DRIP Valentines

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After returning from Mount Dora, Terry brought her out of town friends to International Drive to experience DRIP Dance. DRIP had a special Valentines show that featured a full color themed diner along with the full floor show. Tickets cost more for this Valentines show but Jessica Mariko, the company founder, pulled out all the stops to make it a memorable show. Her boyfriend David Traver was back from being on tour. He composed all the hard hitting rock and roll for the show. We all had to sign wavers when we went in acknowledging that we knew we might get paint drenched. Yellow, Jessie Sander offered each of us a white DRIP T-shirt. I opted for the DRIP logo up on my shoulder. A brightly colored oxygen bar complimented the beer and wine bar.

As the room got crowded, and the music pulsed, Miranda Snow got on the bar holding a mango.  She did a sensuous dance with the fruit. She ripped it open and devoured it as the juices ran down her cheeks and on to her tank top. I never realized there was so much juice in a mango. When she twirled, the juice splashed onto the patrons. Dinner was served in finger food portions. My favorite item was the coconut crusted skewered shrimp. Instead of a colored beer, I went with white wine. There was a table with dozens of Valentines cards along with necklaces that featured a heart shaped bottle cap. Miranda began painting herself with red paint. My shirt had gone unscathed most of the night until she danced behind me and ran her blood red hands down my back.

Blue, the male dancer, Marcus Alexander Cartier, was performing for the last time on this evening. In the show, Blue and Yellow fall in love. Together, the two dancers create green. However, another woman, Red, Brigette Frias, catches Blues attention and they have a sordid purple affair. In future shows, Blue is being performed by a female dancer named Meagan Nagy. Meagan explained that audiences welcome the idea that two women dancers fall in love. If anything, it makes the scenes hotter.

After the show, John Frank performed on guitar. I quickly worked him into my sketch and then rejoined our crew. Everyone was paint covered and hot wired. what a night! I ended up leaving my polo shirt behind. Lovers will often forget an article of clothing when the want to return for more. It was the wettest, hottest, sexiest Valentines ever.

DRIP Art Nights

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DRIP ( 8747 International Dr. Suite 102, Behind Denny’s and Senor Frogs, Orlando, Fl) has hosted several very successful art nights. There was LIVE art, body painting, art sales and music. I parked a good distance away and walked to the venue. The 8PM DRIP performance was over and there was no cover to get in for the Art Night event. Bodies were being painted everywhere. Artysta Lulu was standing on the bar and doing chalk drawings on the black walls. Mila Belle was body painting and dancing up a storm. Melissa Kasper had on a pair of insanely high platform shoes. I saw another pair of platforms that were designed with metal re-bar that would make a woman a foot and a half taller.

Break dancers started spinning on the dance floor as the DJ pumped up the volume. Black lights made peoples white shirts glow blue. DRIP dancers and body painting models posed in their undies and bras. The dancing really heated up as I finished my sketch and packed up my supplies. DRIP Creative Director Jessica Mariko, joined all the women dancing Gangnam Style as if riding horses. As I left the lights flashed red and green and the entire room was laced with sexy dancers. Paint was everywhere.

Treat your loved one to a Special Valentine’s Day Experience on  February 13-16, 2013.

Looking for a way to impress your date on
Valentine’s day that doesn’t include the same old dress up, buy a box of
chocolates and go to a regular restaurant for dinner?  

JOIN DRIP FOR AN INTERACTIVE EVENING THAT INCLUDES:

*A four course Dinner-by-Color

*Full DRIP performance

*Dessert party

*Make-your-own Valentine station.

*A white DRIP t-shirt 

Limited to an intimate crowd of only
100 people per night. Reserve your tickets before Feb 13th and we’ll
include a $10 gift card from Fairvilla’s Sexy Things per person!

