Cardboard Art Festival

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On Friday January 24th, I went to TheDailyCity.com Cardboard Art Festival at The Orange Studio, (1121 N. Mills Ave., Orlando, FL.) This was the second year of the Festival and it was bigger and better than ever. The first thing I explored was an interactive wall by Nathan Selikoff. Cardboard tube gutters could be re-arranged on a pegboard to create a gravity maze for colorful wiffle balls. A large cardboard funnel at the top of the wall was always the starting point and it was high enough so you always had to throw the ball up. I missed the shot more than a few times and had to scramble as the ball rolled around on the floor.

Evan and Christie Miga created a huge storybook interactive display that told of an adventure using a series of dioramas and sculptures. There was a large cardboard octopus and a girl riding an immense bird. The wings could be flapped by turning a delicate crank. A moving street scene was depicted in one diorama that had a magnifying lens to amplify the view as you traveled down the street. The illusion was complete when you turned a cardboard tube that represented the street. There was even a Zoetrope that used a cardboard tube with slits in it that when spun, created the illusion of motion from a series of images inside the tube.

Doug Rhodehamel had a large collection of small cardboard robots on display. Nicki Equality Drumb and Rachel Equality Gardner had blue and pink male and female stand up photo ops set up with equality hearts. With supplemental blue mustaches and pink ribbons, everyone wanted their picture taken. Beautiful women wearing couture cardboard dresses strutted through the crowd. John Glassman Gardner was taking pictures of people that he then pasted in the windows of cardboard skyscrapers. Jeff Ferree created four foot tall Gumby like cardboard creatures that were quirky and brightly colored. It was a fun colorful show and once people started drinking and dancing, the place lit up. If you didn’t go, you missed a hell of a good time.

Couples Cooking Class

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Kristen Manieri, of Great Dates Orlando, invited me to sketch a couples cooking class held in the demonstration kitchen above East End Market, (3201 Corrine Dr. Orlando, FL.) I arrived about an hour early to sketch in the layout of the kitchen before the couples arrived. The demonstration was completely sold out. The $120 class fee per couple included utensils, recipes, ingredients
and sit-down dinner for two, but BYOS (bring your own spirits).

Jes Tantalo, East End Market’s Chef-in-Residence, was busy with preperations when Terry and I arrived. Terry went to explore East End Market and then Stardust Video and Coffee while I sketched. We planned to go to Drip on International Drive after my sketch was done. Kristen helped out by making recipe cards for the guests before they arrived. Her iPhone was used to fill the room with romantic Italian music. A large banquet table filled the dining room next to the kitchen. Fresh flowers from the extensive gardens downstairs were put on the table as centerpieces.

The first order of business was to have all the couples create flat bread appetizer perfect for
noshing on while everyone sipped wine and dove into the menu sourced almost
entirely from East End’s gourmet purveyors downstairs. Everyone crowded around the counter that separated the kitchen and dining area. Each couple took some flat bread and spread goat cheese on it, sprinkled some olive oil and then cracked open a tiny dime sized quail egg on top. Fresh arugula, again from the garden downstairs was added as a garish along with a pinch of salt and pepper. One fellow put a mountain of arugula on his flat bread and he was playfully scolded by the other couples. There was plenty of camaraderie and laughter as everyone worked.

The main dish was Poussin, or baby chickens, for each person. All that was required was some seasoning before they were put in the ovens. The flat bread appetizers were done in a flash and then all the couples sat at the table sipping wine and talking. In the kitchen, Jes was still busy cooking fresh local vegetables marinated in Whisky. One adventurous guest was put in charge of cutting up a football sized turnip. I had to close my eyes when he struggled with the first loud slice. Fox 35 News reporter Jackie Orozco introduced herself. She was intrigued by my daily sketch journalism and is considering the idea of reporting about what I do. With the retrospective exhibit coming up, her timing couldn’t be better.

