Breakwater Hotel

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The Breakwater Hotel (940 Ocean Drive Miami Beach Fl) was built in 1939 by Anton  Skislewicz. This was the first stop on the sketch walk I hosted along with Gay Geiger. At the start she offered a quick sumation of the history of Art Deco architecture. Her talk was made a bit challenging because all the old cars parked along ocean drive for the car show drove by honking horns revving their engines.

Art Deco was born in Europe, first introduced in 1925 at “Exposition des Arts Decoratifs” in

Paris and flourished internationally from the 1920s – 30s. Its influence is derived from ancient Greek, Egyptian, and Mayan motifs. Also, by Cubist paintings and the Machine Age. In 1920s gambling, booze, and prostitution that came down came down to Miami with New York crime lords who invested in the hotels, were where illegal activities happened. A 1926 Hurricane wiped out and changed much of South Beach’s architecture from Mediterranean Revival to Art Deco. Miami took Art Deco and added Tropical and Natuical Deco Motifs. Motifs include frozen fountains (splashes of water frozen in time), eyebrows (ledges above windows brought with tech of reinforced concrete).

In the 1930s Henry Hohauser added curves and streamlining, by 40s Deco was over and the 1950 to 60s gave way to Miami Modernist (MiMo). Anything built after 1965 is considered “New Construction”.

The rooftop terrace of the Breakwater was the location of Bruce Weber’s early-1980s photo shoot for Calvin Klein Underwear which sparked world-wide interest in the Art Deco District as a backdrop for

the fashion industry. The Breakwater’s perfectly balanced A-B-A facade helps make the

central design even more pronounced. The hotel has etched plate glass windows which are done in the Floridiana style complete with flamingos, palm trees, and tropical terrain. It was purchased and refinished by Jordache Jeans in 2011.

What is great about Urban Sketching is that each artist has their own aesthetic and approach when sketching. The same subject might be interpreted by architects and artists with widely different and equally interesting results. I didn’t offer any insights or instruction except for artist who asked for feedback. I experimented and worked faster than usual since we only has an hour at each of 3 stops. Results were unexpected and fun.

Weekend Top 6 Picks for October 12 and 13, 2019

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In honor of National Library WeekSaturday October 12, 2019

10am to 1pm $5. Urban Sketching Workshop: Capturing Brutalist Architecture. Orange County Regional History Center, 65 E Central Blvd, Orlando, FL 32801. The Accidental Historian
Young Artists Urban Sketching Workshops.
“Ink and Twig: Capturing Brutalist Architecture in Urban Sketch”
For students 14 to 24 years old.
Brutalism
was an architectural movement that flourished from the 1950s to the
mid-1970s. The term originates from the French word for “raw” as used by
the Swiss-French architect Le Corbusier to describe his choice of
material as béton brut (raw concrete). The aesthetic appeal of Brutalism
sprang from its sculptural potential, and the style was generally
favored by architects who saw buildings as works of art. Brutalism is a
very cerebral style. The Orlando Public Library exemplifies the style,
with its “raw,” textured concrete facade. The original, easternmost
section, 60,000 square feet, was built in 1966 and was designed by John
M. Johansen. From 1982 to 1985, the building was enlarged to 290,000
square feet, with Schweizer Associates guiding the expansion to follow
Johansen’s design.
The sketching technique of Chinese ink and
twig perfectly captures the “raw” pure art form of Brutalist buildings.
With only a bit of ink and a sharpened twig, you will capture the raw
textural facade. In this workshop taught by landscape architect Art
Esteban and architect Gay Geiger, participants will learn a bit about
the history of the Brutalist architectural style in Orlando and how to
sketch with ink and twig to capture an urban setting.
This
workshop is open to students aged 14 to 24. All skill levels are
welcome. Sketching materials will be provided by Sam Flax Orlando. The
sketching portion of the workshop will take place outdoors. Participants
should dress appropriately for the weather and bring water and a snack.
Participants can bring a folding chair or stool to sit.
Workshop schedule
• 10 a.m. Meet inside the Orange County Regional History Center
• 10:05 a.m. Introductions
• 10:25 a.m.Tour of The Accidental Historian exhibit
• 11:15 a.m. Sketching instruction outside of Orlando Public Library
• 12:30 p.m. Sketchbook Throwdown

About the Instructors: Art Esteban and Gay Geiger
Art
Esteban is a landscape architect, off-road cyclist, and avid urban
sketcher. He has traveled to several Urban Sketchers Symposiums and
taken ink-and-twig workshops with the Malaysian sketcher and instructor
Kiah Kiean. Follow Art’s adventures on Instagram @artistotle_05.

