Hank Williams comes to life in “Lost Highway”.

Andy Matchett left me a message to let me know tech rehearsals were in progress for Hank Williams “Lost Highway at the Sonnentag Theatre at the Icehouse in Mount Dora. Andy stars in the show as Hank Williams. The show opened with Hank’s mom sitting in a rocking chair on her porch reminiscing about her son’s childhood. He was a mamma’s boy. Opposite her on stage, a blues man sang a soulful tune. Hank went to this singer and played an early song he wrote about a UPA worker who was disgruntled. Hanks mentor asked, “Did you ever work for the UPA?” “No” said Hank. “Well, why you singing about someone Else’s problems?” “You have to use your own experiences.” Hank took the words to heart and is songs blossomed,

Hanks wife was an interesting character. She recognized his talents and helped promote him. Then she decided she needed to step into the spot light and sing. The trouble is, she was tone deaf. I grimaced when I first heard her and thought, how did they cast such an awful singer? But the actress probably had to rehearse many times to hit those notes.  Hank let her sing beside him and even write a few bad songs. But his talents would drown her out until she would stomp off stage in a huff. His earnings he would hand over to her and he would never see a dime. He loved her dearly but also wanted to kill her at times. The attention she craved, she found in the arms of other men and eventually she left hank.

Hank Williams flame burned bright and he achieved all his success in his 20s. But he turned to drink and even performed drunk sometimes. He had a mean streak when drunk and his band mates just had to put up with it. A truck stop waitress tended her bar for much of the show. She acted as the narrator, explaining Hanks influence on the people of Alabama and the whole country. As Hank performed she would be bobbing her head or sweeping the floors to the sway and beat of his songs. Her love and appreciation of the music was contagious. She dreamed of one day escaping the waitressing and driving off in a fancy car. That dream came true when a drunk Hank Williams entered her cafe. She left with him that night and drove his Cadillac while they howled at the moon. Instead of being a romantic interlude however, he passed out. She stayed with him until morning but that was their only night together.

While being driven between gigs, Hank passed out in the back seat of his car. The driver thought he was sleeping, but he had died at the tender age of 29. There was enough alcohol and drugs in him to pickle the man, but the coroner politely wrote it off as a heart attack. The band released several albums after Hanks death and those sad songs were more popular than ever. It is as if people need a performer’s sadness to feed off of even after death.

Hank Williams “Lost Highway” written by Randal Myler and Mark Harelik Directed by Darlin Barry runs from March 20 to April 12, 2015 at the Sonnentag Theatre in the Icehouse 1101 North Unser Street Mount Dora FL.

Tickets:

$20 All Adults (Fri- Sun)

$18 All Adults (Thursdays)

$17 Groups (15 or more)

$15 (age 18+ with student ID)

$10 (ages 5 – 17)

Showtimes:

Thursdays: 7:30 PM

Showtimes:

Fridays: 8:00 PM
Saturdays: 2:00 PM or 8:00 PM

Sundays:   2:00 PM

Call for Saturday show times

All Shook Up Brings the 50’s to Life in Mount Dora

Opening the Sonnentag Theatre at the IceHouse‘s 67th season, All Shook Up, the Joe DiPietro musical features the love songs of Elvis Presley and characters and plot devices from “Twelfth Night” by William Shakespeare to Mount Dora. The plot was paper thin with characters that were stereotypes with no any depth. The show was a reason  to string together as many Elvis songs as possible. Love was the driving force for the action and the music with back up by a live band backstage was fun, fast paced and at times spectacular. The set designed by David Clevinger had a barrage of commercial images and scenes. It was much like the show with many elements thrown together with no single point of interest. I became frustrated by the many set changes which would force me to stop sketching as the theater went black.

A small Midwestern town’s  moral code is set by the Mame Eisenhower decency act. Then a roustabout (Fredy Ruiz) drives into town dressed like James Dean on a motorcycle. His motorcycle needs repair and Natelie, (Whitney Abell) the town mechanic is immediately smitten. She does everything she can to win the roustabout’s love and she doesn’t succeed until she decided to dress as a boy to approach him as a friend. The roustabout only has eyes for the exotic curator at the town museum (Carly Skubick) but she sees him as a brute with no culture. When she lets her hair down, watch out! Everyone in town seems to fall in love with the wrong person and then the show spins out of control to try and find balance and meaning in unrequited love.

Director, Darlin Barry, faced challenges bringing the show to the stage. The lead actor playing the roustabout wasn’t showing up to rehearsals so she had to do something. Fredy stepped into the roll from withing the cast of about 20 actors. When everyone including the ensemble are on stage dancing the stage is close to overflowing. I was made aware of this dress rehearsal by stage mom Kathy Wilhelm Witkowski, who’s daughter Corina was in the show. Corina introduced herself before the show and let me know that she had almost been in one of my sketches last year when I sketched the Buddy Holly Story at the Icehouse. She was on stage checking her cell phone on stage right and she walked back stage before I put her in the sketch. I kept my eyes open for her but she didn’t appear on stage until very late in the first act when she posed as a statue with five other women in the museum. It was a perfect sketch opportunity, and I penciled her in the sketch several times as a statue but couldn’t find a reason for showcasing a statue in the middle of the action that I had put in the sketch already. I had to erase her for the sake of the composition.

Sylvia, (Laurie Sullivan) who owns the local honky-tonk sang brilliantly. She courted Natalie’s widowed father Jim (David Coalter). Songs in the show include “Jailhouse Rock,” “Heartbreak Hotel,” “One Night with
You,” “Love Me Tender”, “Devil in Disguise” and “Can’t Help Falling in Love.” A five-piece
band will accompany the singers with music director Justin Ward Weber on
keyboards. The music often bought back memories of working on Lilo and Stitch which incorporated many of these Elvis songs in the soundtrack.

All Shook Up is a simple fun summer romp. It runs July 18th to August 3rd.

Performances begin at 7:30 p.m. Thursday, 8 p.m. Friday and Saturday and 2 p.m. Sunday. The show is already 85% sold out. Tickets are $20 for adults, $18 on Thursday and for seniors. Student tickets range from $10 to $15. For reservations or for more information, call 352-383-4616.