The Medium – Performance day.

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Kelly Medford, a plein air painter from Italy picked up the extra ticket I had to see The Medium. Italians love opera. I arrived early knowing I would like to start blocking in a view from the upstairs balcony. This “God’s eye view” seemed appropriate for the seance scene. When I arrived, the valet was quick to take my keys. Parking would be tight since this was a private residence. Admission to this rare staging was by invite only. I had my invitation in my bag but by now everyone knew me.

I rushed up the grand staircase and got to work. I leaned against a marble pillar as I sketched. Kelly arrived and I was pleasantly surprised when she pulled out her own sketchbook. She moved a folding chair to where she was working and I decided to grab one myself. I stepped on it and used my horizontal calf as a table to steady the open sketchbook. I had a book-light but realized that I didn’t need it since the afternoon sun warmed the room.

Frank McClain announced that they were going to wait a few moments for more people to arrive. Baba said something similar to her guests before the seance began in Act I. Out the top of the tall windows I could see the lake. I joked with Kelly that the delayed guests must be arriving by boat. She said, “Or they are arriving by seaplane!” Frank, seated next to me, dimmed the lights and the room grew quiet.

Monica and Toby began the act in a playful scene of fantasy. Baba interrupted their play when she entered loudly. Monica ran to her room and Toby cowered. Baba’s every movement was threatening. She was larger than life. She drank heavily and when she whipped Toby, anger rose in me. Her every frustration was unleashed on that poor adopted boy. The performance flowed effortlessly. I was surprised that I finished my sketch early so I put it away and leaned forward on the railing, looking down.

Baba, played by Susan Neves was singing about the horrors she had witnessed in her life. When she sang, “Oh God, forgive my sins, I’m old.”, I identified with her growing madness. “Old Black Swan” is my favorite aria from the show. First Monica, played by Shannon Jennings sang it then Baba sang it in the last act. It is a haunting melody. I was glad the sketchbook was tucked away. I let the music wash over me.

After the performance there was applause. I stood and clapped loudly. The audience below me was hidden. There was deserts and port in the parlor afterwards. The port came in the tiniest little glass stemware. The sweet liquid warmed my throat. I had to raise a pinky to drink it. I couldn’t have just one. I couldn’t resist swirling the alizarin crimson liquid in my cup. Unfortunately it slipped over the edges into my hand. I did that twice and then finally washed my sticky hand in the kitchen sink. I recognized many of the people in the room from the days when opera thrived in Orlando. Besides the exclusive residential productions, the show will be staged at the Orlando Repertory Theater on December 3rd at 7:30pm and December 4th at 2:30pm. You can get tickets at floperatheater.org or call 407 718-4365. Opera is back!

The Medium – Dress Rehearsal

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I returned to the spacious mansion in Winter Park to see the dress rehearsal for Gian Carlo Menotti’s, “The Medium.” Robin Stamper, the pianist asked actress Susan Neves how she felt. “I feel comfortable.” she said. “I’ll do the best I can at this point in time and if there is a mistake, I’ll be able to fix it for Saturday’s performance.” Frank McClain, the director, on the other hand was nervous. There were thousands of infinite details that had to fall into place to make the performances perfect. This was to be the first run through with all the lighting and props.

Frank let me know that six people had bid on and won the chance to see the dress rehearsal at a fundraiser. When the door bell rang, Frank shouted out, “Places everyone!” The six winners entered and Frank spoke with them for a while. Kathy Miller was a warm inviting hostess offering wine and cheese. None of the women had seen an opera before. Frank let them know that they were in for a treat. Frank warned the small audience that there was one gun shot in the show and no one could be hurt. I knew as I started the sketch that I wanted to catch Shannon Jennings singing “Old Black Swan.” Her performance was mesmerizing. When the seance began, I couldn’t resist sketching that as well. Unfortunately Brent Reilly Turner as Mr. Gobineau is mysteriously missing from the sketch. I had already painted the black piano which made it impossible to sketch his face. The only solution was to leave his chair empty.

