The Orlando Weekly Best of Orlando Party.

This year I was nominated as the Best Artist of Orlando. Andrew Spear won first place, and Boy Kong took second place. They both certainly deserve the recognition. I came in third place but just being nominated meant I could sketch the Orlando Weekly Best of Party at The Beacham (46 N Orange Ave, Orlando, FL 32801). The party of the year is a celebration for winners of Orlando’s
most prestigious awards, Orlando Weekly’s Best of Orlando. It’s a free
party for 2000 taste maker VIP’s: Best of Orlando Winners, Orlando Weekly
clients, select readers, artists, politicians and media.
This is always a blowout event that gets super crowded. Pam Schwartz and I arrived somewhat early and as I sketched the venue filled up to capacity. Only when people left, would more people be allowed to enter.

There were two entrances to the event, a “Winners” entrance at The Beacham, and a general admission entrance at 64 North. A series of bars were interconnected, including The Social, Aero, and The Patio. Different things were happening at all the bars. Lasers and spotlights created a two point perspective grid over the crowd. I sketched the grid and then took it back out feeling it hid too much of the crowd detail. When the live performance started confetti was shot over the crowd. I like to watch the hectic action at the two island bars as the bartenders are swamped by orders for free drinks. Working digitally meant I could catch the amazing lighting of the scene.

With the sketch done, we agreed that we had seen enough. We didn’t venture into the other crowded bars.

Take A Look, And You Will See Into Your Imagination!

 On Third Thursday, I wandered downtown to see what art exhibits were opening up. On the drive, Terry called me to let me know there was an outdoor concert in front of the Doctor Phillips Center for the Performing Arts. I decided that DPAC therefor was my sketch opportunity for the night. I stopped quickly into City Arts Factory to see how the Square exhibit looked hung. I submitted one square print and it was nestled in neatly among many of he talented local artists. My print hung just inches from the incredibly talented Rebecca Rose, also nearby was Boy Kong, Andrew Spear, Jennifer Payne, and Scott White. I made an impulse buy and purchased a print by Plinio Pinto. It is now hanging in my living room. The curator didn’t want me to take it off the wall right a way. He suggested I return at the end of the evening. 


I started hoofing it down to DPAC to sketch the concert. On the way I ran into Joe Rosier who had grown out his white beard and had on a red Santa cap and a red shirt. His plan was to get some fish and chips at the Irish Pub before he started gallery hopping. We walked past two women smoking outside the pub. One shouted out, “Hey Santa, you should come inside, you would be the life of the party.” Joe turned to her and said, “First let check my list, I have to see if you’ve been naughty or nice.” Since I wanted to get to the concert to sketch, I left Santa as he finalized the negotiation. When I got to DPAC, the concert was over and chairs were being folded up and stacked away. Alright, change of plans there had been a trio performing at Avalon Island. That was my new sketch opportunity. 


As soon as I entered The Gallery at Avalon Island (39 S Magnolia Ave, Orlando, FL) I bumped into Kathy Blackmore. I had worked with her at Disney Feature Animation and at Full Sail University. [ miss the camaraderie, laughter and insanity of those times. The Gallery was presenting Take A Look, And You Will See Into Your Imagination! an exhibition that features children’s book artists and illustrators. Kathy’s children’s book illustrations were part of the exhibit. After a quick walkabout, I started sketching. At two tables there was brown packing tape acting as a table cloth and canvas. Colorful markers in a cup acted as the center piece. I was delighted when Tori Kelly and her two children started sketching on the brown paper. Kids sketch with such confidence, They still enjoy the simple pleasure of putting lines on a page. Children’s book illustrator, Ethan Longjoined the kids and he showed them how to draw on of his characters. The kids were mesmerized soaking in his every pencil stroke with their hungry eyes.

A gentleman and two women sat across from me. He started drawing an intricately branched tree with a purple bird perched way up high. Earlier in the day, a repairman had told me the he let his Moluccan Cockatoo climb the branches in a large tree in his yard. His bird would climb to the highest branches and then come back down when called. Zorro, our Umbrella Cockatoo had never experienced that freedom. Hawks and falcons can sometimes be seen circling overhead. As protective owners we would never risk allowing Zorro to climb beyond our reach. He might climb to the top and never look down, requiring a call tot fire department to get the hook and ladder.

 It turned out that the sketcher across from me was the husband of  Zebo Ludvicek, one of the artists whose work was on exhibit. She asked to see my sketchbook when I had finished sketching the trio. She took her time flipping through the pages, she seemed to truly like what I do.  Her husband reaffirmed her sincerity saving, ” She means it, she doesn’t usually like anything.” We chatted for quite. a while about art, both digital and traditional before I decide to get a beer with a day of the dead skill on it which was laced with Taquilla. It gave me an immediate headache.

