Second Life

As part of my required studies at Full Sail, I took a course on how Second Life might be integrated into course studies at Full Sail. Kristopher Newton introduced the course instructors to Second Life which is a virtual online world where people can create their own avatars. Amazingly people are selling virtual merchandise, real estate and art in this environment. Fifty five million dollars were generated last year, making it the fifth fastest growing economy in the world. Apparently pop singers and musicians release their songs in this virtual world to test their market. There are virtual galleries and museums where artists are selling their work. I imagine creating my own avatar that does what I do every day which is to draw. My avatar would enter a club, bar or concert hall, find a seat and sketch. I could become the Analog Artist in a Virtual World.

Kristopher actually created a virtual Full Sail campus modeled on the real life existing campus. When he started, he discovered that the polygon count had sky rocketed overnight. He explored his model and couldn’t figure out what had happened. He finally discovered that someone had built an entire city above his campus and they had painted a sky below the base of the city so it was impossible to see. Kristopher dismantled the city, saving the parts he might be able to use in the future. He remains convinced that Second Life can be used as a teaching tool to get students to interact in new ways with the curriculum.

I decided to give Second Life a chance when I got home that night. I picked an avatar that had a backpack and hiking boots since that seemed the most practical options for exploring a new world. Being a robot or a pussy cat didn’t appeal to me. I walked through the introductory rooms learning how to walk, sit, talk and fly, then I explored my first environment. The place was designed for social interaction among avatars just starting out in Second Life. My computer volume was down but I noticed people kept typing “Welcome Thor.” I walked up to a balcony so I could overlook the club. I sat and imagined myself starting a sketch. Perhaps this was an answer to the conflicts that arise when I find myself sketching in the real world too often. I could be home every night documenting life in a virtual world, forever at my desk, available yet lost in thought.

Unfortunately Second Life is excruciatingly slow. I had to wait for all the other people in the room to materialize and walking around was an awkward process making my Avatar look like he was ice skating through quick sand. I kept flying into walls and falling from insane heights. In the end, I became bored and shut off my computer so I could explore my one and only life.

Yelp Event at the Polasek

Yelp held an event at the Albin Polasek Museum for active Yelp reviewers. When I pulled in, I noticed cars parked on the grass lawn so I parked beside them. When I walked towards the building I noticed that there was valet parking available. The young woman at the reception table looked up my name and made up my name tag. Inside an artist was painting a portrait. Christine MacPhail, a harpist was playing just outside the back door. The sweet music drifted through the flower garden as the sun set. There was a food station set up with a delicious ravioli and pasta dish from Brio Tuscan Grill.

I needed my book light to sketch since it was soon pitch black outside. I kept layering on washes making my sketch darker and darker. Inside the museum there was a show of Soviet propaganda art. Socialist Realism was established in 1934 and lasted through the Cold War. The artists were required to communicate the ideals of Revolutionary Socialism and social responsibility to the citizens. Artists were able to travel the world and were paid handsomely. Their oraznization was called “The Workers of the Revolutionary Poster.”

One poster that caught my eye was done in 1961, the year I was born. Castro stood heroically in the foreground with excited citizens cheering all around him. The poster read, “The People of Cuba are Undefinable!” 1961 was the year of the Cuban Missile crisis. The world was almost thrown into nuclear war as America and the Soviets faced off. I am amazed my parents were willing to bring a new life into a world on the brink of total annihilation.

iLife

I found out that I have to take 10 hours of courses at Full Sail before December which is the month I was hired. The list of class offerings was rather limited and since I have to rush to get the credits, I ended up taking a course on iPhoto and iMovie. Course instructors are all given an Apple laptop but I am a lowly Studio Artist so I was never issued an Apple. I showed up for the class with my Motion Computing tablet PC but all the programs discussed were written strictly for the Apple.

Both programs are fairly simple to use. Three other instructors were taking the course with me. I am used to doing video editing using Adobe Premiere Pro. Since I use this comprehensive program, I doubt I will ever see a need to use iMovie. Exporting the movie so it is formatted for uTube is a nice feature however. iPhoto can remove red eye but I have Photoshop which can do so much more. Apple does integrate all the programs nicely so a beginner can organize all their photos and videos easily. Facebook could learn a thing or two about elegant programing from iLife.

