My Funny Valentine

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My Funny Valentine, hosted by Bryce West and the Friends of the Orlando Philharmonic Orchestra featured a preview performance by Michael Andrews and Swingerhead.  The event began at 7PM at the home of Bryce West. Parking was at the First Baptist Church Windermere, Lakeside Campus (8464 Winter Garden Vineland Rd, Orlando, FL).

When I got to the church parking lot there was a shuttle bus waiting. I climbed in as the only passenger and the took off down a dirt road. We arrived at a gorgeous lake side mansion and after I picked up a name tag, Bryce showed me some of his art collection. He had a portrait of a cleric by Gainsborough in the dining area where food was ready for guests. Another portrait of Marquis Drogheda was by Reynolds. A mysterious dark Dutch painting by Petrov Van Schenbel depicted skaters in a moonlit landscape. The light from a chandelier caused the oil glazes to glare making the painting hard to see.

I set up pool side to sketch the staging area. By the time Michael Andrews performed, the sketch was solidly blocked in. My Funny Valentine will be a concert featuring Michael Andrews, his band Swingerhead, and the Orlando Philharmonic on February 9th at 2PM and 8PM at the Bob Carr. Michael explained to the audience that many of the songs were by Marvin Hamlisch for a new musical of “The Nutty Professor“. The play has been seven years in development. It was just performed in North Carolina and is Broadway bound once the producer gets the finances worked out. Michael has been working with Jerry Lewis to bring this musical to the stage. Michael said he got into entertainment because of Jerry Lewis and now the 86 year old is his mentor. Jerry’s mentor was Charlie Chaplin who took the young comedian under his wing.

Mrs. Warren’s Profession

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The Mad Cow Theatre is staging George Bernard Shaw’s scorching tour de force, “Mrs. Warren’s Profession” which tells the story of Kitty Warren, a mother who makes a terrible sacrifice for her daughter Vivie’s independence. The clash of these two strong-willed but culturally constrained women is the spark that ignites the ironic wit of one of Shaw’s greatest plays. The show runs from February 8 to March 3, 2013.

Sarah Lockard is starring as Vivie and she asked me to come to a rehearsal to sketch the assistant director Melissa Cooper.  I went to the Mad Cow Theatre an hour before the rehearsal was to start so I could get the sketch done before the dress rehearsal. I walked into the theatre and started walking back stage. From behind me I heard “Can I help you?” I explained that I was looking for Melissa. I watched a tech adjusting a stage light from high atop a ladder as I waited. Melissa greeted me and when I mentioned the sketch she lit up. She tried to ask director Eric Zivot where we should do the sketch but he was heading out to get dinner.

Sarah was bringing in a Victorian lace blouse but she hadn’t arrived yet. Melissa sat in a stern hard back wooden chair and I started sketching her portrait as we waited for the blouse. Melissa was posing as Honoria Fraser a character who doesn’t appear in the play, but the final act is staged in her office. Melissa was wearing a black Nike “Just Do It T-shirt and it was hard to resist sketching it. Sarah arrived in a flurry with the blouse. Melissa slipped it on right over her T-shirt and I sketched it in.

The rehearsal was about to start so I lost Melissa as she had to get the stage props set. She returned later and I started adding color. Sketching seems eternally slow when there is so much commotion back stage. Actors started appearing in their period costumes speaking their lines out loud to themselves. The priest seemed quite pleased with the sketch. Eric, the director, however felt she should look more formal. I had enjoyed sketching Melissa’s thin chiseled features so much that I had her smiling. Melissa posed one more time looking stern as she pursed her lips.

The dress rehearsal was a full run through of the play. Sarah was impressive with her haughty high society airs. The set, designed by Lisa Buck functioned as both an exterior and an interior. Between acts furniture was moved and panels added to change the look. I will not revel any story points other than the fact that Kitty Warren’s voice breaks into a crisp street urchin rogue when she discusses her profession with her daughter. It is like watching a high society female Jekyll and Hyde.

Tickets are $34. Seniors and students with ID receive a $2 discount.

Opening Night is February 8, 2012.  Join us for a champagne toast after the performance.

Pay What You Wish Performance is Wednesday February 27 at 8pm.
Tickets are $15.00 in advance and Pay What You Wish at the door. The Pay
What You Wish tickets will be sold only in person at the Box Office
starting at 7pm. Two tickets per transaction only. Tickets are limited
until sold out.

