Orlando Soup Highlights Community Projects

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On May 13th, the inaugural Orlando Soup event was held at East End Market. Modeled after the successful Detroit SOUP that started four years ago,
is a micro-granting community dinner offering local activists,
entrepreneurs and creatives a platform for networking and an opportunity
to win funding for projects.

For a donation of $7, attendees received soup (made by Slow Food Orlando using fresh, local ingredients), salad and bread. Before dinner was served, everyone listened to four short community project proposals covering a range of community improvement topics such as art, urban agriculture, social justice, social entrepreneurship, education, technology, and more. During dinner, attendees cast a vote by placing a cube of sugar into cups representing the different projects for their favorite project and, at the end of the night, the project that received the most votes was funded by $5 from each attendees’ donation. The winner will appear at the next SOUP dinner to report their project’s progress.

Brendan O’Connor pitched a wacky, fun idea of starting a Pop-up University offering college level courses in a bounce house. The simple idea is that people learn fast when having fun. The courses taught wasn’t yet established but I’d love to teach animation principles in a bounce house.  Ricardo Williams was part of a group called Project Rethink that intends to to place “sustainable graffiti” around Orlando that has environmental awareness messages.  Sustainable graffiti is accomplished by picking a dirty wall and using a stencil to spray wash or clean the message into the grime. Over time the message will disappear was the wall gets dirty again. Another method of creating messages would be moss graffiti. The message would appear where moss was encouraged to grow. I love this idea and hope to get out to sketch artists in action.

I sketched Ashley Erin Pollard as she pitched the idea of creating vending machines that offer art. She is an architect by day and hopes this project will help her become better connected to the Orlando Arts community. The idea isn’t entirely new but I’d love to see it brought to Orlando. Ashley was the presenter right after Brendan. I was inspired by how petite she seemed compared to the huge podium. Ultimately my cube of sugar went into the cup for her project. I am all for bringing more art to Orlando.

Jimmy Sherfey presented the Florida Coffee Symposium. This local
miniature conference will celebrate the culture of coffee producers at
origins across the globe. He is
planning the first Florida Coffee Symposium for September 6, 2014.

The winner at the first-ever Orlando SOUP on May 13, 2014 was Project ReThink, presented by Chris Castro and Clayton Ferrara.  They won $500-800 to help fund their project.  My Ivanhoe district, Fringe mural will be in the line up at the next Orlando Soup, TONIGHT 7-9pm at East End Market (3201 Corrine Dr, Orlando, FL)! The tickets were $10 and the event is SOLD OUT. Hope to see you there as you support creativity, social entrepreneurship, sustainability, and community building.

The Artist’s Survival Guide

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The Artist Survival Guide, organized by Brendan O’Connor, is an Urban ReThink Signature Series event recurring monthly. It aims to provide artists and the artistically curious with the building blocks needed for professional creative careers in Central Florida, and will culminate in a printed Artist’s Survival Guidebook after 12 months of programming. Artists art enthusiasts, and the artistically curious gathered to find out about the building blocks needed to be successful in Orlando and Central Florida.

The first installment was an introduction to the Arts in Central Florida. Panelists included:

Jessica Bryce Young the Arts and Culture Editor at the Orlando Weekly, Devin Dominguez the Director of Development at the Art and History Museums of Moorland, Flora Maria Garcia, President and CEO of United Arts of Central Florida, Donna Dowless, Official Ambassador of Love for the City of Orlando an accomplished local artist and art supporter, and Terry Olson, Director at Orange County Arts and Cultural Affairs, at the Maitland.

Flora noted that the arts in Orlando, tend to be overshadowed by the theme park industry. Private funding isn’t as high as it is in similarly sized cities. The problem is that people in Orlando come from other states so when they invest in the arts they first consider their home state or city. People come and go from Orlando in a constant stream. Donna insisted artists need a stiff spine. If a creative idea is shot down, the artist should realize that “No” is just the first step. Keep asking and pitching ideas until “Yes” is the answer. Jessica noted that since Orlando is a smaller city, it is much easier for an individual artist to make a difference. Terry briefly spoke about a program that Cole NeSmith started that brought the arts to the streets of Orlando every day for a week. Devin restated something Andrew Spears had told her, that an artist needs to be creative daily. Donna pointed out that one thing most artists need, and some never find, is a “voice” that permeates all of their work.

