Sing Along with The Muppet Movie at the Abbey.

I now live downtown near The Abbey. Each day, I like to watch the marquee sign being changes. I stepped out for the night to do a sketch, and couldn’t resist sketching the Abbey. Purple light glowed inside And the stark white marquee announced the Sing Along with the Muppet Movie . I sketched as the sun set and people gathered near the theater entrance. I had never seem the movie before but have seen the Muppets many times over the years on TV.

Sing Along with The Muppet Movie provided a family-friendly, interactive experience allowing the audience to renew their rainbow connection with the classic Jim Henson film. Heather Henson, Jim’s daughter, and her Sing Along crew brought elements of the film to life for the audience via puppetry and more. One of her crew recognized me and asked me to go inside to see the show. Children and adults were urged to participate in a variety of fun ways.

This relaxed performance had lights up, modified sound, a quiet room and the ability to get out of your seat to dance and play.

Butterfly kites fluttered and fish leaped above the audience as the Rainbow Connection opened the film. Kids played tab, Chasing each other around the theater. I think the adults were the only ones to see the film all the way through, but it was a fun chaotic experience.

The Nativity Rehearsal

I went to the Henson’s Pineloch warehouse on December 12th to sketch a rehearsal of The Nativity. Rehearsals were held most weeknights for two weeks from about 7:30 to 10pm. All of those rehearsals were for two performances on December 22 at Pinocchio’s Marionette Theater in the Altimonte Mall. The oldest story in Christian history was made new in this retelling with live music, and the gorgeous puppets from IBEX Puppetry and the Jim Henson Company. This puppet production was spearheaded by Jane Henson, the wife of Jim Henson of Muppet’s fame.  Jane helped Jim in the early days of television production but then abandoned puppetry to raise her family. He youngest daughter, Heather Henson helped her bring this production to life.

The warehouse was cavernous, filled with boxes and bins full of foam, fabric and assorted puppet parts.  There were woodworking benches and large kites suspended from the ceiling. If you were to imagine Santa’s toy factory, this would fit the bill. I decided to sit behind the table where the performing puppets were stored. Gabriel with his gossamer wings dominated the table. A dark sinister and conniving Herod stood beside him, visible through his transparent wings. Mary, Joseph and the three kings also waited to begin their performances. A train rumbled by adding an industrial edge to this period piece.

From this angle, I could see the puppeteers who had to crouch down behind the stage setting to stay out of the future audience’s view. Sean Keohane, the director corralled the cast and explained how important the telling of the story would be. It was something parents could share with there children. Sarah Lockhard worked with the Virgin Mary rod puppet. Her face expressed every emotion as she moved the puppet. It was fascinating watching actors become lost in the subtle performers.  The word, marionette, 
means “tiny Mary” and  was derived from the puppets used in medieval mystery
and miracle plays.