Terry stopped back. I hadn’t started adding color yet. This was a more challenging sketch than usual with so many people crowded in the foreground. When she left I sketched faster. I left before the Poussin came out of the oven. I rushed out to catch up for my own date night, but I was to late. She got a taxi to take her to International Drive to see Drip perform a show with black lights. Perhaps I should have abandoned the sketch. A better person would have done that. As I drove home alone, I realized I was extremely hungry. I hadn’t eaten all day except for tasting one of the flat bread appetizers Kristen had offered me. I pulled into a Subway and ordered a Flatizza which is sort of a flat bread pizza. It wasn’t very exotic, but it filled me up for the moment. Much later I picked Terry up from Drip. Apparently it had been an amazing show. She was soaking wet and covered in paint.

Mark Your Calendar! The next Couples Cooking Class is April 12 from 7pm to 9:30pm at East End Market.

No More Drunken Monkey

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I stopped off at the Drunken Monkey, (444 N Bumby Ave, Orlando, FL.) to meet Terry before heading to a party at Matt Rankin‘s house which was right down the street. The party was for Amanda and Matt Simantov who had just been married. Matt explained that the celebration was known as Ma’sshe Kanut. Ma’shhe Kanut is a Jewish Custom where friends wish the Bride and Groom Farewell before they returned home to their Seattle homeland.

A Traditional Ma’sshe Kanut is held at the friend of the bride. Ancient Rabbinic Law mandates a Fire to burn from the beginning of Ma’sshe Kanut (1 hour after sundown) until the last guest takes a hint that everyone wants to go to bed. If this is your first Ma’sshe Kanut, it is customary to bring Kosher Yuengling, Kosher Doritos, or Kosher something everyone will like.

Terry was running a little late, so I figured I had enough time to dash off a quick sketch over a cup of coffee. As always people sat transfixed, staring at computer screens, but who am I to talk. I’m staring at a computer screen right now. Jessica Pauli who is a band promoter was having a meeting at the next table over. All that I overheard is that the venue being discussed had a large comfortable green room. I wonder if I had sketched in that greenroom?

Terry arrived as the last watercolor washes were drying. We walked together down to Matt’s house. Matt was in the backyard nursing the fire pit. It was a cold night so I rotated periodically like a pig on a spit. Chairs circled the fire and soon everyone arrived. Marshmallows were roasted on sticks.  I had a stick with multiple branches but I only roasted one marshmallow. Brian Feldman had come from Washington D.C. to witness the wedding and after this fireside chat, Amanda and Matt would fly off to Washington State.

It was toward the end of the evening when I discovered that there is no such thing as a Ma’ssh Kanut. Matt had made up the word. That didn’t detract from the warmth and fellowship of the fire. I no longer go to Drunken Monkey since they used one of my sketches without consulting me on their Internet welcome page. I usually support local businesses but I can’t support theft.

Weekend Top 6 Picks

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Saturday March 15, 2014

1pm to 4pm Free. Family Days at the Museum. Maitland Art Museum 231 Packwood Ave W, Maitland, FL. Interactive garden sculpture party with Artists in Action. 2pm Screening of Herb & Dorothy 50X50 film.

2pm to 4pm Free. Train Shots Book Release Party. The official book release party for TRAIN SHOTS, by central Florida’s own Vanessa Blakeslee, presented by Burrow Press and the Urban Think Foundation. Event begins at two. Brief reading and Q&A with author at 2:30 p.m., followed by debut screening of TRAIN SHOTS book trailer, produced by Laputka Films, and book signing. http://burrowpress.com/train-shots

3pm to 5pm Free. Acme’s Urban Toy Art Show. Acme Superstore 905 E. SR 434, Longwood, FL. Art show featuring custom toys, art dolls, designer vinyls with family-friendly activities, face-painting, glitter tattoos, vendors, local professional artists, amateur artists, and student artwork from Millennium Middle School! Custom vinyl and art doll workshops and demos throughout the day! Pam Murray will be doing a demo session from 3pm-5pm working on an assortment of various custom items, while fielding questions and showing techniques on both vinyl pieces and model kits. Followed by the official reception for Millennium Middle School students from 5pm-7pm.

Sunday March 16, 2014

1pm to 3pm Free. Yoga. Every week. Lake Eola near the pagoda.

9pm-11pm Free. Solo Acoustic Spoken Word. Natura Coffee & Tea, 12078 Collegiate Way, Orlando, FL. 407 482-5000.

9pm to 11pm Free. Comedy Open Mic. Austin’s Coffee: 929 W Fairbanks Ave Winter Park, FL. Free comedy show! Come out & laugh, or give it a try yourself.

