Driving Miss Daisy at Saint Lukes Methodist Church.

Driving Miss Daisy is a warm hearted,
humorous and affecting study of the unlikely relationship between an
aging, crotchety white Southern lady, and a proud, soft-spoken black
man. A long-run Off-Broadway success and an Academy Award-winning film. It is the
Winner of the 1988 Pulitzer Prize and the
Outer Critics Circle Award for Best Off-Broadway Play. I went to a dress rehearsal at
the Theater at St. Luke’s (4851 S. Apopka-Vineland Road, Orlando, Florida 32819.)

The
place is the Deep South, the time 1948, just prior to the civil rights
movement. Having recently demolished another car, Daisy Werthan, (Elizabeth Murff) a rich,
sharp-tongued Jewish widow of seventy-two, is informed by her son,
Boolie, (
Chad Lewis) that henceforth she must rely on the services of a chauffeur.
The person he hires for the job is a thoughtful, unemployed black man,
Hoke,
(Michael Mormon) whom Miss Daisy immediately regards with disdain and who, in turn,
is not impressed with his employer’s patronizing tone and, he believes,
her latent prejudice. 

But, in a series of absorbing scenes spanning
twenty-five years, the two, despite their mutual differences, grow ever
closer to, and more dependent on, each
other. Slowly and
steadily the dignified, good-natured Hoke breaks down the stern defenses
of the ornery old lady, as she teaches him to read and write and, in a
gesture of good will and shared concern, invites him to join her at a
banquet in honor of Martin Luther King, Jr. 

As the play ends Hoke has a
final visit with Miss Daisy, now ninety-seven and confined to a nursing
home, and while it is evident that a vestige of her fierce independence
and sense of position still remain, it is also movingly clear that they
have both come to realize they have more in common than they ever
believed possible—and that times and circumstances would ever allow them
to publicly admit. The chemistry between the veteran actors, was natural and charismatic. I had seen these actors play the same parts back in 2010 and they have grown into the roles over the years.

Tickets ($15) are available.

Performances are at 7PM at Saint Luke’s Building C Founder’s Hall.

Remaining show dates:

2:30 PM Saturday January 20, 2018

7 PM Saturday January 20, 2018

2:30 PM Sunday January 21, 2018

Prop 8

Beth Marshal Presents brought Prop 8 to the Orlando Shakes. Prop 8 was passed in California stating that marriage can only be defined as the union of a man and woman with the goal being to procreate. Protesters lined the entry walkway towards the theater entrance. They shouted their protests of equal rights to love. There was a surreal irony to the demonstration since most Prop 8 demonstrators would be shouting their judgements and hatred.

This play, written by Lisa Cordes, used court documents in the case to overturn Prop 8. When I got to the theater, Beth showed me where I would be sitting, right next to other bloggers and tweeters on the sidelines. I didn’t have a good line of sight to the judge, so I ended up sitting on my artist’s stool a bit further away from the stage. Daily City blogger Mark Baratelli had been out in the lobby curious about what was going on. He had been at an event across the parking lot at the Orlando Museum of Art but he was drawn to the hubbub at the shakes. I was alone in the theater blocking in my sketch before the actors got on stage. I texted Mark suggesting he join me in the bloggers section. When the play started, I finally realized that the bloggers were actually actors. Silly me. Their fingers floated above the keyboards to make it look like they were typing without creating noise. As it turns out, I was the court artist.

Lisa Cordes herself played a witness and I caught her in my sketch. Her wit and irony made it clear that she believed in the cause of any one’s right to marry. The lawyers who defended Prop 8 did a very poor job and defense witnesses were often weak minded bigots. The bloggers were able to summarize otherwise mind numbing testimony so it could be easily digested with humor and wit. The most compelling testimony came from witnesses who longed to be able to publicly celebrate their love yet were denied by law.

In the end, the play remained unresolved since legislation is still pending. The testimony and evidence certainly left us all with hope that love could outlast bigotry. Chad Lewis and Jason R. Donnelly were to be married in the theater after the performance. Members of their families took up much of the second row of the theater. We all were asked to wait in the lobby as the theater was converted into a chapel. Nicki Equality Drumb and Rachel Equality Gardiner stopped over to say hello. An actor came over and thanked Rachel for being such a good audience member. He explained that he had been exhausted near the end of the play, but her enthusiasm fueled a second wind. She was a bit embarrassed, but that is what makes theater in a small town like Orlando special. The actors truly appreciate the audience. Every year on Valentines day they host “The Human Heart.” Hundreds of people gather in Lock Haven park holding hands and forming a large heart shape. Candles are lit in the name of love and equality. I also love this couple since they go to the courthouse regularly to ask for the right to be married. Hopefully someday soon the tide will turn and the court clerk will finally say “yes.”