The Arts Matter

Sea World hosted the annual A+ Awards from United Arts. The awards were created by United Arts professional grant recipient, Robin Maria Pedrero. This is the The Arts+ Awards 10th year. When I arrived, Mark Baratelli of the Daily City was being interviewed by Peter Murphy in the entry to Ports of Call where the reception was happening prior to the ceremony. I had to duck and cover to get around the TV camera crew. As patrons of the arts mingled, drank and ate, a huge seal started to bark. Mark posed with the seal who was trained to remain still as photos were shot.

Between awards presentations, there were performances by MicheLee Puppets, the Reps Power Chords, Voci Dance and the Bach Festival Society. Margot Knight will be leaving United Arts of Central Florida to move to a position in California. When she walked to the podium she got a standing ovation. Mark Baratelli was nominated for the Collaborative Partnership award, but he lost to the MicheLee Puppets.

The theme of “The Arts Matter” was reenforced throughout the evening. Patients who are offered to create art while Undergoing chemo-therapy often say they notice pain far less. There is a direct correlation from studies that students who are offered art in schools tend to get better grades. We don’t need students who want to spit back established answers, We need students who think creatively.

It was an entertaining evening which offered new leads as I search for my next sketch able arts organizations.

Divorce Court

As I write this, I’m in New Orleans in a suit and tie ready to go to a lavish wedding… Ron and Maisy Marrs were seated in the waiting room for courtroom 16E. They had gotten up before the sun rose so they could get through the courthouse security and be ready for their divorce hearing at 8:30am. When I walked in they were already calmly seated together in the crowded waiting room. Maisy was reading the divorce papers. I grabbed the last remaining seat in the room, directly across from them. Then we all waited. Court officers disappeared into the courtroom door beside me.

Finally an officer opened the courtroom door and called in the first couple. They had arrived late and were seated out in the hallway. When they exited the courtroom they looked relieved. I raised my fists in mock celebration and Maisy & Ron laughed. The next couple called in was late as well. I suggested to Ron & Maisy that they should move out into the hallway if they ever wanted to be called into the courtroom.

When they finally were called in, I joined them. The judge asked why I was in her courtroom. Ron blurted out that I was there as a witness. I was blocking in a sketch already but I knew from the preceding couples that the hearing wouldn’t last more than 5 minutes. I was thankful I wouldn’t have to go on the witness stand. Ron was seated at what is traditionally the defendant’s table and Maisy sat at the prosecutor’s table. The judge asked Maisy why they were getting divorced. “Irreconcilable differences.” Maisy said. I was impressed, a very lawyerly response. “That isn’t a reason” the Vulcan judge responded. “Well, we aren’t in love anymore.” Maisy shot back. “That is a feeling not a reason. The court needs a logical reason for your divorce.” I felt bad for Maisy, she hadn’t thought to bring along any solid evidence or proof. It suddenly seemed that this divorce might not be granted. Ron stepped in and saved Maisy. “She is going to move to California and I am staying in Orlando.” he said. “That makes sense, now, was that so hard?” she said. “Have all your finances been arranged?” “Yes.” Ron responded. With that settled, the judge announced that their marriage was dissolved. They still had to do some paperwork, but they were now divorced.

Sketchy Todd

The Sketchy Broads, Lindsay Boswell and Jenny Coyle held a sinister sketch session for local artists at Austin’s Coffee (929 West Fairbanks Avenue). I arrived right after work and ordered an ice cold Yak coffee. I found a seat in a movie theater seat facing the front door. Lindsay arrived shortly after and I helped her move some furniture around. I let her set up the fancy photo lights and backdrop. Slowly artists arrived. As the models were doing quick three minute poses, I focused on blocking in the whole scene.

