Artist Critique Series Led by Josh Garrick

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 I was running late getting to the Art and History Museums of Maitland, (210 W. Packwood Avenue, Maitland), for the free monthly art critique series hosted by Josh Garrick. The critiques are held on the fourth Tuesday of every month. Guest Panelists Robin Maria-Pedrero and Terry Hummel joined Josh for at the Germaine Marvel Building. When I got there, the room was packed with people standing behind the back row of folding seats. These critiques seem to be quite popular and gaining momentum. I sat in my artist stool leaning against the wall. Artists of every medium and skill level are encouraged to participate. Josh graciously acknowledged my blog and welcomed me.

Lynn Polley was the artist who was showing her work when I arrived. I quickly blocked her into the sketch but by the time I sketched the work on display on the easels, I had to incorporate other artists pieces. Lynn showed landscapes done in oil. One piece had a very forced perspective. She described the day that she did the plein air painting. She was worried about the angle but then she relaxed and enjoyed the process. Another piece was of the historic Casa Feliz in Winter Park. Another artist, Laura Bates showed a very similar painting of an archway at “The Casa.” Her paintings were filled with warm light. The guy seated in front of me seemed to be the time keeper. He kept waving a sheet of paper that said, one minute to go. All of the critiques were constructive. The point hammered home most often was to keep at it. Some artists had long periods in their life in which they weren’t creating and Josh stressed that they had to work at art even if they weren’t feeling inspired. All the artist’s paintings were on a table against the far wall. I looked at them all to get artists names, but none of the art was signed.

Most of the art shown was representational. The last artist to show her work, Barbara Koepell, had a brown and white painting which she did as she studied the patterns in a tree’s bark. She began to see figures and shapes and she free associated as she worked. Terry Hummel loved the piece as did Maria and Josh. Josh related a story from his time in NYC when he was a teacher as the School of Visual Arts. He was looking at an abstract painting and he didn’t really appreciate it. Silas Rhodes, the founder of SVA, was standing behind him. Silas said, “Why don’t you like abstract art?” Josh was taken aback since he hadn’t voiced his opinion. Silas then told Josh, “Let the painting wash over you like the waves in the ocean.” It was a defining moment for Josh on his road to art appreciation. I attended SVA but never met Silas. Now I wish I had. It’s never too late to change your perspective..

Several times, the importance of using social media to promote art was mentioned. Josh however ran into a case in which he had a cyber stalker. He used to “friend” anyone but now he is more careful. After the Critique was over, Josh walked up to me as I was packing up. He reached out to shake my hand. Without thinking, I reached up to shake his hand. I forgot I had a pencil in my hand and I managed to stab his palm. I shouted out, “Oh my god, I’m sorry, I’m like Edward Scissorhands!”

Intrinsic Impact and the Value of Art

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We make art because we believe it makes better human beings.

We make art because we believe it makes being human better.

So why do Arts Organizations spend so much energy quantifying the economics of what they do and so little quantifying the impact? The Arts and Cultural Alliance of Central Florida held  a special workshop, presented by guest speaker Clayton Lord, at the Orlando Science Center (777 East Princeton Street, Orlando). He discussed a new book, Counting New Beans: Intrinsic Impact and the Value of Art, that examines the ways artists, administrators, patrons and funders value and evaluate the art they make and consume. Attendees came from just about every arts Organization in Central Florida.

Clayton discussed the results of a two-year, nationwide research study called “Measuring the Intrinsic Impact of Live Theater” that looked at 18 theater companies across the country, 58 productions, over 20,000 survey responses-all in an effort to increase the field’s understanding of what seeing a piece of theater actually does to someone emotionally, and intellectually. Along with this new book on the national study, the conversation included a discussion of the 24 interviews with artistic leaders and patrons included in the book about the changing relationship of artists and audiences, including an overview of tools all cultural organizations can use to measure their intrinsic impact. One of the funniest moments in the presentation came when Clayton talked about a rather esoteric Shakespeare production. Surveys of the audience resulted with responses like, “What the heck was the play about?” and “What was happening?” Obviously the director missed the mark in getting an emotional response from the audience. When a production does hit the mark, people want to return again and again to experience the emotional impact. In this case the art becomes like a drug, or a great relationship that the audience craves.

