Blue Box 12

I established the Blue Box Initiative, so I could sketch talented performers in each of the 27 blue boxes which are painted on the sidewalks downtown Orlando. These boxes are for panhandlers and buskers. Busking was possible only during day light hours, but a recent amendment allows the boxes to be used at night. Although set up for panhandlers, police often insist street performers must use the blue boxes. Performing outside the boxes can result in 60 days in jail and a $500 fine.

Sasha Kendrick volunteered to perform in Blue Box 12 which is right across from the Lake Eola Band Shell. To me, performing on the Band Shell stage would make the most sense, but that is not allowed. Las Vegas has black circles painted on the pavement of Freemont Street which is also used to keep performers contained. The difference about Las Vegas is that every black circle has performers because there are so many tourists walking the streets that it is worth it for the performers to work just about every night. In Orlando the tourists keep to the theme parks never walking the streets of downtown and there is little effort to attract tourists downtown.

Blue Box 12 was in the blazing sun with no chance of shade. The light sidewalk cement acted like a mirrored reflector. Luckily I had thought to bring some sun screen. Sasha played her violin heroically for the hour or so that I sketched. I had established some of the background scene before she arrived. She pointed out that the extreme heat could cause the wood of her violin to warp. The bridge, which hold the strings away from the body of the violin in particular could warp and then literally spring free of the instrument.

I kept my sketch brief, and then we walked across the street where she continued to  play on a Lake Eola bench in the shade. She played in Lake Eola often and the police are happy to allow her to play. Someone bought us both a soda while she played and I did a second sketch. This was the first and only time that I have been given a tip for sketching on location. Were I to put out a tip jar anytime I  sketched, I would be considered a pan handler who was breaking the law and could face 60 days in jail and a $500 fine. The week of the Winter Park Paint out, a similar ordinance is in place, but the Paint out organizers got a permit which allowed for the creation of art on Park Avenue for the five days of the event.

Blue Box 12, Sasha Kendrick Violinist.

I established the Blue Box Initiative, so I could sketch talented performers in each of the 27 blue boxes which are painted on the sidewalks downtown Orlando. These boxes
are for panhandlers and buskers. Busking was possible only during day
light hours, but a recent amendment allows the boxes to be used at night. Although set up for panhandlers, police often insist street
performers must use the blue boxes. Performing outside the boxes can
result in 60 days in jail and a $500 fine.

I sketched Sasha Kendrick at Blue Box 12 which is located across the street from the Disney Band shell at Lake Eola. There was no shade on this stretch of sidewalk and the heat was unbearable. Sasha was worried that her violin would warp in the intense heat, but she performed anyway. Not a single person walked past as she performed. No one walks that stretch of sidewalk in the noon day sun.

When the sketch was done she wanted to perform at Lake Eola which she does regularly. Police in the park do not ask her to leave. They turn a blind eye to the city ordinance that bans busking because she is pleasant and respectful. It was much nicer sketching in the shade with a lake side breeze. One man stopped to listen and sat on the bench next to Sacha. He decided to go to the Relax Grill and Bar and he bought Sasha and I a drink. This was the first time I had ever been given anything while I sketched. He was legitimately grateful for Sasha’s performance.

She told me about a charity she was establishing which raises money for musical instruments for the homeless. She figures that by performing music, a person can raise some cash just as she has done for years. She gave an instrument to a man in town who also raises money selling palm frond woven flowers. The instrument disappeared and she thinks he sold it for money for crack. Unfortunately this musical charitable experiment became a failed experiment.

Blue Box 20.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These boxes are for panhandlers and buskers. Busking is possible only during day light hours. Although set up for panhandlers, police often insist street performers must use the blue boxes. Performing outside the boxes can result in 60 days in jail and a $500 fine.I am documenting these blue boxes with some of Orlando’s most talented artists as performers.