Utility Box Art

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While driving home from Sam Flax, I noticed this artist painting a utility box in the Mills 50 District. From an article I read, I know that artists are paid $200 to paint a box. That might be enough money to pay for the paint and brushes. This artist was smart since he had a festival tent which kept him out of the scorching Florida sun. He had to maneuver around all the tax refund and foreclosed home signs. He had painted this box once before, but it was taken down when a new 7-11 was constructed on the site.

The weekend before, the auto air conditioning shop across the street caught on fire. He kept painting as fire trucks showed up on the scene. His box depicts urban buildings at odd angles and a single puppy on each panel. You can’t go wrong with painting cute puppies. The box is on the corner of North Ferncreek Avenue and Colonial Drive. Grab a 99 cent big gulp at the 7-11 if you stop by, or glance quickly to the right up Ferncreek if you are driving west on Colonial at 50 miles an hour.

I can’t believe I didn’t write the artists name on the sketch. I did write it in a notebook, but for the life of me, I can’t find it. If you know this artist’s work, please let me know. I might have to drive by and see if the finished box is signed.

John Mahoney

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I met John Mahoney way back in 1994. We were both interns at Disney Feature Animation, going through a six month training session. John always had a rebellious streak and the work he produced was inspired and only a loose interpretation of the projects. For instance, one assignment involved doing the inbetween drawings for an old Goofy animated scene. All the keys were supplied as xeroxes and we just had to add drawings to smooth out the action. It was mind numbing simple work. John created drawings under the animation camera making it seem like the drawings were spontaneously creating themselves.

We both ended up working at Disney but John made his way into the creative development department because of his uncompromising ways. I didn’t realize that he had been forced to work in the effects department, a position that he despised. He essentially began his own private sit down strike, allowing scenes to pile up on his desk. Rather than getting fired, he was given an office in creative development. A perk of the job was that he could order any art supplies he needed. If he wanted to do some watercolors, he could order a complete deluxe set. If he decided to use gouache the next day, the he would order a complete deluxe gouache set.

He did development work for the film “Kingdom in the Sun” which would later be called “The Emperors New Grove.” The film was being pitched to Michael Eisner, Aka Darth Vader. Don Hahn, the films producer gave an amazing in depth story pitch.  Michael wasn’t impressed. He said the film felt like a National Geographic documentary and he said the film couldn’t be made. John had been throwing together a short two minute animation that sort of explained the Mayan Creation myths using spontaneous drawings and loose brushwork. Michael saw that short and the film was saved. It is a shame the final film became so watered down.

John is now deeply committed to using Z-Brush to create fanciful and dark imagery. His quirky sensibility affects every project he tackles. Although he is an amazing draftsman, he is drawn to sculpting which he feels is a more pure and convincing way to portray form. He collects immense loose leaf folders full of artist work that he is inspired by. When he works, he surrounds himself with these inspiring images. When discussing how to pick a color palette, he said he likes to look at how ancient civilizations have used color. These cultures developed their color sensitivities over many centuries so the colors have become established. I am amazed and inspired by his drawings done on location.

Party @ The Plaza

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The Orlando Philharmonic Orchestra has officially bought and moved into the Plaza Live Theater (425 N. Bumby Ave, Orlando, FL). The Plaza Live Theater has a long standing reputation of bringing world renowned musical talent to Orlando. Terry and I have gone here in the past to hear Michelle Shocked, Beau Soleil, The Mummies, and Gordon Lightfoot. The Philharmonic intends to maintain the traditional high standards. Since the new Dr. Phillips Center for the Performing Arts doesn’t have a hall acoustically appropriate for an orchestra, the Plaza will give the Philharmonic a place to rehearse and perform.

The Party @ The Plaza on January 25th was a sort of housewarming and fundraiser for the Orchestra and the Plaza Live. The front parking lot was surrounded by metal barricades to discourage party crashers.  Catering was supplied by Bubbalou’s Bodacious BBQ.  Terry got me a pork and coleslaw “Sunday” that was delicious that I ate while I sketched. The Flat Mountain Band kicked off the evening at 6:30pm on the outdoor stage. There were four other stages inside the Plaza Live and even in the former Russian Ballet School. That ballet school is now in the Mills 50 District. The Dance space was converted into a piano lounge. I went in to listen to Dottie Clendenin perform light classical music. Unfortunately any time the door was opened, the Flat Mountain Bands music would waft in. On top of that, people would stand in the doorway talking while keeping the door ajar. The two musical forms didn’t play well together.