This research, a comprehensive and expansive attempt to understand and quantify the impact of a piece of art on an individual (and the impact of that individual on the art), has the potential to really change the conversation about evaluating art.

A new way is needed to measure and talk about the intrinsic impact of an arts experience on an individual.

Arts organizations need to articulate their value to themselves, their patrons, their funders and society-at-large. A bridge needs to be built between anecdotes and numbers.

 The Arts and Cultural Alliance of Central Florida seeks to increase awareness of and engagement in Central Florida’s arts and cultural offerings from residents and visitors through collaborative marketing and sales efforts. The Alliance serves over 360 arts and cultural organizations in the seven counties of Brevard, Lake, Orange, Osceola, Polk, Seminole and Volusia. The Alliance envisions Central Florida as a vibrant, dynamic arts and cultural community recognized as a creative community and destination.

Yarn Bombing

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Jessica Earley hosted a Craft Society Meeting at Urban ReThink, (625 E Central Blvd, Orlando), where she introduced participants to the elusive craft of Yarn Bombing.  Yarn Bombing is a global urban phenomenon in which crafty people are covering urban blight with colorful knitting. It is a soft comfortable form of colorful creative graffiti. A hardcore group of four or five women and one man showed up to knit or crochet the pieces that would ultimately be used to encase the bike rack outside Urban ReThink. As Jessica said in her invite, “Come get your granny on.”

Each person knitted and/or crocheted individual granny squares, or rectangles and then those pieces would be sewn them all together to make one large collaborative piece to cover the earth with. She had a yarn bombing book which showed entire trees covered in a tight warm cozy. The guy was taught a way of knitting in which he simply looped the yarn around his fingers. The result was a loose knit square. Jessica had strips of fabric which were given to each participant so they knew the correct width for each knitted section.

With my sketch done, I went outside where Jessica was sewing the pieces together around the rack. There was a light drizzle which discouraged me from starting a second sketch. A couple had stopped to ask Jessica about what she was doing. He joked, “It would be hard for anyone to complain about what you are doing. Of course if you were feeding people, then you might get arrested.”  Knitting is a slow process but by the time I decided to leave, at least a quarter of the bike rack had been converted into a colorful piece of urban art. Jessica will continue bombing in preparation for “The Corridor Project” which will be sweeping into various Orlando locations soon. Details to come…

Sunday Afternoon Music Improv

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SUNDAY AFTERNOON MUSIC IMPROV featured musicians from Central FL, Jax, and Miami. The session was on August 18th from 3-7PM at Urban ReThink (625 E Central Blvd, Orlando). When I arrived, Dan Reaves and Lucy Bonk were performing on stage using electronics and a wide assortment of found objects. Lucy used several kitchen bowls, using them like gongs. Dan’s instruments were gathered on a sheet of corrugated steel. He used a foot pedal and a dial with his right hand to modulate the electric sounds which sounded like someone scanning a short wave radio for a signal. Several large nuts on a screw were turned and he had a cow bell, a brass bell which he would use for percussive effects. The performance was on the edge of absolute dissonance. At times the beat and rhythm was mesmerizing to sketch to. When they were done, the electronic sound persisted making it hard to know when, or if, to clap.