Blue box 20 is on Magnolia Avenue between Church Street and Pine Street. it is right outside the former location of Mad Cow Theater. The acoustic group Jestelle volunteered to perform. Comprised of  Jester Cordell and Danielle Dart, they combined their first names to come up with their groups title. They had some difficulty finding the blue box but luckily I had arrived a bit early and I guided them in with several texts. I have sketched this adorable couple before at Fringe and looked forward to their lyric cover songs. They had a red jar for tips and a Mickey Mouse cup that was for coffee or perhaps coins.

These two appear to be a true Orlando couple being color coordinated in a tropical floral shirt and sun dress. Danielle took off her huge sun hat while she sang. She has a magnificent voice and they harmonized beautifully. It is a shame that the sound of traffic often drowned out the subtle songs. A few people walked by but no one stopped to listen and unfortunately no money was dropped in the tip jar.

Jestelle will be performing at Johnny’s Other Side (1619 E Michigan St, Orlando, Florida 32806) on Sunday July  23rd starting at 2PM. Nine blue boxes remain to be sketched. If you know a performer who might be interested, please let them know about the Orlando Blue Box Initiative.

Ka Malinalli in Blue Box 14.

Ka Malinalli performed in Blue Box 14 which is on the corner of East Central Boulevard and South Garland Avenue with the I-4 looming nearby. There are 27 Blue Boxes painted on the sidewalks of downtown Orlando. They are the only places where begging, or busking is allowed. Street performers have been  told that they must use the blue boxes. Very few people know where the boxes are, and the boxes are located in areas with very little foot traffic. It is a Machiavellian concept to box in artists. I am documenting each box by having Orlando’s most talented performers utilize each box while I sketch.

It was a windy day. Very windy. Kay braced herself and sang facing the wind. At times she was blown backwards and had to lean in to stand up straight. My baseball cap blew off my head, and I chased it before it landed in a puddle. Two gentlemen caught it just in time and gave it to me. The cap to my water bottle also blew away and landed in the puddle.I left it there until the sketch was completed.

Ka sang lyrical Spanish songs she wrote herself. The wind blew her voice away. Even being just a few feet away, I couldn’t hear her clearly. Her skirt fluttered like a flag. A few cars honked their approval, but I’m certain that no one heard the performance. The two guys who helped retrieve my hat were the only people who walked by. Simply put, this is not an ideal place for a performer to showcase their talents. Of course there were no tips for her wonderful performance. When each song was complete, I would clap and make a gentle sound in my throat like the roar of a huge audience. That roar couldn’t be heard over the wind. Ka bowed to the imagined throngs.

Blue Box 13.

Angel Jones, an arts advocate and fashion designer, volunteered to be in the Blue Box Initiative. She occupied Blue Box 13 which is on Jefferson Street near North Orange Avenue.

For those that don’t know, Orlando has 27 Blue Boxes painted on the sidewalks. These are considered exempt zones, which means panhandling is allowed. Performers who bus downtown have been told by police that they must move to a blue box. Most of these boxes are in areas of downtown where there is virtually no foot traffic. I have decided to sketch every blue box with Orlando’s most talented artists and performers.

Angel didn’t want to ride her motorcycle downtown in her costume, although that would have been a sight. She designed and sewed her outfit. She owns a fashion company called Bazzar Bazzar. I drove her to the location. As we walked around Lake Eola she showed me what this whole Pokeman Go phenomenon is all about. I have seen crowds of people in the park staring at the phones, and not paying attention to what is go in on around them. The game depicts a simplified version of the park in which Pokeman characters appear. She showed me how to throw an object at the character. If you hit the character, you get points. You can also place a lure which will attract characters to your location. For the duration of her time in the blue box Angel looked at her bright pink smart phone. For all I know, she might have been surrounded by Pokemon characters dancing at her feet.

I have about 10 more Blue Boxes to sketch. If you know of a performer who would like to participate, please let me know.

All about-Race and power near Blue Box 6.