In the final act, Susan as Baba grabbed the gun from a dresser drawer when she was startled awake by David Grindrod as Toby. She waved the gun around as if aiming at ghosts. Several audience members flinched. The gun fired with tragic consequences. When the actors each came out to bow after the show, Susan Neves got the loudest applause. Of course with such a small audience, the applause felt polite rather than thunderous. I absolutely loved the production. Something about the intimate setting gave it added punch.

Frank gave the cast his notes. Regarding makeup, he felt Susan looked too beautiful in the final act. Susan didn’t fully agree with the premise that Baba was a heavy drinker. In one scene she forgot to bring her bottle of liquor with her. She was supposed to take a heavy swig from the bottle. She added, “You didn’t read clause 451A in my contract which states, ‘I must be the most beautiful one 0f all‘”. Frank and the cast laughed. Bobbie Demme San-Filippo doing make up agreed to add darker rings under Susan’s eyes. There were many more subtle staging notes but, as an audience member seeing the show for the first time, the production seemed flawless. After two years of darkness, opera is back in Orlando!

The show will be staged at the Orlando Repertory Theater on December 3rd at 7:30pm and December 4th at 2:30pm. You can get tickets at floperatheater.org or call 407 718-4365.

The Medium Rehearsal

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The Florida Opera Theater has come up with the brilliant idea of staging “The Medium” in a gorgeous Orlando mansion. This exclusive production was by invitation only. I drove around an upscale part of Winter Park in the evening searching for house numbers. My GPS on my cell phone showed where the mansion was but I drove up and down the street many times as I hunted. I finally went down a tiny unmarked one lane road that cut in towards a lake. At the end of the road was a large iron gateway and the number I was seeking was on a mail box. The long driveway lead to a circular turn around where the actors cars were parked. I opened a courtyard entry gate and walked toward the immense mansion. Warm light spilled out of the cut glass of the front door. Water cascaded down a series of steps of a fountain that ran the length of the walkway. I rang the doorbell and tested the knob. It was open. The entryway opened up into a vast vaulted ceiling where a large chandelier hung. The opera was being staged in this grand space. A second floor balcony looked down on the set. Folding chairs were set up around the edges of the room.

Director, Frank McCain, welcomed me. The last production I had seen him in was, “War of the Worlds“. Susan Neves as “Baba” and Shannon Jennings as Monica were standing near the grand piano played by Robin Stamper. Scenes were rehearsed out of order, but for once, I knew the storyline since I had done my research when I did the illustration for the program. In one scene, Baba wanted to force Toby, played by David Grindrod, to leave. Monica defended him saying he needed them. She was instructed to grab Baba’s arm in the argument. In the heat of the moment, she grabbed the wrong hand and Baba shouted in pain. This wasn’t in the opera, Susan was in real pain. A previous accident had resulted in a broken clavicle and now her twisted arm had pinched a nerve. Shannon apologized and hugged her. Luckily it was a minor incident. The show must go on. In an other scene Susan had to take a swig of alcohol and she choked because she had just been singing and it went down the wrong pipe. It wasn’t really alcohol.

Frank pulled a starter’s pistol from out of a drawer on set. He let everyone know it wasn’t real and that they wouldn’t fire the caps until the next evening’s rehearsal. He told Susan she should never point it towards the audience. It looked very real. In such an intimate setting, I could imagine people diving for the floor if she did. In a later scene she pointed the gun towards the puppet theater where Toby was hiding. She threatened to shoot and when she did, she said, “Pichoo, Pichooo!” In a dramatic moment of shock and horror, she dropped the gun to the floor. It burst into a dozen pieces. “Oh God! I’m so sorry!” she shouted. Once again real life drama seeped into the rehearsal. Frank and Bobbie Demme San-Filippo, the props master, struggled to put the gun back together.

Shannon was enchanting as she performed “Monica’s Waltz“. I knew I needed to return to sketch her as she sang “Black Swan” which was absolutely haunting and would make a great sketch. Susan Neves roll as Baba was very physical and exhausting. After a full run through she was spent. She searched for a cookie for a quick sugar rush. Samantha Barnes sang off stage as the voice of the dead. She found the best spot to sing was from was an upstairs bathroom which gave her vocals a haunted echo. Being so close to the cast as they sang and performed was exhilarating. This idea of bringing opera to intimate settings was pure genius. This promises to be a show that will make the hair stand straight up on your arms.

