50 Oldest Churches of NYC: Saint Paul’s Church

Built in 1766, Saint Paul’s Chapel  is the oldest surviving church building in Manhattan. It is a chapel building of Trinity Church, an episcopal parish, built on land granted by Anne, Queen of Great Britain. Saint Paul’s is located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City.

Built of Manhattan mica-schist, St. Paul’s has a classical portico, boxy proportions and domestic details that are characteristic of Georgian churches.  The church’s octagonal spire rises from a square base.

The church has historically been attributed to Thomas McBean, a Scottish architect. Recent documentation published by historian John Fitzhugh Millar suggests architect Peter Harrison may have instead been responsible for the structure’s design.

Upon completion in 1766, the church was the tallest building in New York City. It stood in a field some distance from the growing port city to the south and was built as a “chapel-of-ease” for parishioners who thought the mother church inconvenient to access.

The Hearts of Oak, militia unit organized early in the American Revolutionary War, was composed in part of King’s College students, who would drill in the Chapel’s yard before classes nearby. Alexander Hamilton was an officer of this unit. The chapel survived the Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the Battle of Long Island during the American Revolutionary War.

George Washington, along with members of the United States Congress, worshiped at St. Paul’s Chapel on his Inauguration Day, April 30, 1789. Washington also attended services at St. Paul’s during the two years New York City was the country’s capital. Above Washington’s pew is an 18th-century oil painting of the Great Seal of the United States, adopted in 1782.

The rear of St. Paul’s Chapel faces Church Street, opposite the east side of the World Trade Center site. After the attacks on September 11, 2001, which led to the collapse of the twin towers of the World Trade Center, St. Paul’s Chapel served as a place of rest and refuge for recovery workers at the WTC site. For eight months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with fire fighters, construction workers, police and others. Massage therapists, chiropractors, podiatrists and musicians also tended to their needs. The church survived without even a broken window. Church history declares it was spared by a miracle sycamore tree on the northwest corner of the property that was hit by falling debris. The tree’s root has been preserved in a bronze memorial by sculptor Steve Tobin.

In 1960, the chapel was named a National Historic Landmark; it was also made a New York City Landmark and placed on the National Register of Historic Places in 1966. When St. Paul’s Chapel remained standing after the September 11, 2001, attacks and the collapse of the World Trade Center behind it, the chapel was subsequently nicknamed “The Little Chapel That Stood”.

Orlando’s Got Talent at Hamburger Mary’s

Orlando’s Got Talent at Hamburger Mary’s (110 W Church St, Orlando, FL) was a hilarious time. First off, the burgers art thick, juicy and tasty and the talent on stage was quite real. Well, the women were men but the comedy was spot on. Terry joined me on this sketch excursion and we were lucky enough to get a table right next to the stage. A pink drink with a cherry in the bottom kept me laughing even louder.

There are many events at Hamburger Mary’s, like Hambingo, Trivia, Cabaret and Broadway Brunch which offers Broadway show tunes. Any one of these events is a guaranteed good time, so head on down to Church Street.

SunRail

Walking down Church Street, I noticed that the old railroad station had been “modernized” with some aluminum awnings. It seemed like overkill since the entire station is designed to protect passengers from the elements. A sign conveniently instructed me to “Look”, so I sat down to do just that. The new SunRail commuter train has begun its service and the train is completely free from May 1st to May 16th. I need to get on board to sketch. The free service is
designed to allow passengers to experience the comfort and ease of
commuting on SunRail, and become familiar with SunRail schedules and
cost-savings prior to purchasing or activating more than 12,000 pre-sold
passes on May 19.

During the free trial period, SunRail ambassadors will be available at
each station and on board trains to answer any questions that SunRail
riders might have. The Ambassadors will also be available on May 19, and
for several weeks thereafter, to assist customers with pass purchases
at Ticket Vending Machines located on each platform, and to remind
riders to “Tap On” at ticket validators before boarding SunRail, and to
“Tap Off” at their final destination. The SunRail Ambassadors will be
easy to spot in black polo shirts with the bright SunRail logo, and black
pants.

The SunRail train runs from DeBary in the North,  to Sand Lake Road in the South. There are 12 stations in all. SunRail trains will arrive at each station every 30 minutes during peak
service times when traffic on the roads is typically at its worst.
During non-peak periods, trains will operate every 2 hours. Initially,
there will be no service on the weekends. If you’re looking for a free adventure in the next week, then hop on board!

My Pecha Kucha Presentation

I love to draw.

On January first of 2009 I set a New Year’s resolution to post one sketch a day online. 

I had wanted to start a blog for over a year. 

It was surprisingly easy to post my first sketch and copy on Analog Artist Digital World.

My wife Terry and I moved from New York City,
and for ten years I worked for Disney Feature Animation here in Orlando.

Perry, shown here, worked in the office next to me.

The studio was shut down in 2004, because Disney executives felt,
that audiences didn’t want to see hand drawn animation anymore.

They only wanted to see computer animation.

I purchased a computer and taught myself CG animation at home.

After years of sitting in a dark room staring at a computer screen, I needed to get out and sketch.

Many early sketches were of buildings downtown, like this sketch of Church Street.

As I sketched, people would often stop to tell me their life story.

I help keep the tradition of hand drawn animation alive at Full Sail University, by teaching the principles of animation using pencils and paper before students start pushing buttons on computers.

When I began doing one sketch a day, I honestly thought Orlando had little to no culture.

I had spent ten years driving to and from Disney, and felt that Orlando must only have the heart of a theme park animatronic.

 I found these drummers in the Creative Engineering warehouse downtown.

I couldn’t imagine much culture happening in this service industry town.

 Yet with every sketch I did, I began to discover artists with talent.

