The Mikado: A Concert Version

On opening night of the Mikado, The Orlando Taiko Dojo demonstrated the traditional art of Japanese drums known as “Taiko.” Taiko
drums were used in battlefields and have been used in religious
ceremonies and festivals for over 2,000 years in Japan. Besides learning
the techniques of playing the drums, students learn about other
essential values in life like respect, manners, concentration, tenacity,
and teamwork. I had sketched them before. So I saved my sketching for the Mikado performance. Producer Theresa Smith-Levin and Nicole Dupre did an incredible job making this a cross-collaborative experience, with a historical exhibition by the Orange County Regional History Center, as well as art adorning the lobby.

The Mikado by Gilbert and Sullivan is a fun, lighthearted opera about romance in ancient Japan. Nanki-Poo (Bryan Hayes) arrived in Titipu disguised as a peasant and looking for Yum-Yum (Tamir Hernandez Rosa), a young girl he fell in love with several months earlier. However, she was already set to marry Ko-Ko (Stephen Cauley). Naki-Poo, in his despair, contemplates suicide. Ko-Ko persuades Nanki Poo to let him behead him instead. To clinch the
deal, Ko-Ko even agrees to let Nanki-Poo marry Yum-Yum, providing he
agrees to be executed in one month. However, Ko-Ko can’t kill anything, not even a fly.

This
production had some modern twists with references to Facebook and
Puba, first lord of the treasury, lord chief justice,
commander-in-chief, etc (John Segers) references his grand
ancestry discovered with some help from 23 and Me. Through
collaboration with the Asian American community in Orlando, Central
Florida Vocal Arts in partnership with Space Coast Symphony Orchestra
used this work as an opportunity to celebrate Japanese art and culture
via this satirical work.

Directed by Asian American director, Kit Cleto, with support from veteran opera director Eric Pinder, this production teambrought creative comedy to the stage through an outstanding cast. Nicole Dupre had hand painted many of the costumes. The lavish amount of work was astonishing. I got to see her handiwork up close on her own dress, as well as one on  Theresa Smith-Levin, afterwords in the lobby reception. Nicole’s grandmother was in the audience seeing one of her productions for the first time.

My favorite funny moment in the show came when an exuberant dancer (Geoff) leaped with balletic grace while waving a red ribbon, and an old man (Ian Campbell)
followed him waving the same type of red ribbon like it was a soggy wet
noodle, reflecting his dour disposition. There was humor and joy in the
performance, and despite the difficulties and conflicts, life seemed worth
the joy of living before our final bow

Double Jeopardy: A Double Bill of One-act Operettas.

Producer Theresa Smith-Levin invited me to sketch a Double Jeopardy dress rehearsal. Two one act operettas stood back to back both having a trial theme. The first was The Trial of B.B. Wolf with music by Curtis Tucker and words by Nelson Sheeley. Children’s blocks were on the stage. Part of me thought I was in the wrong place. A giant mushroom tiny house was house left and vines intertwined on house right. The judge in this case was a Leprechaun dressed all in green and with a bright orange beard. Pam Schwartz later explained that the blocks had the letters and colors associated with each character. For instance Little Red Riding hood stood by the red R block and the judge stood by the green J block. Members of the audience were invited to go up on stage to sit on the jury.For this rehearsal only two audience members were picked since there officially was no audience. Nishaa Carson the shows musical director performed on the piano with an iPad for her sheet music.

I was confused by the operetta writer’s motive. Did an adult audience really want to watch a trail build around Grimm’s Fairy-tail characters? The fact that the lyrics were in English was a plus. Of course Stephen Sondheim created the musical Into the Woods, a Broadway musical that was a success, so perhaps it was a viable option. So B. B. Wolf is as it turns out, an actual wolf (Bryan Hayes) in a grey suit and furry skull cap with wolf ears. He was on trial for destroying the three little pigs homes. A chubby little pig (Christina Rivera) took the stand and was interrogated about the incident. She shook in her boots letting out the occasional oink and squeal. Her testimony was overshadowed by the ferocious wolfs stage presence.

The wolf was indited in a second case involving Little Red Riding Hood (Katherine Stenzel). She related the usual tail of gong to her grandmothers house with the unexpected twist that she is an expert in martial arts. When the wolf took of his grandmother disguise, she karate kicked  his sorry butt and brought him in for trial. I am glad I chose to sketch this first operetta since it was visually interesting.

The second Operetta, Trail by Jury was by W.S Gilbert and Arthur Sullivan. Sarah Tellier took over at the piano. The set was transformed into a more traditional courtroom. This was a case of a man, the defendant, (Bryan Hayes) not wanting to marry his voluptuous fiance, the plaintiff, (Christina Rivera) and she brought him to trial to try and force his hand. Some of the language contain references that are unknown to a contemporary audience. For instance that defendant sang, “Be firm, my pecker.” Pecker used to be slang for courage, and in the case of a bird, it’s beak, in other words, “Keep a stiff upper lip.” Even knowing this before hand it was hard to resist a juvenile giggle.

During this performance I was focused on finishing my sketch from the previous operetta so my attention was divided. The defendant was in love with another woman and if forced to marry his fiance he would quickly then marry another. With characters singing over on another and the staging changing so quickly I honesty got a bit lost trying to follow the inn working of the case. I would have made a horrible juror.

Double Jeopardy

CFCArts Black Box Theater 250 SW Ivanhoe Blvd Orlando FL

Tickets: $25 reserved seating, $18 General seating and $16 Student / Seniors

Remaining show dates:

Thursday  November 16, 2017  at 7:30 PM

Friday       November 17, 2017  at 7:30 PM

Saturday   November 18, 2017  at 7:30 PM

Sunday     November 19, 2017  at 3:00 PM