The gallery scene in Orlando still is a mystery to me. Most paintings I see are on the walls of bars and restaurants. I’ve read of instances where patrons have censored and stolen art on restaurant walls. It amazes me that artists pay to exhibit their work at City Arts Factory. Donna said that the cost to exhibit art work used to be much higher.

Hope

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In June, Brendan O’Connor, sent me a Facebook message, “Thomas I’ll be headed out to the Hope Community Center in Apopka (1016 N Park Ave Apopka, FL) on Thursday around 11:30 to work on the mosaic-mural for the afternoon. You’re more than welcome to join!”

Brendan is a project manager for Art Reach Orlando whose mission is to support art projects that foster creativity and hope, develop
self-esteem, and offer children a platform to reflect, re-vision, and
rejoice. By fostering creativity they are encouraging and empowering
children to imagine the positive changes they wish to see in
their own lives, their communities, and the world.

The Hope Community Center is a service and learning community dedicated to the
empowerment of the Central Florida’s immigrant and working poor
communities through Education, Advocacy and Spiritual Growth. Janis Neunez is the artist who designed the mosaic mural that will surround the back entryway to the center. The
story of the area’s migrant workers will be told through through the
placement of tiles and objects donated by migrant worker families and through interactive computer chips
placed in the mosaic. By activating the chips with your smart phone, you can see
images and hear the stories of the men, women, and children who made the
Tree of Life mosaic at the center and make up the real life mosaic of
our Central Florida community.

Brendan had to work from the top of the ladder using acid to clean an area. I was nervous that someone might open the door fast and send him tumbling. A dear friend Melissa Kasper recently fell off a ladder breaking her nose, so the possibility was fresh on my mind.  I’m glad to report that no artists were hurt during the creation of this sketch.

Tenth Annual Grandma Party Bazaar

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On December 16th, I went to Stardust Video and Coffee (1842 E. Winter Park Road, Orlando) to sketch the tenth annual Grandma Party Bazaar. The Grandma Party is a fusion of arts, crafts, rummage sale and performance. Tents were set up everywhere in the Stardust parking lot. The Death by Pop-Up Shop was open, so I stopped in to look at the art. Several artist were at work inside the store. Christie Miga was talking to Skip who was pealing up a mask from his painting.

Doug Rhodehamel had built a bright green and blue “Free Hug” booth out of a large corrugated box.  I got my hug and then we talked art for a while before I scouted out a spot to sketch. Dough has had an amazing number of gallery showings in the last few years. He wants to try something bigger with his art. He is one of the contributing artists in the upcoming “Cardboard Festival” happening January 25-27 at Say It Loud (1121 North Mills Avenue). Work by Jessica Earley, Brendan O’Connor, Christie Miga, Adriaan Mol, and Nathan Selikoff will also be featured.

I never caught the name of the band I was sketching. As I worked, I heard the strange surreal sound of a Sci-Fi zither. A couple was lying in the grass and they were both covered with a wedding veil. The were both holding dolls and a woman waved a wand above them. A cardboard sign announced that this was a non-surgical vasectomy station. I wondered if I was seated too close. I might catch some stray radiation from the home brew procedure. Everyone was smiling, laughing and taking pictures, so the vasectomy seemed painless enough. If the procedure didn’t work, it might be hard to find these snake charmers nine months down the road.

Cardboard Art Festival

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Mark Baratelli of TheDailyCity.com came up with the idea of having a Cardboard Art Festival. The opening night was Friday January 25th at the Orange Studio (1121 N Mills Ave, Orlando). I had to work till 9PM that evening, so I wasn’t even planning to go. Terry sent me a text photo of the new Dog Powered Robot techno beach buggy. She let me know that the event was open past midnight so there would be time to get there and do a sketch.  There was a line of people out the door to get in. I could see strips of Doug Rhodehamel corrugated cardboard bacon hanging from the ceiling. All of the Dog Powered Robots stood, deactivated in a corner.