Ticket prices:

Wednesday, February 13: $65 per person

Thursday, February 14: $90 per person

Friday, February 15: $80 per person – *Special All Female Cast

Saturday, February 16: $80 per person

DRIP Sold Out Performances

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There was a performance of Drip on founder Jessica Mariko‘s birthday. Appropriately this was the first sold out performance. There was a waiting list of people who hoped to get in. The Drip venue is located in a dark warehouse and you enter via the loading dock (8747 International Dr. Suite 102, Orlando, Fl 32819, behind Denny’s and Senor Frogs). The place used to be an indoor miniature golf course but now it is one of the hippest spots in Orlando. January 5, 12, 18, and 19th’s shows were all sold out. A second show is being added on January 26th to accommodate the crowds.

This performance was so crowded, that I had to stand on my artist stool to see well enough to keep on sketching. This isn’t a passive show to sit and watch. The audience stands on either side of the huge warehouse interior and at times is involved by lobbing water balloons at dancers and at each other. The hip energetic dance has a story line that anyone can relate to. A hot romance ignites with a male dancer, Marcus Alexander Cartier, throwing blue sand and the female dancer, Jessie Sander, throwing yellow sand. Together their colors unite becoming green. The romance sours when the male dancer cheats on his partner. Jessie wakes up in her loft bed alone. She finds evidence that Marcus is cheating when blue jeans shower down red sand. With strobe lights freezing her frenzied anger, she rips apart her closet sending clothes down into the audience. At the same time Marcus and another sexy dancer perform a flaming, evocative and passionate dance. In a daze Jessie wanders through the crowd with a video camera and spot light following her. She stopped below me and suddenly a milky water balloon exploded next to my head soaking the sketch.

DRIP is an in-your-face explosion of color and movement backed by a live
rock band, all in an industrial dive bar. You may get wet … you may get
messy … you WILL have an awesome time. Grab a colored beer (orange,
yellow, red or blue!) or glass of wine from our bar and let us assault
your senses. There are special Valentines performances February 13-16. If you are looking for a way to impress your date on Valentine’s day, get to Drip for an interactive evening that includes a four-course dinner-by-color, where
each course is served in a special hue (orange, blue, yellow and red),
make-your-own Valentine station, full DRIP performance with live band and dancers who perform in paint, water, and colored sand, a white DRIP T-shirt for you to wear and take home as a splattered souvenir and a dessert party
with live acoustic music by Lance Herring and other musicians. Tickets
are $65-$90 per person and are limited to 100 people per night.

DRIP Splashes onto International Drive!

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Drip is now officially making a splash on International Drive (8747 International Dr. Suite 102, Orlando, Fl 32819, behind Denny’s and Senor Frogs).  The venue is a cavernous dark warehouse that guests enter via a loading dock. My wife and I have been to several performances and the show keeps getting more dynamic. The last show we went to was sold out and I have never seen the venue so crowded. Near the entrance there was a sign saying the limit was 264 people. There was a waiting list for people who couldn’t get into the show.

At the entrance you have to sign a release stating that you know there is a chance you will get wet and covered with paint. White tee shirts are for sale that inevitably got covered in paint. Some women had hand prints on their chests, indicating some creative use of paint. As I see it you are guaranteed to be in the “splash zone.” Once you sign the release then your hand is stamped with the Drip logo. Inside the bar and waiting area, Melissa Kasper was at a table with jars of paint. She asked what color I wanted and I got a bold slash of blue paint on my left cheek. I knew that I might get wet, so, to protect my sketch, I wore a waterproof wind breaker. I might have looked like a geek, but I was prepared. The bar offered various colored beers. I ordered an orange beer and Terry ordered a blue beer. By the end of the night her tongue was as blue as a panda’s. Jessica Mariko, Drip’s founder and choreographer was at the door to greet us. This show was a long time in the making and it was exciting to finally see it all come crashing together.