Monday Night Jazz Jam

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On January 7th, I went to the Monday Night Jazz Jam at Terrace 390 (390 N. Orange Ave. Orlando). Saxophonists, Trumpet players and trombonists lines the wall as I entered. Each in turn would step in for an improvised solo when the moment felt right. The Monday Night Jazz Jam features numerous
TOP Musicians and Vocalists.

There’s nothing like it in Central Florida. The place was packed. I decided to just lean against the wall along with the musicians. Several of the musicians knew me so I felt at ease. Miss Jacqueline Jones stepped up to the mic and won the crowd over with her silky voice.

Yvonne Coleman who organized the event acknowledged all the talented musicians and even gave me a shout out. Tip jar donations benefited Dimarci Services, Inc. This non-profit organization helps to promote empowerment to individuals overcoming addiction and mental health challenges and adverse situations which interfere with productive life styles. They also provide community outreach and transitional, sober housing.

As it turned out, Terrace 390 was sold to new owners after this evening’s performance. The new owners want to continue the event but they weren’t certain that new staff, menu, etc.
would be in place for such a large group. The Monday Night Jazz Jams will be on a short hiatus, and will resume in February. The New Owners of Terrace 390 are making some nice enhancements and will be ready to start on Monday, Feb. 18th.  After that
we’ll resume our regular schedule of the 1st and 3rd Mondays of every
month.   They have a GREAT MENU with special food and drink pricing.  No
Cover!

 “Music is what feelings sound like.”
-Author Unknown

Mystery Sketch Theater

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Mystery Sketch Theater, a live model sketch session, is held on the first Wednesday of every month at A Comic Shop
114 (South Semoran Blvd. Suite 6, Winter Park). On February 6th the model will be Ivy Les Vixens. Who’s got more pink frilly things in her closet than
Ivy? Not many, and that’s why she’s back to help us Celebrate
Valentine’s Day at our February session! Ivy is the powerhouse princess pussycat, ringleader of the Les Vixens, a
post-modern burlesque experience. She thrives on glamor, go-go,
glitter & girls. With more than six years entertaining the gay
community, she has established herself as the energizer bunny of the
go-go world, with the sweat, blood and hair flips to prove it. She
performs every Saturday night at Revolution, dances at Rain on Tuesdays,
and travels the country with a multitude of different entertainers,
leaving a trail of sequins and glitter wherever she goes.

A Comic Shop recently received a restaurant license to serve food
and drinks (including wine and beer). We will no longer be able to
bring in outside food and drink (so they don’t get into trouble). Please
feel free to purchase snacks and beverages from them during our
session.


Come
early for a good seat. Those drawing tables go quickly! Sessions
cost only $5 for two hours of drawing fun and prizes, and start promptly
at 8PM at The Geek Easy, located inside of A Comic Shop:

Super Bowl

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On Super Bowl Sunday Terry and I went to the Enzian Theater to see the animated shorts that had been nominated for an Oscar this year. My favorite short was called “Adam and Dog“. It was set in a gorgeous natural paradise. The backgrounds were beautifully painted with bold digital brushwork. The dog explored the world with curiosity. In one scene he playfully chased fire flies. Adam and the dog meet and continue exploring the world together until one day Adam meets Eve. He leaves with her abandoning the dog. The dog eventually finds Adam and Eve as they leave paradise ashamed and wearing clothes. All the animals look on in wonder then disappear into the woods. The dog however goes out to meet the couple. Glen Keene was a consultant for the film which was directed by Minkyu Lee. Disney’s “Paper Man” was a close second on my list.

On the drive home, Terry wanted to scout out a bar where we could watch the Super Bowl. World of Beer had no food, while Bar Louie had descent flat screen TVs and a great menu.  When game time rolled around, we went to Bar Louie (7335 W Sand Lake Rd  Orlando, FL). The place wasn’t very crowded. Terry ordered a huge burger and I had a spinach dip with chips. She was drinking martini’s while I had a Blue Moon with a slice of orange. I finished my sketch by half time. Beyonce wowed the crowd with fireworks and some sexy hip moves. Lights flashed, the stage flamed and I’m pretty sure she was singing for real. The Ravens had dominated the first half. I hadn’t really noticed since I was sketching.

When the second half came, I put the sketch away and started rooting for the 49ers. There was a movie preview for a new J.J. Abrams directed Star Trek movie titled “Into the Darkness.” The lights went black in the stadium. Probably a fuse was blown from the halftime show. I wouldn’t doubt that all of New Orleans might have blacked out. A five minute delay stretched out to half an hour. I got to see replays of all the touchdowns I had ignored in the first half. Most of the patrons left the bar. The 49ers began a steady come back  after the lights came back on and in the last minutes of the game the stood 5 yards away from victory. Four plays at the five yard line resulted in no yards gained. A pass to the corner of the end zone wasn’t caught and I slammed my hand down on the table and shouted sending cutlery and dishes bouncing loudly. They blew it. They had every opportunity and they blew it. It was a tale of two halves and probably the longest Superbowl ever.