Kathy was in a conversation with artists Anne Jewett, and Janeen Mason. Janeen said she would give me the name of a friend of hers who lives in Saint Augustine. That city has a law that make creating art in public spaces a crime punishable with a fine of $500 and or 60 days in jail. There is a demonstration in Saint Augustine on December 21st against this insanity and I plan to drive over that way to sketch the demonstration. Janeen’s friend is on the Saint Augustine historic preservation committee and she might help get me out of jail if I am caught sketching. Anne told me about a unique crowd funding source for artists called something like Patrion. People pay a small sum, like a dollar to see sketches for a project as it progresses. It is an ingenious idea and I plan to research it more. It could bring what seemed lit an impossible dream to life. I also have I say that Anne’s illustrations were magical with a old world classical glow. If you happen to be walking by Avalon check out her work in the front windows. It will amaze you.

The only other artists that I didn’t meet were, Fred Koehler,  and Loreen Leedy.The Avalon exhibit was clearly my favorite discovery for the evening. The show will be on display at the gallery until January 16th. The children’s books are available at Bookmark It (3201 Corrine Dr #109, Orlando, FL).

SquareLando InstaShow Dropoff.

There’s a NEW gallery in City Arts Factory, and some of Orlando’s Best and Brightest are coming together to welcome its debut.

The new “Pop Up Gallery” will host the “SquareLando InstaShow“, where all pieces must have a square aspect ratio. There will be little square artworks, and BIG square artworks, but all will be available to purchase and take home THAT NIGHT! (December 17) Prices start as low as $5.00!

Jon GlassMan Gardner is curating this show and he asked me to submit a square sketch. This gallery is usually blocked off with a black curtain and the only other times I saw it used was as a greenroom for the dead at Dia de los Muertos and as an open area for some installation art. This past week some of the conduits were removed from a wall to open it up to hang art and track lighting was installed allowing for the spotlights of work soon to be hung on the walls.

Once I dropped off my sketch and filled out the paperwork, I decided to linger and watch the square art arrive. A demonic Mickey Mouse by Boy Kong looked particular appealing since it depicted the corporate Mouse I had on worked for. I noticed a Parker Sketch  painting, and three square print by Plinio Pinto. The prints were mounted on those deep hardboard stretchers and if was hard to pick out that they were prints. There was a strong showing of work by Full Sail instructors.

As I sketched, Jon related the story of how he got the nickname GlassMan. At one point his life was turned upside down when his wife left him. He was blindsided, but realized he hadn’t been living the life he wanted the to live. He made a commitment to discover a new Orlando museum or arts venue every week. He soon realized that Orlando actually has a vibrant arts scene and he began creating once again. I bet Jon’s work is some of the first local art I purchased. He makes wonderful glass magnets that have an intricate paint pattern that reminds me of aerial photography. Jon has recently started his own auto glass business. That keeps a steady paycheck coming in while allowing him plenty of time to create when the shop is slow. 

Rebecca Rose dropped off a piece. I assumed it would be one of her intricate sculpted silver rings, but it turned out to be an early etching that she had done.  In all I would say about six artists dropped off work in the time it took me to get the sketch done. It is kind of fun sitting still an getting a chance to see some of Orlando’s best talent come to you. Rebecca will be exhibiting at the grand opening of the new Snap! Gallery in Downtown Orlando. I’m hoping to get a chance to sketch her at work in he silversmith studio before that opening.

Squarelando InstaShow opens Thursday December 17th from 5pm to 10pm at City Arts Factory (29 S Orange Ave, Orlando, Florida) as part of the Third Thursday gallery hop. Jon plans to put all the artwork on Instagram so if you miss the opening, you can browse the whole show on your phone. My Instagram handle is analogartist, so if to look me up, I’ll share the hashtag , link or whatever.

The Art Mobile takes art to the streets of Orlando.

It was a cold February night as the Art Mobile parked in front of St. Matthew’s Tavern at the Orlando Beer Garden, on North Mills Avenue, Orlando, FL starting at 10 pm. The truck was full of killer art by Franklin Reyes. Matt Boss (Producer/DJ) will be layed down the beats and Boy Kong. was painting a mural on the side of the building! I sketched as the U-Haul truck was decorated with a white sheet. The DJ had a projector that showed the Art Mobile logo and then a black and white film whose plot I couldn’t follow.