The Medium

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This is an illustration done for The Medium, an Opera written by Gian Carl Menotti. Florida Opera Theater is staging this opera in a private home here in Orlando several times this month. Terry and I used to attend the opera regularly. The Opera went bankrupt and closed shop several years ago. It is nice to see opera making its way back thanks to the grassroots efforts of Florida Opera Theater. Frank McClain is directing the production and I hope to sketch several rehearsals. Great art forms never die.

The opera is about a psychic medium, Madame Flora who is a fraud and drinks too much. She used her own daughter, Monica, to trick a woman into believing her is the woman’s dead child speaking from the other side. Flora took in a mute servant boy named Toby, but she is often enraged with him. Toby and Monica are attracted to each other, which becomes evident as they play a game of dress-up together. At a second seance, Flora seems to legitimately hear voices. The experience frightens her. She blames Toby and is infuriated that he doesn’t confess. As with many operas, there are tragic consequences. The fact that all the songs are in English makes the opera very accessible.

Besides the exclusive residential productions, the show will be staged at the Orlando Repertory Theater on December 3rd at 7:30pm and December 4th at 2:30pm. You can get tickets at floperatheater.org or call 407 718-4365.

TEDx – From Passion to Fashion

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Ben Hoyer got on stage at the TEDx event held at the Winter Garden Theatre. He is the founder and director of Downtown Credo, a non-profit focused on improving the quality of lives in our nations cities. He works with people to cultivate networks of meaning, impact and community. Ben’s credo is that individuals who want to improve their city can make a difference. He began, “Life is worth living. I refuse to merely exist. I pursue a life of meaning and purpose, fulfillment and joy. The world is not yet as it ought to be. Neither is my city. Neither am I. Yet, I reject apathy and despair. I engage the world, my city, and myself to make an impact for good. I am not alone. I press through narcissism, isolation and self-sufficiency striving to live in authentic community.” He spoke of one act of community activism that challenged him. He was picking up trash in an empty lot with some people. One person said, “This lot will be full of trash again tonight, why bother?” Ben stressed that at least they did what they could. At one trash site the refuge was wet sticky and gross. In the back of his mind he thought, “Maybe I’ll let this one slip by.” The volunteer with him noticed the mess and then Ben worked up the courage to tackle the messy task. Alone he might have lacked the will, but together they accomplished what needed to be done.

The Power Point on the screen is actually from a presentation by Jessi Arrington. Jessi is a co-founder of Workshop, a Brooklyn based studio that merges design and social responsibility. In a fun presentation she outlined how she keeps her creative spark alive. She LOVES color! Her favorite color is rainbow. She stressed that it is physiologically impossible to be in a bad mood wearing bright red pants. To hammer her point home, Jessi placed bags full of colorful clothing on the stage. People from the audience were invited up to take part in a rainbow celebration. Some people already wore a bright color so they were sent to the bag containing more items in that color. Soon the stage was a riot of color. Feather boas, hats, shawls, skirts were all in solid colors of the rainbow. If your color was green, you were ALL green. The parade of people marched off the stage and into the audience to a lively march. If your going to live a creative life, live loud! I realized I was dressed in drab neutral earth tones. Perhaps I could use more color in my life, but that would involve an awful lot of shopping. I also refuse to loose my brown hiking boots. Function over fashion is my credo. What an amazing day spent with people who are each making the world a better, more colorful place, each in their own way.

TEDx – Cesar Harada

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Cesar Harada gave an inspiring talk about how he and his team are helping use technology to help clean oil spills. He coordinates Open_Sailing which is a group developing open-source International Ocean Station. They have developed a remote controlled sail boat which will help clean oil spills in the oceans more efficiently. The remote controlled sailing robot is called Protei. The boats entire hull flexes making it resemble a fish as it maneuvers. This sinuous motion makes the robot more efficient as it tacks, or changes course, going up wind. All of the technology being developed is open sourced making it easy for anyone to modify or improve designs from anywhere in the world.