One artist arrived dressed in a suit of purple armor. He had pointy ears and wore dark sunglasses. His long dark hair flowed over his shoulders. A large bongo drum was slung over his shoulder in a satchel. His name was Konrad McKane and he was portraying a character he created from a graphic novel called Alkaya, the legend of Empyro. He sat on a cushy red couch to sketch. I have to find out where he performs on that drum so I can sketch him in action.

After this pose with the bloody knife, Jenny cut her thumb as she was putting the dull blade away. It turned out that the corner of the blade near the base was still sharp. She calmly washed the wound in the kitchen and waited for a band aid. I cringed, watching the blood pool up in her cupped hand. These two will go to any length to achieve bloody accuracy with the characters they portray. They offer blood sweat and tears every month for our sketching pleasure. At last my arm is complete again.

Mennello Museum Mural Unveiling

So many things had to fall into place for the Unveiling of the mural. I ran to Sky Craft to get 80 alligator clips which would hang the original sketches done of each person in the line. I also managed to forget the power cord to my tablet PC in the classroom at Full Sail. I drove over there and thankfully Nina had the keys to get me into the room. I was a sweaty mess after running all over town but I arrived at the museum an hour earlier than expected. This gave me plenty of time to set up. I borrowed a folding table from the museum’s garage and set it up under the tent I had used as shelter from the sweltering sun the entire time I worked on the mural. I hung many of the original studies, clothes line style on the iron gates around the museum. Kim Robinson let me borrow some nice folding walls on which I hung a dozen more sketches.

I set up a printer and the tablet so I could make prints for people on demand. Anyone who posed for the mural could get a free print of the sketch done of them. The originals were all on sale for $50 each. I made a few prints of the whole line as well. As I was finishing getting everything in place, Terry arrived to help out. She assisted me as I duct taped down electrical cords so no one would trip. It was a cloudless beautiful day in the low 80’s. I couldn’t have asked for a more picture perfect night.

When everything was in place, I started the sketch. The first people to arrive were volunteers for the museum. I sketched them quickly in front of the mural. Soon there was a steady stream of people and I explained over and over again how the idea of the mural had been generated. Genevieve Bernard and I visited a high school art class in Narcoossee and asked the students what they felt defined Orlando. One girl said she was always standing in long lines when she went to clubs downtown. We spent the rest of the class discussing who stands in lines and why. A Facebook event page invited people to come to the museum to be drawn in the line. Over 64 people from all walks of life came to be sketched. At the unveiling many of the people who modeled returned wearing the same clothes they posed in. It was fun taking pictures with the models next to their depiction on the wall. All the photos made the mural an interactive experience. The evening was a whirlwind as I made prints, finalized sales and socialized non-stop.

Spirit Halloween

I had planned to sketch a dance rehearsal but the instructor was sick and I didn’t get the note. On the drive home, down Colonial, I saw a large sign for Spirit Halloween ( Colonial Promenade 4628 E Colonial Dr.) I turned into the shopping complex. Halloween has always been my favorite holiday. I decided to see how many people were shopping for costumes this early in the month. I leaned back against a metal pillar in the store. Within a minute a store clerk asked if he could help me. I explained about the blog. He decided to get the manager. Betty Ruocco came out and said she was delighted to see how the sketch turned out.

In the center of the cavernous store was the “Spirit Playland.” A large scary swing spun carnival like. Each swing held a different demonic baby. One baby held a human brain which it was eating and another baby was chewing on its own foot. A fortune teller booth had a red haired, green skinned baby whose head would periodically spin around, exorcist style. Many of the displays were large mannequins that were for people’s front porches. One display had a telephone where people could scream into the receiver as they were threatened by Ghost face. Many people posed here for photos.

Little pads that said, “step here” were scattered in front of displays on the floor. One little boy must have assumed I was an employee because he kept asking me what would happen if he stepped on a pad. I would tell him what I had observed and then he would tentatively approach the display and step down. A ghoul rose from the grave growling with smoke wafting up over the tombstone. The boy screeched and ran away looking for his sister. He coached her to step down and then they both screamed. This game held an endless delight for them.