Four musicians set up on stage with more traditional instruments. They were Dan Kozak, Kris Gruda, Jim Ivy and A.S. Herring. They had a game show spinning wheel which could be spun to decide if the piece performed would be a solo, duo, or quartet. Large foam dice would be rolled just to pick which musician would spin the wheel. A laptop displayed a visual representation of the next performance but I never got a glance at the screen. Various sayings were used to inspire the performances. For instance one was, “Life is a lamp flickering in the wind” and another was “The fallen flower never returns to the tree.” It was a fun idea to help structure the improvisation adding chance and luck into each piece. Perhaps ten to fifteen people were in the audience with new arrivals all the time. As I was getting ready to go, Chris Belt who organizes the Accidental Music Festival ran into the room drenched head to toe from the rain. Nothing will stop people who want to experience something new, cutting edge and different in Orlando.

Granted

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I have three sketches on exhibit this month at City Arts Factory (29 South Orange Avenue). They are part of an exhibit called Granted which is showcasing the work of artists who received grants from United Arts. Between 2009 and 2011, 86 talented artists with a broad range of creative
disciplines including visual arts, film, literature and performing arts,
received grants ranging from $1,000-$2,500 for artistic projects or
training. A total of $97,400 in grants was awarded during the three-year
period in Lake, Orange, Osceola, and Seminole counties. I applied for a
$1,000 grant which paid for most of my sketchbooks and pens last year. I’ve never hung my work in City Arts Factory before because they have a hanging fee. I’ve never seen the point in paying to have my work seen. The good news was that there was no hanging fee for the Granted exhibit. I still had to go to Michael’s to find $8 frames. The show runs through September 15th.

I went to the opening and was immediately drawn to a back gallery that was filled with huge balloons and beach balls. Banks Helfrich had filled the room to promote his upcoming independent feature film called 7 Lives of Chance. There was no one inside so I immediately pushed my way in and found a spot to perch and sketch. Slowly small groups of people were brave enough to push inside. The film’s soundtrack was playing from some speakers on top of a large roll top desk. Benoit Glazer had composed the soundtrack which had a distinctive French, light, breezy and fun air.

A large circular oak table had a pile of balloons that were waiting to be blown up. One guy worked his way under the largest balloon to pose for a photo as Atlas. Immediately after the photo, the balloon popped loudly causing everyone to jump and scream. He apologized profusely to me and I had to explain that I wasn’t in charge.  Periodically as people explored a balloon would pop causing my line or a splash of color to jump. As I left a girl was busy stomping on the smaller balloons with her high heals. Every balloon’s destiny, large or small, was to eventually be popped.

Bat Attack: The Dork Knight Rises

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Every month on the third or fourth Thursday, Sketchy Broads host a sketch session at Austin’s Coffee (929 W. Fairbanks Ave. Winter Park, Fl). This month they dressed up as Batman characters from The Dark Knight Rises. They always come up with stunning outfits.

The modeling session costs $5 to sketch long poses from 6:30 – 8:30

$7 to sketch from 6-8:30 which includes 30 min. of short gestures, and

$10 if you wish to take reference photos.

I arrived and ordered a Yak which is a tasty iced coffee. There were only four of five other artists so it was easy enough to find a seat. I ended up on the big red couch. Sitting back in the cushions, I couldn’t move my elbow much, so I sat on the edge of the couch leaning forward. Two white photographer’s umbrellas lit the scene. Lindsay Boswell was dressed head to toe in black leather as an edgy and hip Cat Woman. It is a shame that Anne Hathaway‘s outfit doesn’t show this much cleavage. Jenny Coyle was dressed in lace stockings, a tight bodice and frilly skirt skirt as a sexy and deranged Arkham City Harley Quinn mental ward nurse.

All my early sketches were tiny thumbnails and then I did a larger sketch towards the end of the session. I’m getting better at choosing the intricate details that are needed while letting other areas stay unresolved. Knowing how long the pose will last was a real luxury. I should get out to these sessions more often. If you are an artist you should come out to these sketch sessions, they are a blast!

