Shakespeare’s Terminator the Second at Fringe

Posted on by Thor

Shakespeare’s Terminator the Second got my vote as the most clever show at this years Fringe. The show presented by Hardly Working Productions, was a 17th century version of the film Terminator 2 Judgement Day constructed solely of lines form the plays of Shakespeare. The film is a classic and it was surprisingly easy to accept Shakespeare’s dialogue used throughout with just proper names changes to to match the screen version. The casting of muscular Matt Doman in the roll of Schwarzenegger was spot on. He would sometimes just stand still on stage looking ripped and stoic and the joke became clear that thus was all that Schwarzenegger had ti do in the original film.

Jolie Hart was wonderful as the adolescent John Connor. Pam Stone as Sarah Connor truly carried the show performing amazing monologues of her prescient visions of doomsday. John Reid Adams is as the shape shifting T-1000 parried with the terminator with some thrilling and inspired swordplay choreographed by Bill Warriner. The production was often comic in it tributes and nods towards the original film. My favorite was the liquid metal ending which they stages with a simple flaming sheet behind which many of the cast were crouched. When the T100 terminator fell into the liquid metal various cat members who had been killed by the T100 them flailed up from behind the sheet in quick succession as the unit melted into oblivion.

Director Simon Needham had the scene changes coming in quick succession with the monologues being fires off just as fast. This presented a challenge for this artist working with a traditional 17th century sketching method but I loved every entertaining moment. The only line not written by Shakespeare was, “Ill be back.”

When Shadows Fall, the Minotaur’s Madness.

Posted on by Thor

The redrum appealed to me the first time I experienced When Shadows Fall. I had been assigned to assist Daedalus (Joe Hall) when I first became a citizen of Penumbra. My tasks never brought me back to this hidden sanctum. I discovered it later as I walked room to room during the first evening’s cast party. I needed to sketch this red asylum and thankfully the producers (Sarah Elger and Ricky Brigante) were on board with the idea.

The Minotaur, named Nathanael, (John Reid Adams) was in character from the moment he entered the room. I was cast as an artist, a member of the gold caste of the society, sent by the office to observe his activities. He paced the room and dug his nails into the wall, carving in sayings like “Why” and “What is the point?” Eyes mere everywhere to watch in his movements. When he heard that K. Alexander, Penumbra’s founder, had been killed he became quit distraught. Nathanael had been a gold member of society and a close friend of K. Alexander. Alexander’s son Nikolai, (Barry Wright), became jealous of the attention his father bestowed upon Nathanial. Nikolai convinced his father to have Nathanial become part of the Citizen’s Project, to be transformed in to a Greek godlike being. The surgery went wrong, and Nathanael, now the Minotaur, became mentally unstable and was banished to the Labyrinth.

Despite his abandonment and isolation, the Minotaur remained faithful to K. Alexander, and hoped someday to return and become a productive member of Penumbra society. In a sudden fit of rage, the Minotaur punched the a hole the wall. His knuckles were covered in blood. Much of his angst went unobserved by other citizens. He suffered silently alone, except for the watchful eyes of an artist. Odessa, with hair like Medussa, (Cassandra Heinrich), entered. She was startled by my presence. The Minotaur explained that I had been sent to observe. She saw his bloodied hand and was concerned. She turned to me in rage, “You saw him do this to himself and you did nothing!” I sheepishly explained that I was just there to observe. Odessa had also been a member of the gold caste of society. She comforted so many who suffered and share her fate. I was surprised that this tender moment went unobserved except by me. 


The Minotaur was forcibly removed from his red room and dragged off to surgery. The thugs tried to calm him, “It is for your own good.” He returned much late and his broken horn was now restored. Perhaps the surgery had indeed been to his benefit. By remaining still, I managed to discover that the Minotaur wasn’t a monster. He was an intellectual, and a romantic idealist. He envisioned Penumbra as the perfect society even though that society cast him aside. 


When Shadows Fall tickets have been selling out.

Only two performance remain of When Shadows Fall. Every show has been selling out. 

Friday September 9th, at 8pm is a new show that was just added.

Saturday September 10th at 8PM is SOLD OUT

Don’t
miss this unique interactive theater experience. Leave your material
and spiritual insecurities on the outside. Consider Penumbra your new
home.

Penumbra, the Perfect Futuristic Society?