I had arranged to meet Hurricane Maria at Blue Box 8 near the Lynx Bus Station. 27 Blue Boxes are painted on sidewalks in Downtown Orlando. These boxes
are for panhandlers and buskers. Busking is possible only during day
light hours. Although set up for panhandlers, police often insist street
performers must use the blue boxes. Performing outside the boxes can
result in 60 days in jail and a $500 fine.

I arrived a little late and didn’t see Maria. I assumed she was running late and started sketching. My darn cell phone was dead because my car charger was broken. There was no way to contact her. I finished as much of the sketch a I could, and assumed that I could place Maria in the sketch when she arrived. She is a caricature artist and she planned to set up shop in the Blue Box. I probably sketched for an hour and a half, completing most of the watercolor with an open space that I left blank. If anyone reading this is interested, I could sketch you into this incomplete sketch in about half an hour. I will not post the sketch until it has a performer utilizing the box. Become part of The Blue Box Initiative.

I packed up an decided to head home. As I approached a huge construction site near the Bob Carr Theater, I saw Maria talking to several construction workers. She had gone to the wrong Blue Box and was deep in conversation about race and power. Blue Box number 6 had been ripped up due to the construction. As the conversation went on, I realized that the blue boxes represent first amendment zones, where freedom of express to is allowed.

The construction worker was explaining how blacks have been marginalized throughout history. The us Census would redefine the race every time there was census. They were redefined as blacks, negros, African Americans and other names. Poor neighborhoods were fractured and split up with redistricting. He asked each of us where our ancestors came from. Regardless of our past, he said we all have Moorish blood in us. Maria responded, “I prefer to just think of us as the human race.”

He spoke of a true and divine knowledge of yourself, historically speaking. People have been calling themselves everything but what they are, and so they are never able to take their proper place
in the national and international
affairs of men all over the world. they have been mentally robbed of their
inherent
and invincible manhood, by being
robbed of their nationhood.
The west African Moorish Empire expanded into Europe conquering Spain in 711 AD. This was the greatest power in Europe at the time and its influence spread resulting in the Renaissance. Apparently Abraham Lincoln was assassinated because he understood this Moorish commonality. The same was true of Dr. Martin Luthar King. One of King’s aid stepped aside to open a pathway for a sniper’s bullet.

The local school the the worker used to go to used to inspire students to greatness. Then teachers were brought in from out of the community and the students were no longer taught civic pride. Drugs ravaged the neighborhood causing further collapse. These drugs were specifically introduce in impoverished neighborhoods. This backfired however because then others could get cheap drugs there and the drug plagues spread could not be stopped.

With my sketch done, I decided to slip away. Free speech was very much alive near Blue Box number 6. I asked Maria if she was willing to set up for a short time in Blue Box number 8, but she had to get over to Audubon Park where she would be doing caricatures at the Monday night farmers market in the Stardust Video and Coffee parking lot.

Angel Jones in Blue Box Number 3.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These
boxes are for panhandlers and buskers. Back when they were painted, they were referred to as beggars boxes. Panhandling is possible only during
day light hours. Although set up for panhandlers, police often insist
street performers must use the blue boxes. If you loiter on the sidewalk, you are suspect. Performing outside the boxes
can result in 60 days in jail and a $500 fine. I have started a series of 27 sketches in which performers utilize
these Blue Boxes. These Boxes represent the only places downtown where
theoretically there is complete freedom of expression.

Angel Jones is a Fashion designer, stylist, model, writer, and artist from Melbourne Florida. Angel has spearheaded a Facebook group called, “Artists Unite! A group formed to protect all artists and our freedom” This page unites artists from around the state as cities like Winter Park and Saint Augustine create unconstitutional laws limiting freedom of expression. Orlando doesn’t have an ordinance specifically banning artistic freedom of expression, but the police do not see the difference between creative expression and panhandling. 

Finding these blue boxes is a bit of a treasury hunt. I arrived at the intersection of Amelia and Hughey and found a complex jumble of spray painted marks. Surveyors are marking up the sidewalks probably to keep track of electrical and plumbing lines. A block a way the “Creative Village” is now a desert of sand and dirt. Sidewalks and pavement are all being ripped up for whatever is to come. There are several Blue Boxes in this construction zone which may no longer exist. 

