producing a bill that was indistinguishable from the original. Friends were impressed and asked for then own copies. The problem was that one of this friends spent the bill. Soon, the FBI came knocking on Evan’s door. He had to answer
so me serious questions. The agents must have realized that the young
student was n, a criminal mastermind and he got off with a slap on the wrist.

The next Pecha Kucha titled “Breaking the Surface” is Friday July 8th at the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, Florida) starting at 6pm.  Tickets are $24.25.

SPEAKERS:
Andrae Bailey, CEO of Central Florida Commission on Homelessness
Julian Chambliss, Rollins History Professor
Michelle Jones, Bandleader of Violectric
Kostya Kimlat, Magician Extraordinaire
Bob Kodzis, Cheerleader and Creative Catalyst
Ama McKinley, HuffPost Contributing Blogger
Marc Middleton, Founder and CEO of Growing Bolder
Alejandro Musa, Getaboard Foundation
Shawn Welcome, Performance Poet and Founder, Diverse Word

There Will Be TrIP

On January 14th, there was a reading by five different artists who had taken part in the Transit Interpretation Project (TrIP). TrIP asks artists to travel to destinations using the Lynx bus system. The poems, narratives, and images make there way to “The Corridor Project” TrIP site. Julian Chambliss, Patrick Greene, Dina Mack and Moriah Lorraine Russo read their stories. They posed for a photo with Lynx CEO John Lewis.

I sketched Patrick as he read about his bus TrIP. He romanticized the travels of the beat generation like Kerouac knowing full well he would be home that evening to a home cooked dinner from his mom. The most fascinating write up came from Julian who gave a brief history of public transportation in the south. It seems northern cities developed their public transport systems before the advent of the automobile so the systems they designed had to be robust and efficient. Southern cities urban sprawl came about after the advent of the automobile so public transit came just as an afterthought. He also spoke about the history of Eatonville Florida the first entirely African American community. Although it might have seemed like voluntary segregation, it also demonstrated that this community could not only survive but thrive.

Jesse Bradley was the host for the evening. Amazingly he has been taking the Lynx buses every day for 17 years. He tried to drive a car and he even tried a moped with apparently tragic consequences. The angry mobs on the Florida roads are intimidating. I always drive with the notion that no one else on the road is thinking and that they could do anything with no reason or thought of consequence. Even so, it is seems many drivers want to drive through the traffic in front of them. With people texting and talking on cell phones the incidences of full speed rear end crashes are escalating. This weekend I saw a car waiting at a red light get hit at full speed from behind. It is crazy out there people. A bus is a huge battering ram but there must be a high incidence of accidents from impatient, insane car drivers drying to swerve around the bus as it pulls up to each stop.

Chapbooks of the stories read are being made available for $8. There are 39 copies available as of this writing. As I left the reading I grew anxious knowing I would have to take the bus back home. I walked under I-4 into Parramore to the closest 21 bus stop.