Brian T. Wilson kept Terry company while I sketched. He kept us company throughout the evening. It made us feel like we were the “cool kids” for once. The Jackson Creek String Band performed in the lobby of the Plaza Live. I’m almost certain I’ve heard them perform their lively blend of folk music before. From there, we went into the main stage area where Michael Andrew was performing with his Atomic Big Band. We sat next to Alyson Innes and Jose Fajardo.  Alyson is on the Fringe board with Terry so they always have plenty to gossip about.

Michael introduced David Shillhammer with so much musical gusto that was absolutely hilarious. David pulled raffle tickets for some amazing prizes. Winners ran up onto the stage with as much enthusiasm as you would see on “The Price is Right!” Terry and I mixed it up on the dance floor and then got our photo taken by a Photo Mingle which is a large screen TV that allows people to draw on and manipulate the photo. Photo Mingle was invented by local resident Mike Underwood in his garage.

Whole Hog Butchery Class

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On January 23rd I went to the East End Market, which is part of the Audubon Park Exchange (3201 Corrine Dr. Orlando, FL) to watch chef Tony Adams butcher a hog. Tony is an Award-Winning who founded Big Wheel Provisions and the Big Wheel Food Truck. He offered an in-depth preview of the Big Wheel Whole Hog Dinner that would be served later in the week. In preparation for the dinner, Chef Adams will showed guests how he goes from a whole hog to recipe-ready cut. The live demonstration included the butchering, different preparation techniques, and tastings. Additional hoers d’ oeuvres were be provided, and guests were invited to bring your own beer (BYOB).

Tony noted that this pig didn’t have a bullet hole in it’s forehead so it was likely electrocuted and then had its throat cut so it would bleed out. As a matter of fact he found some electrocution burns at the pig’s neck that further supported that theory. Apparently this is a quick and painless way to die. He stressed his respect for the animal and was grateful that it would offer nourishment. He explained that a good butcher could cut an animal up into its prime cuts within 15 minutes.

The belly, (number 6 on the chart) is where bacon comes from. The loin or New York strip (number 2) is found around the base of the spine just above the hip. Ironically the butt (number 4) isn’t from the pigs butt but rather from the strong upper muscles that support the head. The pigs head was the first thing that he cut off with a few precise incissions with his very sharp knife. The folding table used for the demonstration was a bit wobbly, so it wasn’t the ideal place to butcher the pig.

Tony is actually quite a good artist, because he drew detailed charts that explained the cuts as he did them. He showed how to remove the ribs from the spine with surgical precision. He said, “This looks like a rack of ribs because it IS a rack of ribs.” Hoers d’ oeuvres were prepared in the kitchen by Jes Tantalo using the cuts of meat he had just removed and gusts got to taste the pig even as they watched it butchered. With the sketch done, I stood up and moved in closer with the dozen or so students. I’ve always wanted to sketch a dissection or autopsy so this was the next best thing.

Amanda and Matt Simantov Wedding

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On January 19th Amanda and Matt Simantov were married at Congregation Ohev Shalom Synagogue (613 Concourse Parkway South, Maitland Florida). Terry and I had attended a dinner party as well, but that was on the day of rest, so I wasn’t permitted to sketch. All the men at the wedding were encouraged to wear yamakas which are small caps that just cover the bald spot on a man’s head. Each yamaka came with a hair pin to help hold it in place. I buzz cut my hair, so there wasn’t anything to attach the hair clip to. At the reception before the wedding, I walked around the room like there was a text book balanced on my head. I ordered a soda however and realized that I would have to tip my head back when I drank. A straw would have solved the problem, but I didn’t see any. Whenever I drank, my yamaka would flop off onto the floor.

Plan B. There was a sushi bar. I’ve always found sushi rice to be rather sticky. Rather than eat the sushi I picked up, I dissected it, removing the raw fish and sea weed.  I then took the rice and molded it into a Frisbee shaped disk which I then placed inside the yamaka. I pressed it onto my head and regained my head mobility. As the rice dried, it must have lost its stickiness because just as I entered the Synagogue and looked up at the immense sun lit vaulted ceiling, it popped off again. I sat rice less through the service and avoided tilting my head as I sketched.