Team members wanted to document the existing oil spill in the Gulf of Mexico but authorities didn’t grant them open access to view or chart the spill. In order to get detailed maps of the spill, they decided to simply float a digital camera high into the sky using a weather balloon. Thousands of digital pictures were then composited to create a detailed view of the area.

In his closing statements, Cesar pointed out that technology needs to be used to protect the earth from civilizations often destructive search for fuel. Everyone in the Winter Garden Theater stood and applauded his efforts with thunderous applause.

One of the next speakers was neuroscientist Wendy Suzuki. She has been researching how aerobic exercise improves learning, memory and cognition. She took an aerobics class and found she was fired up and felt sharp and inspired as she learned new things. She was offered to teach a class called “Can Exercise Change your Brain?”, at NYU and she used the students in her research. The class exercised while shouting out positive affirming statements. There was some nervousness and giggling at first but then the students embraced the motivational exercise program. She found that a semester of increased aerobic exercise improved performance on a recognition memory task compared to a control class that did not participate in the same exercise regime during the semester. In another study, she found that an hour of aerobic exercise improved cognitive performance in college students on a number of tasks dependent on the frontal lobe. She decided to get the audience involved. She had us all pump our hands in the air to some fast energetic music while we shouted strong affirmations. Actually, I was a slug, my hands stayed on task, finishing a sketch. Even so, I was fired up and ready to learn more. Sweat then study! Keep creating, make mistakes, learn from them and grow.

TEDx The Creative Spark

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I was invited to the TEDx event held at the Winter Garden Theatre by Jenny Zoe Casey. I had seen several TED videos on YouTube so I had some idea of what to expect. I sat in the back row of the theater because I love to watch camera men at work. Tiny lights sparkled like stars on the ceiling as the house lights dimmed. I found out during the introduction that TED stood for Technology, Entertainment and Design. The Theater was jam packed with creative people from all over Central Florida. Upstairs between sessions everyone was encouraged to socialize and discuss the talks. Mark Baratelli of thedailycity.com was there along with Scottie Campbell from the Orlando Opera. Anna McCambridge and her husband Marabou Thomas said hello as we shuffled off to the next session. As I was considering a sketch, a young female artist introduced herself. She used to work at Universal as a caricature artist. We talked about art and how caricatures are often watered down in the parks so people can accept it as a likeness. She loved being able to truly exaggerate features but if a costumer said, “My nose isn’t that large!” She would be in trouble. She had to walk a fine line to “nail” each sketch. It was thrilling to discuss my own sketches to an artist that shared the same challenges.

After the introductions a video was shown which I had seen before. The video featured Eric Whitachre who orchestrated a virtual choir, 2000 voices strong. What was astounding was that voices from around the globe were brought together. People have an innate need to reach out to each other. People from truly isolated places found connection to the project as well as urban dwellers. The internet is truly a new creative frontier. I was equally inspired by the way creatives from all over Central Florida gathered to share stories of their creative spark. People were connecting, sharing and inspiring each other. Creativity isn’t something only found in the isolation of an artists studio. It is found in conversation and the simple human desire to share. One persons creative spark can inspire others.

Lone Wolf

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The next performer at the Jug-ly Art & Antics fundraiser at the Peacock Room was the Lone Wolf. He set up behind a simplified drum set with a megaphone attached to the base drum. He had a harmonica set up with a brace to hold it to his lips. A tin can hung below the harmonica perhaps for added acoustics. His voice was raspy and deep. Something about singing into a megaphone made the vocals seem bad ass. I worked quickly trying to capture him in the dim light. His drum set was bright green and he disappeared into bloody reds. His girlfriend stood directly in front of the stage checking her iPhone occasionally. He called out to her once, to help him find the slide for his guitar. He was the quintessential one man band.