Posted on by Thor

When Shadows Fall is a groundbreaking first-person interactive experience that takes place in a 15,000 square foot maze of futuristic offices, labs, and a dark labyrinth. Mallory Vance and I were recruited by Daedalus (Joe Hall) to recover documents from the office of acting president Nickolai (Barry Wright). Documents we found hinted at a sordid affair with Odessa (Cassandre Heinrich). She had been a gold member of society, but she volunteered for experiments which scarred her for life and cast her as an unknown in the Labarinth. The relationship was abusive. Mallory hoped that if we kept the abusive relationship a secret, that Nikolai might one day repent and the couple could live happily ever after. She was a romantic at heart but ultimately an enabler.  Of course life never is that sweet and innocent. Besides, weren’t the only ones who knew this dark secret.

What had been described as the perfect society was less than perfect. Posters proclaimed that “After acclimation everyone has a place” and “Join our society towards good.” Our reward for joining the greater good was to be banished to the labyrinth for our anti-social behavior. Mallory was the most social of the new citizens, and of course I am an artist and therefor deserved be be part of the gold cast of society. As the unnamed, we had to give up our old name and embrace a new name, I became know as Odin and Mallory became Sarah.

In the end we all met in a public square where the true face of the society showed itself. Ideals were clouded by jealousy, rage and revenge. The misshapen underclass fought against their oppressors. Nathanael, the Minotaur (John Reid Adams) seemed the most tortured of the unnamed.  One of his prosthetic horns was broken off. His pained screams could often be heard in the halls. I clearly only experienced a fraction of the stories that could be unearthed. The experience left me yearning to learn more. One evening in Penumbra only begins to scratch the surface. You have to experience it for yourself.

Realms of the Untold brings humor and horror to the stage.

Posted on by Thor

Realms of the Untold is a brand new anthology of short plays, written by local playwright Corey Volence, the scriptwriter of the award winning 2013 Orlando Fringe musical Key of E. These six short plays are written in a style meant to evoke classic horror and science fiction shows such as The Twilight Zone, The Outer Limits, and Tales From The Crypt. These short stories are filled with the strange and the unknown, this production is sure to make you squirm, laugh, yelp in fright, and might just even give you some nightmares.

I went to a rehearsal in a suburban bungalow in Ivanhoe Village. Everything had been cleared from the living room except some set pieces and props. The opening play set the stage in a famous actors dressing room (Ken Luzadder). A star struck understudy (John Reid Adams) was greeted rudely. The boy had seen every performance. When he asked how to get ahead in the acting business, he was told that you need to sell your soul to the devil. A dark twist then redefined their roles.

Actress (Jan Taylor Hendricks) then took the center stage seated in a chair. She told a long story from her childhood. Her grandmother was from the old country and schoolkids spread rumors that the old woman was a witch. Another rumor circulated that a local lake was inhabited by a mysterious creature that ate children. When she told her grandmother the rumor, she got very serious and was warned to never go in the water. She promised, but like most childhood promises she eventually broke it. Classmates dared her to enter the lake. To save face she waded out in to the water. Jan’s performance with a sweet southern accent was incredible. I stopped sketching and sat on the edge of my seat to find out what would happen to the little girl. I have no doubt there will be standing orations for this performance.

Each play has its own emotional tone. From one horrific moment, we cut to a light comedy about a couple who are debating about a lifetime commitment. The guy (Charles Krivan) is hesitant and lacks confidence. The girl (Monica Titus) has the absolute conviction that comes from a long life of experience. The conversation between these love birds was at times hilarious. I stopped sketching and simple enjoyed their banter. The commitment turns out to be far more eternal than what can be bought with a wedding ring. A commitment of 50 years or so seems trivial in the larger scheme of things.

Monica Titus also played the part of a social worker in an insane asylum. She interviewed Ken Luzadder  who was in a straight jacket. She set him free of his constraints and then he related the tale of the fateful day that put him behind bars. He described the day with absolute lucidity. Perhaps he was sane and falsely institutionalized. The memories he related however contradicted the facts as related by the social worker. The tension between the two of them escalated until he became violent. The rehearsal had to cut at that moment since props were missing that were needed for what would follow. I honestly don’t know how this play ends, but I was left concerned for the social workers well being. Why on earth did she take off his straight jacket. He could very well be a Hannibal Lecter.

I can say without hesitation that this show is going to be one hell of a roller coaster ride. This will be a great way to kick off the Halloween season.

Show Dates: 

October 1 – Doors at 7 Show at 7:30

October 2 – Doors at 7 Show at 7:30

October 4 – Doors at 2 Show at 2:30

October 8 – Doors at 7 Show at 7:30

October 9 – Doors at 7 Show at 7:30

October 10 – Doors at 7 Show at 7:30

There will be discounted tickets for Military, Student, and Theme Park Employees with ID.

Ticket Link