Gay
Geiger is an architect with SchenkelShultz Architecture in Orlando. She
grew up in a small town in Wisconsin, learning to sketch from her
father. She moved to Central Florida in 1980 and has been practicing
architecture since 1987. Although Gay sketched buildings and entourage
for many years, it wasn’t until 2015 that she was able to define her
sketching interests as “urban sketching.” See more of Gay’s work on
Instagram @gaygeiger.About the Series: The Accidental Historian Young Artists Urban Sketching Workshops
Catch
the world around you one sketch at a time! Join Urban Sketchers Orlando
for any, or all three, sketching workshops in downtown Orlando for
artists aged 14 – 24. In conjunction with the History Center’s newest
exhibition, The Accidental Historian, these classes for all skill levels
will get you sketching on location and capturing history as it happens.
All art supplies are included, courtesy of Sam Flax!

4pm to 6pm Free. Young Voices. JB Callaman Center 102 North Parramore Ave Orlando FL. Teen Open Mic Every second Saturday of the Month. 

8pm to 10pm $5 Second Saturdays in Sanford. 202 S Sanford Ave, Sanford, FL. Live music event featuring 2 stages, drink specials and more. 

Sunday October 13, 2019

10am to Noon. Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources. 

1pm to 4:30pm Free. Family Day on the Second Sunday. The Mennello Museum of American Art, 900 East Princeton Street, Orlando, FL 32803.

The
make-and-take craft table is open from noon-2:30 p.m., and docents are
available to give mini-tours of the museum. Then it’s open house in the
galleries until 4:30 p.m.

3pm to 5pm Donation based.  Fundraiser Historic Preservation. Black Bottom House of Prayer, 921 Bently Street Orlando, FL 32805.

Crawling on Earth Day

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Earth Day happened to fall on the same day as the World Wide Sketch Crawl. I organized the Orlando Sketch crawl to take place in Lake Eola Park so that we could sketch the Earth Day festivities. I had a tent space, so I made that the home base where all the artists could gather. The tent was right next to IBEX puppetry’s tent, so there was Q sketch opportunity right there.

About four artists showed up, and at lunch time, we all went to the food vendors who were set up around a huge Live Oak tree. A belly dancer performed, but I didn’t sketch since I was still eating. Gay Geiger did manage to get a sketch. After lunch I ran across this artist painting a light bulb shaped earth. There was also a woman helping with the painting, but she left before t could catch her. Jeannette McCree stopped to catch this sketch as well.

Researching Ideas, I found out that it is  a media and experience design company using the premise that
powerful stories create powerful experiences.Their vision is of an enriched,
diverse, and flourishing worldwide community connected through stories. IDEAS has announced that after 6 ½ years, it will be moving from its
current home in Downtown Orlando. No immediate timetable or future
location has been determined.

Over all, hosing the sketch crawl at the Earth Day Festival was an amazing experience. Everyone got some great sketches and it was fun meeting new artists.

ODD3 had about 15 artists drinking, drawing and collaborating.

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The third Orlando Drink and Draw (ODD3) fell on Labor Day. Artists were to meet at Redlight Redlight (2810 Corrine Dr, Orlando, FL). I was afraid there might be holiday hours so I searched the web and found out the bar would be open from 5:30pm to 9:30pm. Since artists would start arriving around 6pm, I could relax. I went to see the movie Mission Impossible Rouge Nation, so I ended up arriving about an hour late. When I arrived,I bumped into Gay Geiger who was getting napkins from the food truck parked in front of Redlight Redlight. The building used to be a refrigeration sales store and the signage is still out front. The bar signage uses the same colors so it all blends in.

Gay was in the back room of the bar with her daughter. I glanced through her daughter’s sketch journal latter that night and there was a stunning collage of characters from the Japanese animated film “My Neighbor Totoro.”  I ran my fingers over the image to feel the amazing depth created. After that image I explored every page as if searching for Braille messages. This is what I love about this monthly event, I always get to discover and meet amazing artists.

In the front room Carlos Basabe was at a long table in the corner along with about 6 other artists. There was one seat available but when I sat in it, I found myself blinded by a projector which was projecting an image on the wall behind me. The blinding light wouldn’t do so I set up at a table near by. Colin Boyer and a friend sat at my table. I’m learning names slowly and sent around a sign in sheet that I forgot about, so it was left behind. Once I started my sketch I was lost in thought. I started my sketch by drawing Brian OHalloran at the end of the bar lightly in pencil. A young couple sat at the table in front of Brian blocking my view. They became my center of interest. Brian did a digital sketch of the beer he was drinking. Later in the evening he took a picture of the bar maid and he took a shot of me at work. Brian is now doing a series of sketches of people.

I made a small accordion sketchbook and invited any interested artists to fill a page or two. When the sketch is unfurled you can see the stream of consciousness as each sketch builds off of the sketch preceding it. I’ll bring the sketch to the next ODD event since it is a work in progress. Two young women were visiting Orlando from Walla Walla, Washington state and they heard about the event and joined us for the evening. They had bright markers and they added a splash of color to the nights sketch. Artists came an went in waves. All told I would say about 16 artists came out to mingle, drink and draw. I got to meet artists I’d never met before so to me the evening was a success.

Drinking and Drawing at the Thursty Topher.