Angel was a bright splash of color on an otherwise drab and grey downtown street corner. She created handmade Victorian cupcake dress herself with countless hours spent sewing the brightly patterned fabrics. Her wig was bright pink an her necklace had every color of the rainbow. Angel’s Insanity and Bazaar Bazaar the clothing line, features her unique handmade creations. She chatted about her army brat upbringing and leaving home at the age of 15. Although considered the black sheep by her family, she clearly made the right choice to pursue an art inspired life. At protests she is the most exuberant champion for artistic freedom of expression.. She is a dynamic force who you definitely want on your side.

Students from Orlando Tech were the most common pedestrians. They would often stop to chat with Angel to find out what we were up to. A father and daughter on bike stopped to watch me sketch for bit. She is an artist and wanted to know how I sketch so fast. My advice was to loosen up and accept the imperfections. A sketch by definition is incomplete. A bright pink Lynx bus rushed by accentuating the pinks in Angel’s hair and dress for a moment. 

I never saw a police patrol car.  The police station is several blocks to the south of this Blue Box. Angel didn’t have an open case, or tip jar and if she did, I doubt any bills would have been dropped in. Once again the blue box was far removed from businesses where executives in suits might wander out during their lunch hour. They were safe from the threat of art. If you know someone who might want to join the Blue Box Initiative, send them to the group page which is where these sketch sessions are scheduled once a week.

The Blue Box Initiative – Michael Sloan.

On February 1, I picked up Micihael Sloan from his home and brought him to the Blue Box on Lake Dot on Colonial Drive one block West of the I-4 overpass. It was tricky finding his place so we ended up running about a half hour late. As a quick recap in case you are a new reader, Orlando passed an ordinance back in the 1990s making it illegal to panhandle in Downtown Orlando. 27 blue boxes were painted on the sidewalks as free speech zones. From sunrise to sunset it is legal to panhandle in these blue boxes.

On our drive too to  the  blue  box site,  Micihael explained that he used to perform downtown about 15 years ago and he was told that he must move to a blue. In Orlando performers seem  too be considered panhandlers with talent. I’ve been told to move along by police while sketching downtown but I was never instructed to go to a box. Anyway, I decided to ask performers to come out to each of the 27 boxes so that I can sketch performers at each of the sites. The plan is to do one sketch a week, usually on Mondays. The Blue Box Initiative group page was set up to organize and schedule performances.

As we were setting up, a man in a red shirt who introduced himself as Juju joked around with Micihael. He sat down in the shade and shouted to us, “Hey, come over here in the shade, I want to hear the music.” Micihael shouted back, “We can’t, I have to stay in the blue box.”  It was brutally hot. I realized that I need to bring sunscreen to these blue box sketch outings. The several days of col weather are already a though of the past. Micihael kept his guitar case open, but no one ever dropped any bills inside. It was hard to hear the music over the constant rush of car traffic. I could pick out that he was making up lyrics on the fly about being put in blue boxes. He was singing the blue box blues. Besides singing, Micihael did some Tai Chi which made it look like he was channeling the automotive dissonance. He also had just enough room in the box to do several cart wheels. Cars honked their approval, a loud automotive standing ovation.

There was some foot traffic. Perhaps 20 people wandered by during the performance. A young woman in a black dress walked by with a luggage cart. She reminded me of drug sales reps I have seen in doctors offices. She was actually Jenna Smith, a UCF journalism student who wanted to report on the Blue Box Initiative. She unpacked a tripod and sizable TV news camera. She was the reporter and camera woman all rolled into one. The black dress was a mistake because the sun was unrelenting. She never filmed herself asking the questions, perhaps she did that later.