Franklin’s paintings were representational with a touch of mysticism. Colors were rich and vibrant with bold use of pattern. As I finished my sketch, drag queens began arriving at Mathew’s pub. This was clearly another great sketch opportunity, but I was cold, tired and satisfied with my one sketch. Boy Kong was just beginning his mural as I got ready to leave. He finish the mural very late that night, or very early the next day depending on how you look at it. The mural was up for maybe a month or so and then it was painted over with an image for a show called “Joe’s NYC Bar” that had actors interacting with other patrons in the bar as the story unfolded. I was curious about this interactive theatrical production but it didn’t cross my radar in time.

The Weekly ‘Best of Orlando’ Party

On August 30th The Orlando Weekly came out with its “Best of Orlando” issue. I was invited to the Best of Orlando party at The Beacham, so I knew I was nominated. I flipped through the paper that morning while in the last class of the month with my Full Sail animation students. I found myself listed in the “Best Visual Artist” category taking second place. Andrew Spear, who’s murals can be seen all around the Mills/5o District took first place, and Boy Kong, who is also an Urban Muralist took third place. From doing this blog, I’ve met many amazing artists in this town so I’m humbled by the recognition. I’m pretty sure I was nominated because I celebrate and report about all this amazing talent in town. The Orlando Weekly also came up with a new category of “Best Urban Sketcher” and since I’m the only person who is Urban Sketching in Orlando I got a one paragraph write up.

I have family visiting Orlando from all over the country and Germany, but I had to take the time to sketch this blow out party at The Beacham.  Since I would be sketching, Terry decided to visit my family while I worked. There was a short line to get into the club. A group of people behind a barricade shouting in excitement. One of them rushed up to someone in front of me and asked for his autograph. Then one of the excited fans asked for an autograph from the guy behind me. The fan said, “I loved your last picture!” and then squealed when he got the autograph. My last picture, a sketch of National Dance Day wasn’t half bad. How come no one asked for my autograph? Alright, shake it off, they are only actors adding a red carpet sense of excitement to the event. I was tempted to get out of line and sketch the screaming fans, but then decided my focus should be on the movers and shakers inside.

A bouncer actually had to check my ID to be sure I was of drinking age, as if my grey hair wasn’t ID enough for my age. I immediately decided that I needed a slightly elevated view. There was a giant bouncer in a yellow shirt at the bottom of the staircase. I was told only VIPs could go upstairs. I told him I was the media, but he didn’t buy it. I tried the other staircase and was blocked by another Yellow bouncer. I then found Erin Sullivan the Orlando Weekly senior editor and she told me the password which was something like, “Orlando Life”. I shouted the password in the bouncer’s ear and he let me pass. I had my tablet in the bag, but since this was such an expansive view, I pulled out my largest sketch book. As I started the sketch, Graham Jarrett, the Publisher of the Orlando Weekly was one of the first people to say hello. I was surprised he knew who I was.

I should have had business cards because I met a dozen or so interesting people. One woman knew of another event sketcher and she asked me if I would consider sketching her wedding. Since I’ve done this before, I stopped sketching long enough to give her my information. A few people stopped to watch me work. I become slightly self conscious when someone watches, but then get lost in the process again in no time. I tried talking to several people but the music was too loud. A Weekly intern stopped by several times and took photos as the sketch progressed. I spotted Hurricane Maria at the bar and Wendy Claitor on the floor. Andrew Spear found me and we posed for a photo. As he left, he said, “You keep working, I’m going to get drunk.” Someone else told me, “You already won, you should be drinking and celebrating!” All work and no play makes Jack a dull boy. Next to me a couple started making out as the music heated up. I was rushing to finish the sketch so I could meet my wife and family later that night. Patrick Kahn, and his wife Holly greeted me warmly as I was finishing the sketch. Patrick opened Snap! Orlando this year and already the new gallery won the ‘Writers Pick Award’ for ‘Best New Art Venue, and Snap won ‘Readers Pick’ awards at #2 for ‘Best Gallery’ and #3 for ‘Best Arts Event/Festival.’ I’m so happy my first solo exhibition was at Snap. They took such good care of me and I feel like I’m part of the Snap family. Devin Dominguez said hello and asked, “Where is Terry?” I shouted back, “She’s with family!” “Aren’t you family?” she said. Jokingly I responded, “I used to be.”

As I walked back to my car, I called Terry to see if I should drive over to the hotel. She said, “Your too late, I’m about to leave.” Why can’t I sketch faster? While lost in the precess, it seemed like time stood still, I was catching a fleeting moment, but actually hours had passed.  On Facebook, Suzannah Gilman remarked, “No category, for ‘Best Wife of an Urban Sketcher’?! What is UP with THAT?” She makes a good point. It takes a saint to put up with my daily sketch obsession.