PORN Art Exhibit at the Falcon

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For the month of February, local artists are exhibiting PORN Art at the Falcon,(819 E Washington St
Orlando, FL). This exhibit will be up for the entire month of February. I couldn’t resist doing a sketch that ties in with the shows theme. From the event page on Facebook I found a dancer who was interested in posing for the sketch. He put out feelers to see if a female dancer was also willing to pose. The week before the show, I had the dancers pose naked on a futon in the studio. They posed in an sensual embrace and I sketched them feverishly. The sketch worked well. We had time to spare, so we tried a second pose where they embraced sitting up with her in his lap. Unfortunately his leg turned blue and fell asleep. The second pose was a bit too adventurous to hold. I didn’t mind since the first sketch was acceptable.

The opening for PORN was incredibly crowded.  People spilled out into the street. Tr3 Harris told me he was jealous because he knew the models who posed for my sketch. I don’t know how he found out their names, news travels fast in a small town. My sketch is being exhibited in the front room. An odd sculpted bull with a vagina for a head is above my piece. There was a woman wearing a Wonder Woman dress. I cursed myself for not having the room to fit her in the sketch I had started. Wendy Claitor helped me find a decent German beer to sip while I sketched. Morgan Wilson did a whole series of brightly colored slick oil paintings of women in porn. Two bright green women with magenta hair kissed, a purple woman was in a red blind fold, a middle finger was thrust up near a woman’s panties, a purple woman lay recumbent, her breasts thrust up as if she were pulling her nipples. Karen Russell showed a rather tame woman’s portrait that showed some bare shoulders. There was a magnifying glass to allow people to study a small golden sculpture. A man stood with a huge towel hiding his genitals. 3D glasses were available although I didn’t try them out to see if any body parts might thrust out of any canvases. Bernie Martin joined me at my table and he worked on a sketch of a ballerina using watercolor.

Safe porn themed Hollywood movies, like “Boogie Nights“, were being projected. At one point the guy in my sketch stood up and took off his jacket. He shouted, “Porn!” and started unbuttoning his shirt while shaking his hips Elvis style. He stopped after unfastening two buttons and sat back down. In many ways the show seems to have unbuttoned only part of the way. I was hoping to be shocked that Orlando had an undercurrent of lust and impropriety. I’m as guilty as any artist of keeping things PG in this theme park town. At least the show is a bold first step towards pushing the envelope.

Gator’s Dockside

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Terry and I went to Gator’s Dockside, (5142 Dr. Phillips Blvd. Orlando, FL), to watch the football Playoffs with the San Francisco 49ers playing the Atlanta Braves. Surprisingly the place wasn’t very crowded. As the game went on more people gradually filtered in. The guy at the table next to us watched the game alone and he argued with Terry about certain calls the referees made. Very late in the game, his wife and children joined him. Don’t ask me who won the game, I wasn’t facing the large flat screen TVs.

The guy at the table in front of us had an iPad still in its cardboard box. I guess he never takes it out to protect it from harm. He checked the iPad constantly throughout the game. Maybe there is a game statistics site that updates as the game is happening.  His girlfriend was busy talking to friends on her phone. I did my best to avoid catching any one’s gaze as I sketched them. The second you catch someones gaze, they consider that an invitation to see what you are up to and your clandestine cover is blown.

I ordered a Tail Gate Burger and it was so big I couldn’t open my jaw wide enough to take a bite of it. I ended up eating half of it using a knife and fork. The waitress kept me well stocked with Mountain Dew. Whenever there was an uproar I would glance at the TV screen. There was a moment when a players knee gave out and his leg twisted with horrific torque. It was played back repeatedly in slow motion. It was horrible to watch, but obviously I did watch when I could have been sketching. Today is the Super Bowl. I don’t know who is playing but I’ll be there to sketch and watch the commercials.

I just came back from the supermarket where I found out that the Ravens are playing the 49ers based  on all the helium balloons in the produce section.  I’ll be rooting for the 49ers since I like their red and gold uniforms. As a kid I used to get a mini NFL helmet from a gumball machine every Sunday and I always liked the 49ers helmet logo. Mark my words, they can’t lose.