Juju became infatuated with what I was doing. He stood behind me the whole time doing a play by play announcement of every item I put on the page. I’m usually oblivious to on lookers, but he was hard to ignore. A bicyclist with dreads and a wicker basket stopped for the longest time to listen. He spoke with Jenna about the social divides created by capitalism. Around 1pm a car stopped in front of the box, and a woman asked if we wanted sandwiches. My hands were busy with the sketch so I didn’t accept. Juju however accepted for us all. He gave Micihael some fruit and he offer me a cookie. I tried to refuse but he insisted, so I accepted his offering and put it in my bag. It was from the Dr. Phillips Center for the Performing Arts and I ate it on the drive home. It was delicious.

Jenna stayed with us right until the sketch was complete. She then interviewed us with beautiful Lake Dot as the back drop. She plans to interview City Commissioners, so she is doing some in depth reporting on the issue. I bumped into City Commissioner Patty Sheehan that night and she was amazed by Winter Parks ordinance that bans artists. She asked me, “Orlando doesn’t do that do they?” It seemed odd that she was asking me. I mentioned the blue boxes which is an ordinance she helped spearhead.  I don’t think she realized the the blue boxes hurt the Orlando arts scene. “Well, if you need anything from me, let me know.” she said as she left.

Cole Nesmith organized a huge one night event called “The Creative City Project.” He got performing arts groups to come together downtown for a solid evening of performances outside on Orange Avenue downtown. I was told that in the beginning, Cole was instructed that the performances would have to be in the Blue Boxes which make for rather small stages. Cole worked closely with politicians to create an amazing event that took over Orange Avenue for five blocks.  But that was for one night only. If Orlando truly embraced creativity downtown then every evening the city streets could come alive. For now outdoor creativity is shoved aside into isolated blue boxes.

The Start of the Blue Box Initiative.

There are 27 Blue Boxes painted on the sidewalks in Downtown Orlando. These boxes were painted in an effort to control panhandling. Citizens complained about aggressive panhandling, so an ordinance was drafted making it illegal to panhandle downtown. The blue boxes were created to protect first amendment rights, of freedom of speech. They are referred to as Exempt Zones. The city’s official position is that street performing is allowed in downtown Orlando as long a the performer doesn’t block pedestrian traffic on the sidewalk and they are not soliciting. If the performer has an open music case or a hat, the police will assume that the performer is busking or begging. In Orlando there is no difference between a performer and a panhandler. The penalty for performing downtown outside of a blue box is 60 days in jail and a $500 fine.

An accordion player I was sketching at Lake Eola was told that his performance was illegal because his accordion case was open. He was forced to move along. There are no blue boxes in Lake Eola, so the performer packed up and went home. These isolated blue boxes are hard to find, and few people know where they are. Most people are amazed that such an Orwellian idea exists. I thought the accordion music added a festive touch to the day. The best experiences I have had in traveling to cities around the world has been when I discover some astonishing talent performing on the streets or in parks. Disney hires artists to perform on the streets to give tourists a feeling of being in a vibrant creative place. It is a shame that Orlando claims to support the arts but artists who perform in public are treated like criminals.

I’ve been told to move along several times by police. I didn’t have an open case, but my very presence on a sidewalk is considered a hindrance to the safe flow of pedestrian traffic. I am only two feet wide and I always make every effort to stay out of peoples way. Now if you have ever been downtown, you might realize that Orlando isn’t bustling with pedestrians elbowing each other for sidewalk space. I’ve sketched downtown at rush hour, and the city seems completely deserted except for all the car traffic. Orlando natives drive to their parking garage and then drive home at the end of the day without ever stepping outside.

The Orlando panhandling Ordinance wasn’t written for performers or artists, but the police tell anyone who is doing something creative to go to a blue box. Because of this I have decided to start the Blue Box Initiative. I plan to sketch 27 performers in each of the 27 Blue Boxes. I found a map that shows where each of these boxes are. Some are worn away from neglect, but I hope to sketch performances at each site regardless. My main objective is to show that artists are not beggars and that encouraging performers to perform in public would add a vibrant spark of life to the downtown scene. The blue boxes are however in isolated spots of downtown. It would be nice if creativity could flourish everywhere. Every sketch I have done in the past outside of a blue box could have landed me in jail. It would be nice to sketch without the fear of arrest.