The opening reception featured music and dancing with DJ Nigel and tons of cardboard sculptures filling up the space created by artists: Jessica Earley, Brendan O’Connor, Evan and Christie Miga, Adriaan Mol, Doug Rhodehamel, Nathan Selikoff. Cardboard dinosaur helmets lined the back wall created by Banjo Bob. They were just the right height where you could stand up and have your photo taken with the helmet on yet still mounted on the wall. Blue Moon beer was being served under the bacon strips and the carpeted dance floor was always full of dancers. After making the rounds with Terry, I settled in to sketch. Blue submarines and ferocious deep sea fish hovered over the dance floor. A rocket garden thrust vertically upward above a collection of mini robots. A tubular instrument resembling a pipe organ could be played by swatting the tube openings with cardboard fly swatters. A ten foot tall tube marionette stood with a tetrahedron head. People could pull chords to make him dance. I got plenty of abuse and by the end of the evening he was lying on the floor, a spent mess.

The opening night was an undeniable blow out success. The place was surreal, the music loud and the dancing furious and care free. It’s not too late to experience the madness in person.


Sunday January 27

  • 10am-11:30am for kids 7 and under
  • 12pm-1:00pm for kids 8 and above
  • Kids Matinee Sponsored and hosted by Kids Fringe and Mennello Museum of American Art $1
    admission. Kids only! Attendees will get to (1) use cardboard to build
    and decorate their very own mask, hat, or wings, (2) meet the famed Dog
    Powered Robot and (3) get a chance to tour the entire exhibit.
  • 7:30pm – 12am
  • Dog Powered Robot + Andy Matchett and the Minks, $5 admission (pay at the door, cash only), wine and beer by donation. Dog Powered Robot is a fantastic group of cardboard robots defending the world against evil via a robot powered by a Pomeranian. Andy Matchett and the Minks is a very popular and fun musical group.

Art Reach Orlando

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At Urban ReThink, Brendan O’Connor started telling me about several mural projects he is helping spearhead.  He spoke excitedly about a mosaic mural that was in the planning stages in Apopka. Migrant workers were being asked to contribute items that came with them when they moved to Florida. QR codes and micro chips might also be embedded in the mosaic so that anyone with a smart phone could scan the mural and listen to interviews and history behind the items. He then invited me to Corner Lake Middle School in Bithlo the next day to sketch the beginning stages of a mural being started there. Christie Miga is the artist in residence who created the mural image.

When I arrived, the hallway was crowded with kids. Two young girls were tracing lines on an image projected on the wall.  The rest of the kids were sitting in the hall doing their homework or playing tag. Brendan O’Connor quickly introduced me to everyone. Brendan and Sarah Zimmer work for Art Reach Orlando as project managers. Marsha Selby is a teacher from the school. She’s a science teacher that does art on the side in her own free time since the school doesn’t offer it. Unfortunately the traffic on Colonial Drive got me to the school about half an hour late. All the kids were packing up to get back home.

I decided to try and get a sketch anyway. Do to a minor glitch, Christie needed to readjust the image.  Those adjustments gave me time to finish my sketch. Sarah and Brendan helped her make all the adjustments.  The work went quickly now that the hall was quiet. I remember similar adjustments had to be made the first day I had students help me with the Mennello Museum Mural. I asked them to cover the wall with pencil grid lines every foot. I went inside the museum to sketch several people for the mural. When I came back out, I  found the grid started out good but then the grid lines arched upward by the time they got to the other end of the wall.

Christie Miga’s mural image was developed in Illustrator on the computer. She explained that they were just projecting the background elements today. Later other elements will be layered on top. The image to start had large arching shapes that looked like hillsides. Time will tell what the final image looks like. Christie wanted to keep the image simple to start.