The show opens with a loud, raw and vibrant rock band performing live on the stage under a wagon wheel suspended from the red metal ceiling rafters. The modern dance focused on a love story of a young couple, who meet and breakup. The female dancer, Jessie Sander, strode onto the center of the dance floor with a bold beam of light behind her. She approached the male dancer, Marcus Alexander Cartier, with slow deliberate steps like in a wedding march. She was showered with yellow sand and water while the male dancer’s color was blue. Together their colors mixed and combined to create green. Sand was thrown in a wild dance contained within four clear plastic walls that were later removed and stored next to the stage.

With this sketch, I focused my attention on the band as they were back lit by strong stage lighting. Below the stage, lights raked their beams across the sand covered dance floor. The show had a bold energy that had the entire audience involved. There is no passive seating, instead the audience stood around the edge of the warehouse to watch. Water balloons burst against the walls sending their milky white spray everywhere. Several times my sketch got drenched and I had to wipe off the sand and paint. This show has an energy that is addictive. Tourists and locals will be blown away. This is the most hip show to hit Orlando and International Drive in a long time. After the show you can linger and meet the sexy cast while sipping colored beer. Marcus has really grown into his roll and the Jessie is expressive and energetic adding her spark to the show. If you want an amazing date night, this is the ticket for you. Performances are every Thursday, Friday and Saturday at 8PM.

Drip’s Prison Party

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Drip’s Prison Party was held in a top floor of a downtown Orlando business sky rise. The floor to ceiling windows had a magnificent view of the new Dr. Phillips Performing Arts Center construction site as well as an amazing view of Lake Eola where a splash water skiing event was taking place. The idea of the prison themed fundraiser was that “prisoners” could not leave until they raised enough money so they could post bail. Of course “prisoners” were having so much fun, they wouldn’t want to leave. There were live performances through out the day along with food, drinks and massages.

Serafina Shiano, who was the actress who brought Lollybot to life in this years Dog Powered Robot show at the Fringe, performed a sensuous belly dance for the prisoners. Brandon Roberts, dressed as an 0fficer would set of a siren and announce a “Prison Break” about every hour. “Prison Breaks” were a time to stretch legs, grab a drink and enjoy a performance. The walls of the prison were covered with doodles all in a prison theme.

Each team of prisoners sat at a table and artistic thermometers gauged their fundraising progress.  The first team to raise $50 would be celebrated with confetti blasts. A young woman wandered the room in bright orange stilts.

I heard that Drip Dance has finally been granted all their city ordinances, so they will be going live on International Drive soon. The Drip bar will offer brightly colored brews as guests explore the dark and hip space. Drip is sure to become a hit among Orlando tourists who want to escape down a dark back alley to find some of this town’s most edgy, sexy and colorful dance. Watch art come alive!

Drip Rehearsal

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The cavernous space DRIP is renting on International Drive is slowly transforming. I went to a dance rehearsal during the week long intensive. The space was full of the debris of a work in progress. Two ropes hung from metal rafters with knots and a foot loop at the base. They were used by dancers during the high energy show. The walls are being painted black and the floor is getting a multi pigmented marbleize effect using spray bottles. Scully Nolan and Melissa Kasper were working on the space as the dancers warmed up. Melissa was constructing paint can chandeliers which will eventually hang throughout the performance space. She also took photos of the loading dock entrance which will be getting signage and a black paint job. Getting into this dark venue will be like finding a back alley speakeasy.

The dancers were making sure new arrivals were up to speed on the choreography. Videos on iPhones were consulted to clarify moves. There was athletic crab like movement followed by sweeping movement through imaginary pigments. The performance space brings a new meaning to “the splash zone” since the whole room is in the zone. I splashed watercolor on my sketch, knowing I was safe for now.

Jessica Mariko ll the dancers wore neutral colors, blacks and whites along with browns and denim. Jessica was explaining that all colored pigments in the show have meaning. Each dancer is associated with a particular color. A female dancer throwing red pigment instantly attracted the attention of a male dancer of orange. He is with another dancer but can’t help but look when red catches his eye. The dance was about relationships and his need to do his own thing to make his life work.