The first performer to answer the Blue Box Initiative call, was violinist, Ariah Deason, who used to perform on Park Avenue in Winter Park,  before that city made it illegal to be creative on Park Avenue, Hannibal Square and New England Avenue. Ariah’s mom Kristi explained that in one night last Christmas season, her daughter, made over $150 in one evening by performing on Park Avenue. Ariah is astonishingly talented. She has been playing violin since the age of five, and is now sixteen. She rehearses four hours every day. She is currently concert master of Florida Youth Orchestra’s Philharmonia and has also played with the Ka Malinali band accompanying traditional Mexican folk music as well as original music. She is currently studying classical violin under Joni Roos at Rollins College and her future musical projects include a Persian music folk band, live performance for an original dance production at The Dancer’s Edge studio in Winter Park and Irish fiddling. She is also passionate about art and photography and is hoping to integrate all of them into her life path. She regularly performs at weddings. The idea that Winter Park now considers her beautiful performances criminal is mind boggling. 

The Blue Box I met the Deason family at was on Colonial Drive at Lake Dot.  Unfortunately this box was already occupied. I spoke with Cheryl who occupies the box every day from 6am to 6pm. Once the sun sets, it is illegal to panhandle in Orlando even in a Blue Box. Cheryl is diabetic requiring insulin shots. She has applied for medical disability but has to wait 18 months for the paperwork to clear before she can be helped. I explained the Blue Box Initiative to her and she gave me advice on other blue boxes to look for. When the Deason’ arrived, I asked Cheryl if she would like to share the box and she could keep any money raised. The ordinance states that there can only be one person per blue box. She said however that family or friends can share a blue box. She is used to being alone, so I met the Deason’s one block to the east in front of the Salvation Army. I gave Cheryl several dollars for her help and advice. She is barely visible in the sketch wearing a pink shirt and seated on the sidewalk, a block away.

Ariah opened he violin case and began to perform. Her uplifting music blended with the rush of traffic on Colonial Drive. Several cars honked their approval. The family had blue checkered blanket and they sat picnic style on the Salvation Army lawn. Dad took pictures with his daughters SLR camera while the youngest daughter, Kristi joined me in doing an Urban Sketch. After watching her sister perform for a while, Tiva worked up the nerve to put her ballet shoes on and dance to Ariah’s music. Tiva has been studying classical ballet in the Cecchetti method for five years at The Dancer’s Edge Studio in Winter Park. She Participates in two production companies there. She also plays viola and is a member of the Florida Youth Symphony‘s Overture Strings Orchestra. Tiva wore a shirt with a giant heart on it. The Salvation Army sign pointed out, that, “Love isn’t Love unless it is shared. Come join us.” She was thin and graceful creating beautiful lines of action.

Pedestrians were rare. Several skate boarders rolled by, and Ariah was narrowly missed by a swerving bicycle. A man with red shorts lingered for sometime  talking into his cell phone. In the back of my mind, I imagined him being an undercover cop calling for backup to stop this flagrant display of art. A news truck rumbled by, but they were in a rush to get to an accident or murder. I never spotted a police car. As usual art celebrated life went mostly unnoticed. I fell in love with the entire Deason family. It was a beautiful day with inspired music and dance. For me it was the perfect way to start the Blue Box initiative. With one Blue Box sketched, I have 26 to go. The plan is to sketch one a week, usually on Mondays. If you know someone who would like to become part of project, please let me know. I’ll add them to the Blue Box Initiative group page on Facebook. 

Although Ariah’s violin case was open, no money was ever dropped inside. At most 5 people passed by on this deserted stretch of sidewalk on one of Orlando’s busiest roads. I doubt Cheryl made much in her Blue Box that day. After we were done Kristi gave he youngest daughter some money to give to Cheryl. Excited, her daughter sprinted off and had to be called back. “Wait for us. We’ll all go together.” This family knew how to share the love.

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