Stardust

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I had been invited to the Market Colors Product Launch & Benefit Show at the new Redlight Redlight Beer Parlour (2810 Corrine Dr. Orlando). The event was to start at 7:30PM, and since I got off work at 5PM, I had some time to kill. I decided to get a bite to eat at Stardust Video and Coffee (1842 East Winter Park Road Orlando), which was just a block away. I ordered a humus plate and decided to sketch the Leopard Shark filled room. People gradually filled the bar stools as other patrons worked at their laptops. A group of women sat at a table next to mine and one woman discussed her divorce. As she put it, “Getting divorced is like having a car accident everyday for a month.”

When I was done with the sketch and the humus, I walked over to the new Redlight Redlight. The place was obviously still being refurbished since I could see through the front windows exposed wall studs and gypsum board lying around.  The front door was locked. I checked my watch and it was a little after the event start time. There were supposed to be performances by Chris Burns, The Silver Fleece, Tigerweather, Civil Parish, and Rubox. This was to be the first time people will be able to see, touch, and buy Market Colors products.

The goal of Market Colors is to empower crafts women from Kenya and Malawi in Africa by having them make very marketable iPad, cell phone and laptop cases. This creative endeavour should help these women raise themselves from the status quo of prostitution and AIDS. Proceeds from the event, were to be reinvested toward supporting the crafts women. Market Colors goal is to raise both awareness and funding to best support them.  I jiggled the front door handle again. Oh well, I might have missed a great fundraiser sketch opportunity.

Dr. Phillips Performing Arts Center

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Rachel Steele invited me to go to the Dr. Phillips Performing Arts Center construction site for a hard hat tour. Site supervisors Joe Brown and Joe Westgate met us in one of the construction site trailers. Rachel and I were issued reflective vests and hard hats. I had been instructed to wears long pants and close toed shoes. Since I always wear hiking boots, it was easy to comply.  I was read some safety instructions and then we were off.

We walked the muddy path to the Arts Center’s skeletal structure. With Isaac looming in the Caribbean, Rachel asked how the  construction cranes ride out a hurricane. Joe explained that they are loosened and allowed to swing freely in the wind like a weather vane. Two towers stood apart from the rest of the theater complex. These will one day be stair wells. A large iron grid work structure was being assembled on the ground and it would be raised up to act as a support between the stairwell and the theater entrance. One such structure was already in place. We walked to the southern edge of the site to get a view of the Disney Theater that will seat 2700 people when it is complete. The proscenium was in place but re-bar was still being placed for the seating area. A large orchestra pit was lined in cement and a few balconies were assembled at the back of the hall. This space is intended for amplified performances including concerts, children’s shows and Broadway productions.

A smaller community theater will be in the center of the complex. Seating 300 people, the Jim and Alexis Pugh Theater will have a thrust stage for more intimate productions. A third Multi-Form Music Hall has yet to be started. Seating 1700 people it is impressive in that central seating rows can literally flip over using hydraulics to open up the space and even the walls move to adjust the space. A building was just demolished where this state of the art theater will stand but construction can not begin until more funds are raised.  The city is going to issue bonds to help raise funds. Construction on the two theaters started along with an arts education area and a huge outdoor plaza is slated to be completed by April of 2014. It was exciting to be on site imagining the future. Up in the Arts Center’s offices in the round building on the corner of Anderson and Orange Avenue, I met the Arts Center mascot, a calm white bull dog named Lilly. From the top floor, I had an amazing view of the whole construction site. Dark clouds loomed slate grey behind the city hall as wind whipped sand and grit in my eyes as I leaned into the wind to get back to my car. Children’s art whipped in the wind fluttering on the fence surrounding the site.

2012 Carbon Flow Tour National Championships

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The 2012 Carbon Flow Tour National Championships were held at Fantasy Surf, (5151 Kyngs Health Ave Kissimmee) on August 10th and 11th. The best flow boarders in the world battled it out for a chance at the National Title. Carbon is a company that manufactures the actual flow boards. They had a display in the crowded spectators area. The man working the Carbon table talked to me about possibly transferring one of my sketches to a board. I told him I would be interested and gave him my card. Large bleachers were set up to handle the spectators while the three judges and the announcer sat front and center against the glass.