A recording of the rock music blazed and the four female dancers did a run through of the routine. A dancer tried to figure out how high she could swing on the rope during the dance. Raw, sexy, colorful and unexpected, things are falling into place fast at what might become the hippest show in town.

DRIP Dance on International Drive

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Drip dance is renting a new performance space on International Drive (8747 International Drive, Orlando). I had some trouble finding the entrance. You actually enter the space via a loading dock behind a Denny’s restaurant. Jessica Mariko, the dance company’s founder, wants to keep the feeling that you are entering an independent, alternative venue off the main drag. Signage will help guide people back. The space is raw and unfinished, a blank canvas waiting to fulfill it’s creative potential. Large plastic sheets were taped to the walls and floor in a far corner where dancers would later be photographed along with flying pigments. The space used to be an indoor miniature golf course. Large rolls of artificial grass were arranged around a square in the center of the cavernous space. About twenty volunteers sat down for an informal meeting. There was beer and snacks for the people helping make this dream a reality.

Jessica outlined Drips mission statement for the new people coming on board. “DRIP combines performing arts and visual arts to create compelling sensory-stimulated experiences that excite and move audiences. We believe everyone has the potential to succeed at whatever they desire. DRIP provides a supportive environment that encourages participants to continually develop themselves while doing things they are passionate about. We aim to become a worldwide household name that is know for innovative, captivating and stimulating entertainment.” Jessica said that she is building the business plan based on shows like Circque Du Soleil and Blue Man Group. David Traver who composed the music for the new DRIP show actually works for Blue Man Group.

DRIP‘s opening show in the new venue will offer a “wet, raw, sexy rock ‘n roll experience, that stimulates many senses. The show includes dance, acting, live music, visual art installations and a powerful story. A variety of alcoholic beverages and merchandise will also be sold at the venue.” The bar is one element that is taking form fast. Jessica wants to have an urban dive bar that serves colored beers. Brian Sikorsky is in charge of trying to make that happen. Big beer companies are reluctant to have organic coloring added to the beer since taste is the top priority. Every option is being considered to make the colored beer bar a working reality.

Dancers are still needed to fill out the core group. A ramp has to be built up to the loading dock entrance, permits need to be filed, and the bar completed, all within a month’s time. An explosion of volunteer creative effort is going into making DRIP an alternative hit on International Drive.

DRIP’s Wet Run

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It was late afternoon when paint can lids began to be hot glued to the central column. Jennifer Wagner stood on a tall ladder with the hot glue gun hard at work. For some reason one of the lids just refused to stick so that task was set aside.
After a cast lunch of delicious wraps and giant cookies, everyone was anxious to see if everything worked. Thomas was in charge of dumping a bucket of water on the stage floor to see how the drainage worked and to check for leaks. Sure enough leaks were found and silicone was applied along all the joints. Jennifer sealed all the seams of the vinyl curtains that surrounded the dancers stage. A big difference between the initial design and the final stage is that the paint and the tubing supplying the chandelier fountains all remained hidden under the stage and inside the central column. This streamlined the design.

With the sun setting in the west, the dancers came downstairs to rehearse. There was just enough time for one wet run. I did one last sketch of the performers inside the space. One of the stage techs told a dancer that the water was very warm, like 94 degrees. When the water showered down on her, she shrieked because it was freezing cold. As always the dancing was sensual, fun, and compelling. Within six short minutes the performance was over. Jessica Mariko wanted to get one run done with paint instead of water, but the dancers had to leave. Melissa Kasper, a long time “drippy” and the DRIP Assistant Workshop Manager, was asked if she would stand in for a dancer and she shouted, “Yes!” For her this was a dream come true and the remaining cast considered it “Epic!” I was asked to step inside as well but I didn’t have a change of clothes. Melissa changed into a pair of jeans which were ironically cleaner than the paint splattered jeans she had worn all day. She had lost weight and these jeans were getting too loose. She stood under the yellow chandelier and was covered head to toe with bright yellow paint. The paint splattered everywhere coating the vinyl screen. The hardest part of her job became cleaning the vinyl using a towel and then getting on her hands and knees to scoop the thin paint into the drains with her cupped hands. The dancers will have to clean up four times on performance night since the show is repeated for separate audiences.

