Alfred Hair – Analog Artist Digital World

This was another demo for an Elite Animation student. I was teaching them digital painting and used a highwaymen painting to demonstrate how to use a variety of brushes for various effects.

The Florida Highwaymen, are a group of 26 African American landscape artists in Florida. Two of the original artists, Harold Newton, and Alfred Hair, received training from Alfred “Beanie” Backus. It is believed they may have created a body of work of over 200,000 paintings. Lore is that these painting were sold on the sides of the highway for pennies on the dollar and they are worth a fortune today.

When I do these demos I sometimes start using brushes I haven’t used before. I used this hemp brush that gives nice thick line work. I used if for the palm fronds and various foliage and now I use the brush often.

This was part of the lesson, to encourage students to simply experiment with the brushes while doing a quick landscape. Too often what stops a students progress is the threat of WHAT to paint. So I give them clear and vibrant painting examples to choose from.

By pushing my students to experiment I often push myself in new directions as well. Since the painted ketch isn’t intended for publication, it can be as rough as I like.

I stumbled across a meet up group online that was meeting at Perkins Restaurant and Bakery (6425 University Boulevard, Winter Park) . A guest speaker, Todd Thompson of Stars North Productions, a locally based independent film company, was lined up. He outlined a long list of credentials. He made his first three movies by the age of 11 using his Grandfather’s Super 8 movie camera, using action figures and stop motion animation. He worked on the Tom Hanks mini series, From the Earth to the Moon in 1998. He worked on The Green Mile in 1999. He was told that producing independent shorts was the best way to break into the industry. So he did just that, and won awards along the way for films like Time & Again, and Once Not Far From Home. Chance meetings at film festivals lead to other contacts and productions. It seems film making is all about persistence, drive and chance encounters.

His current project, The Highwaymen, sounded like it could be a fantastic film. The film centers around a talented African American painter named Alfred Hair, who is unable to show his work in galleries because of his race. He meets a white landscape painter, A.E. Backus who taught him everything he knew about painting. He took this information and taught 26 other African American men how to paint. They produced over 100,000 paintings which they would sell on the road side for like $20 a painting. A.E. Backus would produce maybe one painting a month whereas these guys were producing at least a painting a day. Some of the Highwaymen could produce up to 30 paintings a day, working in series. The paintings were quickly executed Florida landscapes. An art critic “discovered” the work and after he wrote an article, the price of the work skyrocketed. Highwaymen paintings are probably still scattered in peoples attics with the owners having no idea as to the value of the work. I love the premise of this film, the mentor ship, and overcoming the racial divide. The original artists have been interviewed and a huge wall was set up that follows their intertwined lives. I’d love to sketch and document the shooting and post production of this film.

People began introducing themselves and discussing their interest in film production. The introductions weren’t in any order and perhaps half way through, order broke down and lively discussions erupted. A short script for a SPCA public service announcement was on the table and I believe a number of people in the room were going to be involved in shooting the project in an animal shelter. When I realized I didn’t have to introduce myself, I slipped away.