Star Lite Film Festival

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The Star Lite Film Festival, now at the Winter Garden Theatre (160 West Plant Street • Winter Garden, FL), features independent films produced for less than $200,000. Film maker and Festival organizer, Michael Poley invited me to the opening night kick off reception on Thursday January 31st. I got there a bit early, so after I picked up my lanyard, I went next door where Kelly DeWayne Richards was playing piano. The place was called Pillars and it was the opening night. Blue neon laced its way along the curvaceous bar and large stage lights were set up behind the piano. I really wanted to draw but there wasn’t enough time.

A red carpet lead into the reception room. A photographer took shots of people as they arrived in front of the Star Lite poster.  The round tables has tiny golden Oscars, pop corn and incredibly small cards with the schedule printed on them.  The type was an infinitesimal two points in size which made it near impossible to read with the naked eye. Small magnifying glasses were there but the plastic lens distorted the view more than it magnified. Film makers and patrons arrived and soon the room was buzzing with conversation.

At 8pm, Robin Cowie, the producer of the “Blair Witch Project“, will introduce the festival as well as a micro budget film that his company, Haxan, produced called “Midnight Son“, a successful Micro budget Film that received distribution. “Midnight Son” cost $50,000 to shoot and when everything was wrapped, it cost $149,000 in total. Ed Sanchez another Blair Witch contributor was the writer. The film featured a ravenous artist who couldn’t satisfy his hunger. Skin on his arm was horribly burnt from being exposed to sunlight. His night security guard job kept him from ever seeing sun light. He finally realizes that the only thing that could satisfy his hunger was blood. He meets a girl who is addicted to coke but his addiction to blood is kept secret. Every time they get close to intimacy, his blood lust gets in the way. You are left wondering the whole time whether he is a vampire or just anemic. He never gains any supernatural strength or powers, he is just an addict who needs his next blood fix. It sucks to be a vampire.

After the film, Robin took questions from the audience. When asked what he looks for in micro budget films, he responded that he looks for scripts with audacity, he likes writers that take risks, doing something unexpected. More than anything he likes to be surprised. He feels that the new global digital world makes it easier for a film maker to find his audience.

Today, February 2nd, is the third and final day of the festival. There is a full day of films being screened and panel discussions. Go check out some films. Individual tickets are $5-$7.

11:30am  The Racket Boys

1:30pm    Social Media Panel

2:30pm   The Spacewalk

4:30pm   2xUno

6:15pm   Equipment Panel

7:30pm   Waterhole Cove

9:30pm   Less Loss

11:15pm  Awards Ceremony

Miller’s Field

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Terry wanted to go to a sports bar to watch the payoff games. We decided to go to Miller’s Field (7958 Via Dellagio Way Ste 10 Orlando). The Redskins were playing the Seahawks. If you are a football fan then you know who won. If you are a bystander, like me then you don’t really care. As I recall it was a close game with an incredible drive in the final minutes of the game. Banks of flat screen TVs covered every wall of the bar. Terry and I ordered burgers and beer and I settled in to sketch. I would glance up at the TV screens whenever there was an uproar. This place actually has purse hooks at every spot at the bar.

Before I was completely finished with the sketch, the restaurant manager, Craig Miller, informed Terry and I that we would have to move. A large group from Lincoln Financial was going to take over the room. We were pushed aside to a side table and I grudgingly abandoned the sketch. Terry let the manager know that it wasn’t a good practice to push aside paying costumers.  I simply will never go back. Eventually, the financial crowd did show up filling the room. At the end of the game when we got our bill, the manager did take the cost of the drinks off the bill so he did try and make things right. The next weekend Terry and I went out to watch the play off games again. We didn’t return to Miller’s Field.

Monday Night Jazz at Taste

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I have been working a late shift at Full Sail from 5PM to 9PM. That means I’ve had to search for events that go late into the evening. Jazz at Taste (717West Smith Street in College Park) fits the bill. Danny Grudal, Chris Muda and Michael Wells started a set when I arrived. I ordered some crispy tater tots, a beer and got to work. Different musicians joined in for different jams. A saxophone player I had met at Terrace 390’s Jazz event said hello.

This is a great way to relax after a hectic day. Soloists would take the music and improvise their own riff on top of it. When a performer got lost in the moment, the audience at the bar and tables would root him on with laughter, clapping and shouts. It is quite addictive. I nodded my head to the beat and tapped my foot as I sketched. I tried to let the lines flow unhindered.

These Jazz sets happen every Monday Night from about 9PM to 11PM. There is no cover.