The Red Violin at the Nantucket Community Music Center

Posted on by Thor

Glen Weimer was kind enough to get me in to sketch the presentation of the Red Violin at the Nantucket Community Music Center. “The Red Violin” and the “Red Mendelssohn” are the two nicknames given
to the violin built in 1720 by Antonio Stradivari and painted by
Stradivari with a distinct red varnish that remains intact on the violin
to this day. The Red Violin Movie shows Antonio using his wife’s blood to add color to the varnish after her sudden death during child birth.

For more than 200 years, the whereabouts of the violin were unknown,
until it reappeared in the possession of an heir of the composer Felix
Mendelssohn in 1930. In 1990 the Pitcairn family purchased the violin at
a Christie’s auction for $1.7 million, setting a new record at the time
for Stradivarius violins.

Elizabeth Pitcairn was 16 years old and had been playing violin for 13 years when her family bought her the Red Mendelssohn. For the past 26 years Pitcairn has honed her technique on the violin
and, in doing so, has developed a complex relationship with the
instrument “I’m not sure where I stop and the violin begins,” Pitcairn said.

I of course hoped to sketch the Elizabeth playing the violin but she only talked while holding the instrument delicately. She would be performing on on July 17th at the Nantucket Hotel but unfortunately I would be flying back to Orlando that same day and would miss the opportunity to hear the instrument in action. Instead I heard chatter as I sketched furiously. The goal of Red Violin Weekend was to raise money to provide more scholarships for island music students.

A Midsummer Night’s Dream

Posted on by Thor

I went to an open rehearsal for William Shakespeare‘s Midsummer Night’s Dream at the Bob Carr Performing Arts Center on April 26th. The only performance would be the next day and it was completely sold out. I was surprised at how crowded it was getting into the theater. It turned out $10 tickets were sold to see the rehearsal. I usually sit right up front but the front rows were blocked with yellow caution tape.

I did this sketch with a fountain pen Larry Lauria had lent me. It wasn’t until I started adding watercolor washes, that I realized that the ink wasn’t waterproof. Every wash that touched a line would explode black as the ink spread. I wanted to abandon the sketch and start another, but there wasn’t enough time. I pushed forward hoping the whole page wouldn’t turn black by the end of the show.

The orchestra performed music by Felix Mendelsohn which perfectly complimented the play. There were love potions that caused mortals to fall helplessly in love with the wrong person. All the lovers were bewildered and lost. The wost case was when Titania fell in love with an actor who had been transformed into an ass. My favorite moment was the play staged within the play. Brandon Roberts as a carpenter announced the play while standing on a column. The actors staged a farcical tragedy of Pyramus and Thisby. The female Thisby  was played by a man and there must have been basketballs on his chest swinging under the Greek toga. Philip Nolan as Pyramus had a hilarious death scene in which he kept poking his sword at his impenetrable chest plate. He apologized to the assembled audience on stage and said “Well, this is actually more of a dress rehearsal.” He finally shoved the sword inside the armor and had a long winded agonizing death scene that he milked at least three times. Even members of the orchestra couldn’t stop laughing.

It was a delightful evening and I hope the Orlando Philharmonic Orchestra and the John and Rita Lowndes Shakespeare Center continue to collaborate.