Next on the line up were the Kitschy Kittens Burlesque Troupe. Suddenly the room was jam packed. A thick wide and tall gentleman stood right in front of me. Two slender women dressed in German Tyrolean dresses got on stage. They each got a beer out of a cooler and popped off the caps. They began a seductive dance to a beer song. I only caught a glimpse of the one girl when she moved to stage right. Soon frilly under garments were flying into the crowd. John Theisen kept picking them up and putting them back on stage. The girls began to sway and stagger as they sipped and danced. Before I could close my mouth and put a pencil to the page, it was over. The girls bounded off the stage, their shiny symbol shaped pasties bouncing. They gathered their garments and exited stage left. Perhaps I’ll have a clean line of sight and get a sketch next time.

Another band started to set up their equipment on the small stage. They were all young college kids in stone washed cut up jeans. The Getbye was emblazoned on a drum set. I considered another sketch but decided I had enough eye candy for one night. I headed home. I had started the evening thinking I would sketch the Bloody Jug Band. I will have to catch them another night. Hopefully plenty of money was raised for a Gift for Music and the Crealde School of Art.

Jug-ly Art & Antics

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John Theisen from the Bloody Jug band told me about this fundraising event at the Peacock Room. When I got to the Peacock Room I was fascinated by a phosphorescent blue tree in the main bar area. It would have made a great sketch but I heard music in the back room so I headed that way. The pool room had an exhibit of jugs from all over the country. The art exhibit was inspired by Traditional JUG Bands and the Americana Movement. The jugs were on shelves and with the dim lighting it was hard to see the name plates. I lit them up with my iPhone. Some jugs were already sold as indicated by the red dots. Orlando artist Mike Siedsma had his own wall filled with fanciful face jugs.

On a table there were a dozen or so cigar box guitars for sale. The artist, Jim Mitchell, stressed that cigar box guitars have a long, rich history in American music. He handcrafts each instrument one at a time so he is always open to clients individual needs. People were encouraged to pick up the guitars and try them out. John Theisen pointed out to me that the Bloody Jug Band would be using several in performances later that evening. All Proceeds from art sold that evening went to benefit, A Gift for Music and Crealde School of Art.

GT Springer was on stage performing some lively rock and roll covers. At one point several members of the Bloody Jug Band got on stage to join in on the vocals. Someone shouted “Freebird!” As the guitar gods performed, a washtub single string joined in performing in a green spot light.

Play in a Day – Tech

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Play in a Day at the Orlando Shakes, featured 20 actors, 7 writers and 7 directors. A lottery done the day before picked the creative teams for the seven plays. Each play was given a 20-30 minute tech. Tech is when the play is rehearsed in the theater so sound and lighting cues can be worked out. One of the plays referenced the set… “It looks like a children’s theater show gone horribly wrong!” I sketched as the play “Out On Top” written by Kenny Babel was being rehearsed. Kenny wrote the play between 2am and 4am the night before. Elizabeth Murff as the wife, Steven Johnson and Anthony Pyatt as the sons, played family members who just lost their father. The father had died in a freak accident at the opening of LEGO Land. He had climbed a LEGO Empire State Building and fell. A Bank of America skyscraper pierced his heart. In one scene the two boys stood with their hands at their wastes as if at a urinal as they spoke about their father.

Family Road Trip which I had been sketching all day entered the theater to polish their tech. John Connon slipped up on a line and then he shouted, “I f*cked it up ya’ll!” He followed with, “I wanna do art and I wanna get paid!” Both lines are classic Beth Marchall standards, delivered with her distinctive sharp southern drawl. Beth said, “I wanna be famous just so drag queens can play me. Also I wanna make tons of money so I can throw it at talented people.” She walks the walk. Posing for photos with the cast, she compared tattoos with John for Kristen Wheeler behind the camera which made me happy since I had painted the makeshift tattoos on John as a lark using my portable watercolor set.

Soon the theater filled with an audience. Beth stood, “Thank you for coming to Play in a Day and what a long day it has been.” Lindsay Cohen who had written “Welcome to Heaven” sat in my row. She seemed nervous since she had no idea how the audience would react, and she didn’t get to see the development process. When the audience responded with thunderous applause I glanced over and saw her relax.