Drip Paint Can Chandeleires

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I was invited to sketch a stage construction and rehearsal by the DRIP Dance Company. They were setting up in the Isleworth Country Club as part of a Travistock Cup Golf Tournament gala evening. About a month ago I did a sketch of what the set could look like based on suggestions from Jessica Mariko as we sat in Starbucks. The sketch helped sell the performance to the venue.

When I arrived at Isleworth, I had to surrender my drivers license to the security guard at the entrance to the gated community. My license is pretty old. In the photo I still had a full head of hair. The license is updated periodically with a sticker on the back. In a typical case of security guard blindness he didn’t see the expiration date on the back. I had to point the 2013 expiration date to him.


I was asked to park in the cast parking lot which is way past the clubhouse. A golf cart shuttled me to the cast entrance of the clubhouse where I wandered through the bustling kitchen past the security office and down endless basement hallways until I found an elevator upstairs to the main floor. Everyone was rushing to get the place ready for the gala.

The dance staging area was set up in a central court area surrounded by arches. White curtains had been set up surrounding the stage to hide the work in progress. Melissa Kasper, Jennifer Wagner and Thomas Starr were busy painting paint can lids. These lids would later be used to decorate the central column of the stage. The theme for the performance was Pop Art. On a second floor balcony, huge Pop Art paintings were covered with black fabric waiting to be unveiled. I could just make out an Andy Warhol soup can image as it peaked out from within it’s curtain. Set construction went on all day long.

RIFF

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As part of Arts Fest, DRIP dance company unveiled a work in progress for an upcoming show titled RIFF, at the Cameo Theater (1013 East Colonial Drive). Dubbed, a Night of Music, The DRlP performance was preceded by four bands. The first band on the line up featured Britt Daley with her unique brand of electro pop. Next up was Telethon, then The Pauses and Peter Baldwin. Between acts and beers I spoke with Andy Matchett. I had heard of him a number of times and he let me know that I had sketched his wife and child once when I did a sketch at Dawn Schreiner’s “Doodles” opening at Seven Sisters Coffee house. I was fascinated by some club kids who filmed every moment of their experience, voguing in front of their iPhone cameras. I suppose I am not much different as moments of my daily experience are documented with a sketch.

Andy Matchett & the Minks performance was a perfect match to the DRIP experience. The act began with a colorful whirlwind of confetti which was kept alive with fans and hair driers by members of the audience. I already had finished two sketches so I resigned myself to enjoy the experience by dancing and laughing. For the final songs a huge parachute was unfurled over the audience and Andy jumped off the stage to perform in the heart of the maelstrom. This was pure unbridled childlike fun and I’m glad I put my pen down long enough to simply experience it. Now Andy Matchett & the Minks is on my radar and I will follow them until I do a definitive sketch.

The RIFF dance performance happened in a hallway that was created by hanging a huge bolt of clear plastic from the ceiling. Jessica Mariko, Drips founder, CEO and Creative Director announced that the plastic had arrived only moments before the opening of the show thus the dancers would be performing within its limitations for the first time. Nikki Serra choreographed the Hallway piece.At one end of this plastic hall was a fan and buckets of colored salts were waiting for the performers. I knew the dance performance was less than five minutes long so I resisted the urge to sketch. The dancers entered the space and performed a sensual dance that involved tossing the colored salt in the air and showering themselves in pure color. The RIFF band performed the equally sensual music composed by David Traver.