Hugh McKean – Analog Artist Digital World

The Charles Hosmer Morse Museum of American Art, (445 N Park Ave, Winter Park, FL 32789) Was open to the public for free on Christmas Eve. Guards in the museum seemed more relaxed. The guard in the Tiffany Chapel expressed how mush she liked seeing me work on the sketch.

In 1893 Louis Comfort Tiffany exhibited the chapel interior at the World’s
Colombian Exposition in Chicago that brought him international acclaim
few American artists enjoyed at the time. The chapel demonstrated the firm’s artistry and craftsmanship in
producing ecclesiastical goods ranging from clerical vestments and
furnishings to mosaics and leaded-glass windows. It so moved visitors at the time, that men removed their hats in
response. The woman seated in front of me kept her bonnet on for the duration.

The ornate chapel is Byzantine in design, built up from simple
classical forms, columns, and arches, which are huge in size relative to
the chapel’s intimate space (1,082 square feet). When the World’s Fair was over, the chapel was brought to the Cathedral of Saint John the Divine in NYC. It was kept is a squat basement crypt and was then ignored when the choir was completed upstairs. Unchecked water damage took it’s toll, and in 1916 Tiffany offered to remove the chapel at his own expense. It was reinstalled and restored at Tiffany’s own Lauriston Hall Estate.

Tiffany died on January 17, 1933. In 1957, Tiffany’s abandoned estate was ravaged by fire. Hugh and Jeannette McKean of Winter Park, Florida, were notified by a
Tiffany daughter that some of his most important leaded-glass windows
were still intact. They visited the devastated Laurelton Hall site, and Jeannette
decided they should buy all of the mansion’s then-unwanted windows and
architectural fragments. Two years later the McKeans purchased the
components of the chapel that remained at Laurelton Hall.

A team of architecture, art, and conservation experts were assembled to begin
the more than two-year project of reassembling the chapel. The chapel
opened to the public in April 1999, the first time since it was open at
the 1893 Colombian Exposition in Chicago. It is a rare gem in the heart of Winter Park.

Catherine Hineman wrote: This year, because Christmas Eve falls on a Monday, we will have a
holiday weekend open house just prior to Christmas Eve. That’s two days
of free admission
to the one and there will be live music on Sunday. This only happens
every seven years or so, but it is always confusing to a few who have
made the December 24 open house a tradition.

In 1893 Louis Comfort Tiffany designed and exhibited this Byzantine inspired chapel at the Chicago World’s Columbian Exhibition. Men would take off there top hats in respect. The chapel was hailed as a virtuoso performance of the arts of mosaic and glass. Hanging from the ceiling is a large cross shaped electrolier which made use of the latest technology of the time, the electric light bulb.
After the Chicago Exhibition the chapel was bought by Mrs Celia Whipple for The Cathedral of Saint John the Divine in New York. It was installed in a dark crypt and used as an actual chapel for about 10 years but was then abandoned and left to deteriorate. Tiffany, upset about the condition of the chapel arranged to reacquire the remaining parts and bring them to his Long Island Estate, Laurelton Hall. Tiffany then lovingly restored the chapel and replaced the lost and stolen parts. When Tiffany died in 1933 his estate was scattered to the winds. In 1957 the Laurelton Hall estate burned to the ground. Luckily the chapel was in a separate building but it once again fell into disrepair.
After the fire Jeanette McKean the Morse Museum founder, and her husband Hugh McKean visited the hall and bought all they could to Winter Park Florida. Some callous moving men threw furniture and a used tire on top of the chapel parts assuming they were hauling junk. Once in the Museum the chapel was once again lovingly restored over a three year period. Tiffany viewed the chapel as “a temple of art, not of worship.”
While I sketched the chapel, a woman tried to take a picture with her cell phone. A guard quickly appeared and shouted that no pictures were allowed. As he walked past me he said “Sketches are fine buddy, you have the right idea”.