The FLOW Tour had divisions for
body boarders and flow boarders, men and women, boys and girls, amateur
and professional, young and old. For the past ten years, the FLOW Tour
has traveled to many of the 55+ Flow rider locations throughout the
United States and has inspired an
ever-expanding level of competition among body boarders and flow boarders
around the United States – and it all comes to a head on the FLOW Tour which consisted of 10 stops across 7 different
states. With a prize purse of over $27,000 dollars; it’s no surprise
hundreds of riders from across the country travel with the tour to make
their mark in the flow boarding community.

Competitions required a minimum prize purse of $2500 as well as the
all-important point system. There were 10 events including the National
Championships. Each competitor’s best 6 results, including the
championships, were added together to bestow the 2012 season
champions in their respective divisions.

I found a seat at a table and decided this was to be my best sketch vantage point. Spectators and competitors would often stand obstructing my view of the judges but I would patiently wait for my moment to strike. The Judges were Matti Griffin, Robert Pals and Patrick Boyce. One competitor entered the competition having never been on a flow board. He wiped out again and again much the the amusement of the judges and spectators. Of course most competitors were doing a series of advanced tricks. The air was thick with the sharp smell of chlorine. Since I was nursing a cold, I decided to leave as soon as I finished my sketch to spare my lungs.

Beautiful Beloved

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Kassandra Kharis was an exotic and beautiful local artist who unfortunately chose to leave this world. I never met Kassandra but I did like her dark and mysterious art. On MySpace she had 6818 friends and she reached a Facebook limit with 5656 friends. As she wrote in her Facebook bio, “I
am an indecisive being, but loyal to a fault. An introverted extrovert,
I get anxiety in the most ‘usual’ of places and go into agoraphobia
mode from time to time, so good job we have the Internet, for the people
who can’t stand to be around people, yet don’t want to feel totally
alone either.”

I went to Bombshell’s Tavern, (5405 Edgewater Drive, Orlando), where a charity art event was going to he held in her honor. I went on the wrong date however, but I ordered a beer in her memory and did a sketch anyway. The pool table was active all night with the regular customers joking and competing for hours in this smokey dive bar. The jukebox supplied the 80s tunes. The game was briefly interrupted by the Olympic swimming event on TV.

The Kassandra Kharis Charity Art Event will be held on Wednesday, August 29st, 2012, from 8pm-2am. It is  being held to celebrate the life of our beloved friend and local artist, Kassandra Kharis. All proceeds will go to pay for her memorial services and excess funds will be donated to the American Humane Association in her name, since her love and concern for animal welfare was so great.

There will be Goth, Industrial and Alt Rock spun by DJ Spank,
Burlesque by Grotesque Burlesque, an Art Auction and Raffles of donated prizes.

Cover charge will be donation based only, so all of her friends can attend, but suggested donation is $5 – $10 for those that can contribute towards her fundraiser.
The event will be ALL AGES so that ALL of her friends and family can attend, though after 11pm, the Burlesque performances by Kass’ friends in Grotesque Burlesque will be taking place in the big stage room, which will be 18+ admittance.

Any artists or local businesses who wish to donate items for auction and raffle at the event, or entertainers who would like to perform at the event, please respond here or message, anna@dracofelis.com.

Full donation details can be found here.

 These were some of Kassandra’s favorite quotes…

“Find out what you’re afraid of and go live there.” – Chuck Palahniuk

“The only way to possibly find true happiness is to risk being
completely cut open.”

– C. Palahniuk

“If neurotic is wanting two mutually exclusive things at one and the
same time, then I’m neurotic as hell. I’ll be flying back and forth
between one mutually exclusive thing and another for the rest of my
days” – Sylvia Plath