At the check out counter Betty rang a cow bell. Every time a customer bought a purple pumpkin or a brightly colored rubber wrist bracelet for a dollar, the cow bell was rung. All the money raised from those sales went to Arnold Palmer Children’s Hospital. On October 18th Spirit Halloween employees are going to the hospital with costumes for the children to celebrate Halloween in style. Over 4.6 million dollars in cash and merchandise were donated to children’s hospitals since 2007. What a great cause. Go down and keep that cow bell ringing!

The B52’s at the Amway Center

It had been raining all day. I was putting finishing touches on an illustration for the Orlando Opera Theater Company when I got a text from Rick & Terry Loewen, “Free concert. B52’s.” I wrote back, “Your kidding! Now?”. “Amway Center let them move the concert indoors. You guys need to come. We will save u seats.” Terry was with Amanda watching “Ides of March.” I texted her to let her know about the free concert. I was going to see the movie with them but I ended up driving to the wrong movie theater. When the movie was over (they didn’t like it) Terry called and agreed to pick me up and rush over to the concert. The warm up band, Logan Belle, was just getting started.

We drove downtown in the pouring rain. Terry couldn’t see the lines on the road and she kept slowing down. She took a wrong turn and we got lost on side streets. She missed a second turn to the road that lead to her office where we planned to use the parking garage. She did a U turn on Orange Blossom Trail and relocated the street. When we parked I fired off another text letting Rick and Terry know we were on foot. She let me know they were seated behind an orange Hooters table. When Terry and I stepped out into the deluge we heard a Train horn blast. There were train tracks between the parking garage and the Amway Center. We jogged towards the tracks. The barriers hadn’t dropped yet. As we ran across the tracks the horn blasted again and we were blinded by the locomotive’s light.

When we entered the Amway Center Terry had her purse checked. My sketchbook was tucked in my belt like a pistol. My pallet was in my rain jacket pocket. I wasn’t frisked. My artists contraband made it through security. We asked several people where the Hooters table was and we were told we needed a wrist band. When we asked about a wrist band we were told we didn’t need one. VIP’s had seating on the floor for $150.We took an escalator to the second level then walked down to the floor. The place wasn’t crowded. Half the VIP seats were empty. Rick and Terry waved to us and we grabbed our seats in the third row.

I started sketching as the B52’s took to the stage. Our seats were on makeshift aluminum bleachers. Everyone was dancing and jumping up and down to the music. The bleachers rocked and swayed. I relaxed and let my lines flow with the turmoil. Terry shouted at a lady to sit down in front of us. Many of the early songs I didn’t recognize. When the band began playing “Love Shack!” I knew my sketch was done. Terry and I agree that this is our song. We danced and shouted out the lyrics. I grabbed Terry by the waste and we bumped hips to the beat. I can check this item off my life list. I believe everyone should hear “Love Shack” performed live at least once in a lifetime. On the floor of the Center everyone continued to dance to “Rock Lobster“.

Vampire’s Ball

There was a media preview of Vampire Ball at the Orlando Ballet building near Lake Ivanhoe. I arrived a bit early and hung out with several reporters in the lobby. I looked down a long hallway which had a large puddle which was being mopped up. The building is below the water level of Lake Ivanhoe so the water keeps seeping in. At the top of the open staircase several young dancers were using the railing to balance as they stretched. I entered the room where the preview was being staged and I started blocking in the room before the reporters entered.

Robert Hill the Ballet’s Artistic Director introduced the show. The choreography is all original as a matter of fact they are still polishing dances right up until the show opens. All of the dancers lined up chorus line style and each introduced themselves and said where they came from. The first dance had a Frankenstein theme. A dancer lay prone on a coffee table and the mad scientist brought him to life. Another dance had a sinister vampire who seduced his victims through dance. On the sidelines there was a large cast of dancers who watched as they stretched. They all came on stage for a huge zombie fight scene. The zombies fought as if in a neighborhood turf war.

Whenever I’m alone with you played and a young couple in love danced and embraced. All of the choreography was fluid, well staged and exciting. This was modern ballet with an edge. It was visceral and exciting. The Vampire’s Ball is being performed October 21-23. This is a show I certainly don’t want to miss.