I found people in every field, like Toni Taylor, shown here in her studio,
who are striving to express themselves.

 I seek out artists who love what they do and promote them with a sketch and an article.

By promoting them, I get to share with my readers what I feel is the true heart of Orlando.

I am NOT an extrovert.

 I’m only comfortable when clutching pencil and paper.

When I drive to events, I pump up the music in the car to overcome stage fright.

 I used to walk around the block several times to work up the nerve to start a sketch.

That feeling has slowly subsided, being replaced by stubborn determination.

In a crowded room, I find it impossible to focus on any single conversation,
I hear the overall din.

Small talk is not my strong point.

If I start to sketch however, a sense of calm washes over me.

While focusing on the sketch, nothing else matters.

By going out every day, I began to meet people who frequent the same events.

 They recognize my desire to sketch what is unique, and they include me in amazing sketch opportunities, like this gut wrenching blimp ride over Universal Studios.

Finding interesting stories is an ongoing challenge.

Though I tend to sit quietly observing, I am at times thrust into the limelight.

To get this sketch at the Bob Carr, the director, John DiDonna, suggested I sit onstage with the audience watching at the Red Chair Affair.

The act of sketching became a form of performance art.

I forgot about the audience as I struggled to capture the Cirque du Soleil performer on stage.

Doug Rhodehamel created this Sea of Green florescent fish hanging from the ceiling at Stardust Video and Coffee.

When I am in a room full of creative people, I feel motivated to create.

 Being isolated in a studio makes little sense, when there are so many vibrant events to sketch all around Orlando.

I found Bluesman Maxwell seated among the clutter of a flea market in Mount Dora.

He sang, “Flea Market Blues.”

No one else stopped to listen.

Each sketch usually takes about two hours to complete.

Time stands still.

When you stay in one spot for that long, some drama always unfolds.

At the Enzian Theater during the Florida Film Festival, the projectionist had to splice together the “Breakfast at Tiffany’s” reels.

I always remain open to snippets of conversation which I often jot down on the back of the sketch.

Writing helps me to complete the bigger picture.

Benoit Glazer invites people to his home called “The Timucua White House”, once a month to experience live music and art.

It is amazing how often lyrics of a song, or the plot of a play, will seem to mirror what is happening in my everyday life.

The emotional message of some productions often hits home.

Andrew Spear created a mural at the annual Snap Photography Exhibit.

By meeting so many artists, and sharing their stories, my own art grows richer.

 Listening to a theater director talk about the creative process, the conversation could just as well relate to the process of creating a sketch.

I have often been asked to stop sketching by security guards, ushers and police.

In our fast paced world, someone who stands still tends to be suspect.

This accordion player at Earth Day was asked to stop performing by Lake Eola grounds keepers.
Silence can be deafening……

I don’t believe art should be profiled as a deviant behavior.

Jazz still thrives in late night dives.

 The city grows smaller as I meet the same performers again and again.

 I’m starting to feel very much a part of the culture that I document.

Since starting the blog, I have posted over 2000 sketches about Orlando online.

Every art form has uncertainty, and blind searching, followed by revelation.

 I’m never satisfied with any sketch as I am working on it.

Only looking back, can I acknowledge that it isn’t the worst sketch I have ever done.

I love keeping track of all the arts organizations in town, on Analog Artist Digital World.

At times, I feel I have my finger on the pulse that helps keep Orlando alive and vibrant.

Some organizations have had to close, but there are always people who strive to make this city an interesting place to live.

Every time I sketch, I fall in love, be it with a gesture, setting, or people’s stories.

Mary Oliver gave simple instructions for living life, “Pay attention, be astonished, and tell about it.”

By sketching daily, I discover so many people who astonish me, in a city I now call home.

I love my wife, life and Orlando!

Mark Your Calendar! The next PechaKucha V13 will be on Friday June 13th at the Orange Studio, 1121 N. Mills Avenue, Orlando, Fl. I hope the presenters aren’t superstitious!

Wind Down Wednesdays

On August 21st I went downtown to go sketch a Yelp Happy Hour. Colleen (Blue) Burns is the Yelp community manager who organizes such events. These get-togethers are a great way to meet fellow Yelpers, those people whose write reviews about restaurants and just about any venue – for friendly conversation, lots of laughs and experience new local hangouts. The event was to take place at Eternal Tap (116 W Church St, Orlando, FL). As I walked down Church Street I couldn’t find and building numbers. I did however notice this large crowd of people gathered outside 55 West. This had to be a crowd of Yelpers.

I got busy sketching from a second story balcony.  An afternoon rain shower had just passed and the pavement was still sparkling wet. Drinks were available from under the green tent and loud music pulsed inside the establishment. I got to watch the social exchange as guys moved in to speak to women. The women were dressed to the 9’s but some of the guys felt it was fine to show up in blue jeans. I was in jeans myself but I was separate from the happy hour scene.

A policeman stood vigil at the Church Street circle waiting for drunken mischief.  It began to sprinkle and the gathering quickly darted inside. With the sketch done I peeked inside. This was Urban Flats (55 West Church Street Orlando FL) which is a chain restaurant. Lights flashed and the walls vibrated from the deep base in the music. Bars along Church Street were just starting to fill up. Eternal Tap must be further down Church Street, closer to the Amway Center. Pan handlers had moved into their positions for their daily take. Loft 55 Gallery and Boutique (55 West Church Street Suite 114 Orlando FL) was just a few steps away. I had met Ashlie Lawson, partner and director of marketing of this Micro-gallery just a few days before at the Solar Games open house. Mark Your Calendar! Every Wednesday artists gather outside the gallery to paint live and talk about art to passers by. Artists set up about 7pm and then paint late into the night. Hit a happy hour and then hang with some artists.