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ODD2 was held at the Thirsty Topher on Alden Road in the artsy warehouse district which is part of Ivanhoe Village. This bar along with the Fringe Festival offices next door and many other art studios will be facing the wrecking ball this fall. In there place, a high rise condominium will be constructed.

All told, about 8 artists stopped out to drink and draw. When I arrived, Gay Geiger was already at work sketching the beer she had selected. She had just changed jobs and sketching seemed a good way to celebrate. I ordered a Southern Tier beer which was dark and had a citrus aftertaste. Carlos Basabe, an artist I hadn’t met before, joined me at the bar.

Artists sketched each other, shared their work and sketched the bar scene.

I introduced myself to each artist as they arrived, but I didn’t have any agenda for the evening other than drinking and drawing.  The bartender, Sam knew of me from a past sketch I had done. She introduced me to Viking Blod which is a meed made from honey and it is delicious and strong. That became my drink of choice for the night.  lt is made with honey and the honey combs which are buried underground for at least a year to ferment. Meed is apparently one of the oldest liquors in the world. lt really tastes like life blood, and it packs a punch.

After quite a few drinks, several artist recruited an unsuspecting patron to join in and do a sketch. He drew a character called a Cactopus.  It rules the land and sea. On land it is a water conserving Cacti and at sea it is an octopus. It’s side kick was an angry looking spider-fly and they were joined by a tumble bunny. Carlos began sketching the characters as we all joked about the characters. After a few Viking’s Blod and a Southern Tier, it seemed like a glorious idea.

The next Orlando Drink and Draw will be September 7th at Redlight Redlight (2810 Corrine Dr, Orlando, FL) from 6pm to whenever. Carlos gave me some ideas for some artistic socializing and I’ll arrange to try one of these ideas at the next ODD.

Sketching swans and ducks at Lake Eola.

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This is the last sketch I did at the First Orlando Sketch Tour. Instructor Kelly Medford and touring artist Gay Geiger set out to sketch the black swans and ducks. It had been threatening to rain all day, so it was nice to have a moment to enjoy a break in the weather. I decided to only use line in the foreground of the sketch. The far shore and city scape I left as bold blocks of watercolor. Since I had just done a demonstration on watercolor of the pagoda using no line, I was loosened up to try the same technique here. By verbalizing my thoughts as an instructor, I ended up learning something new. This is a technique I should be using more often. It is far more experimental and leaves much more room for discovery during the process. I am very much a creature of habit however so change comes slowly. Eight artists came out for the sketch tour and I had a blast collaborating with Kelly Medford sharing our sketching techniques. I hosted a second Sketch Tour at the Orlando Fringe and will probably host another one in September or October as the Florida heat dies down.

The First Orlando Drink and Draw was a success.

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Usually Mondays are rather slow in terms of events in Orlando. Because of this, I’ve decided to host my own event on the first Monday of each month. Orlando Drink and Draw (ODD) will venture to a new bar each month to sample
beers and sketch. There is no model fee and no instruction. This is just
a chance to get out, meet fellow artists and draw. I’m hoping to sketch
in Central Florida’s best dive bars, so suggestions are always welcome.
Feel free to invite any artists who love to drink, draw, or both!

The first Orlando Drink and Draw was held at Taverna Opa, 9101 International Drive Suite Number: 2240

2nd Level of Pointe Orlando Orlando, Florida. I focused my attention on the bar which has a daily happy hour from 3pm to 6pm. I ordered a Greek Beer called Alfa. It is sharp to the taste at first but is quite drinkable. Part of my hope is that I will refine my taste in beers at these ODD events, but I am a neophyte when it comes to beer tasting. I should have downed the first beer quickly since it was happy hour and I could have gotten a second beer for free. I sipped my drink as I drew as usual and ended up having to pay for a second drink. Live and learn. I also ordered a Humus which was rich with garlic and served in a wooden pedestal with a mortar to crush the chick peas. The humus wasn’t a thin paste, but thick and crunchy. I liked it that way.

Urban sketcher Gay Geiger stopped in as I was finishing the first sketch.  She also ordered an Alfa and drew a view of the dining area. Gay had been to a Taverna Opa in Tampa, so she knew of the dancing celebration to come. Starting at 7pm, a beautiful belly dancer started dancing on the tables. Children loved climbing on the tables with her and napkins were thrown in the air as confetti. The setting sun lit up the storm clouds a bright orange on the western horizon which could be glimpsed through the restaurant windows. Gay did a sketch of the Alfa beer which loosened up our line work.

Bar staff kept stopping by to check our progress. It became clear that, “Where are you from?” was part of their everyday tourist interaction script. I found out that one waitress, Amber Rose Brantley, is a musician that performs on Sundays at Fiddler’s Green on Fairbanks, so that is a future sketch opportunity. That is what makes these ODD outings so exciting. There is so much hidden talent in Orlando and as an artist I seek that talent out. I now define success as, drinking, drawing and meeting fellow artists. “You don’t have to be great to start, but you do have to start to be great.”