Terry and I sat sandwiched between Mark Baratelli and Brian Feldman both of whom claimed that they first introduced the wedding couple. During the service, one of the brides maids must have locked her knees because she nearly fainted and had to be moved to a pew by the brides maids around her. The officiant must have missed all the activity because he didn’t miss a beat.

The reception was also in the Synagogue. The photographer was testing out huge flash umbrellas, one of which war right next to the table Terry and I sat at. The flashes were blinding and constant, so I got up and sat across the room on a couch until the green spots stopped dancing in my vision. Elizabeth Drake Forbes gave a moving speech in which she listed all the amazing events Amanda had attended or helped organize while she was here in Orlando. Amanda had just moved to Seattle to be with Matt and that is where they returned to after the wedding. Amanda hasn’t acclimated herself there yet, so Elizabeth’s speech caused her to cry since she has had to let dear friends go to strike out and create a new life across the continent.

For the first dance, Amanda lip synced to a song by Debbie Gibson titled “Lost in Your Eyes” as she danced with Matt. Couples and friends crowded into a photo booth for regal commemorative shots, and of course there was dancing. When Matt was raised up in a chair for the traditional couples dance, he began to slip forward because the four guys couldn’t support his weight evenly. Terry shouted that I needed to help so I squeezed in and lifted it back up just in time. I wonder what kind of bad luck would have haunted the couple had Matt fallen from the chair. All the guests were given sparklers and they created a tunnel leading to the car as the couple ran from the reception to start their new life as husband and wife.

33 Variations

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On February 25th I went to the Winter Garden Theatre ballroom ( 160 West Plant Street, Winter Garden, Florida) for a Designer Run of the show, 33 Variations, a play written by Moises Kaufman. Stage Manager Jay Ferrence was the first person I met when I entered the ballroom. He informed me that the purple tape marked the front of the stage. Actress Becky Eck entered soon afterwards and introduced herself. She had played Jane in “Alice Lost in Wonderland” and she did an amazing job grounding that production. A designer run is a full run through of the show that gives the set designer an idea of where characters will be blocked during the production. Producer Beth Marshall and director Aradhana Tiwari sat behind a folding table to watch the show. Pianist Julian Bond will be performing Beethoven‘s 33 Variations live on stage in the final production, but for now a recording was used and Julian watched to see how the performers would be moving on the set.

This was a dress rehearsal so some actors were in period outfits from Beethoven’s era and the rest of the cast was wearing modern clothing. Photographer Kristen Wheeler was shooting the show this night and she set up two lights to illuminate the actors. Beth warned her not to shoot the feet of some of the period costumed actors since they didn’t have the right shoes yet.  During the show, Kristen had total access to the stage and she moved around the actors catching every emotional moment while also switching on and off lights to get the shots. It was an impressive ballet that didn’t once phase the actors.

The plot examines the creative process of Beethoven’s obsessive variations build from a rather plane and uninspired composition by Diabelli (Brett P. Carson). At the same time, the play follows musicologist Katherine Brandt (played by Peg O’Keef) who yearns to understand Beethoven’s obsession. Brandt’s relationship with her daughter (Becky Eck) is strained as she succumbs to a disabling Sclerosis and at the same time Beethoven (Chris Gibson) goes deaf. I had watched a number of performers audition for the part of Beethoven and I must say Chris is compelling as the anger driven compulsive composer.

 The musicologist traveled to Vienna to inspect Beethoven’s original sketchbooks. By flipping through the pages she could see his every thought as he composed. She wondered if he might be mocking Diabelli’s composition with his variations or perhaps he just wanted to one-up Bach who had 32 variations. Beethoven’s loss of hearing may have actually helped him break new ground as he reinvented the very process of creation. Though cloaked in anger and bitterness, he found an amazing joy in the process even as the world grew silent. Minor composers like Diabelli could be satisfied and complacent with their insignificant contributions.

One moment in the rehearsal was absolute magic. I stopped sketching and was drawn in to the moment. Katherine Brandt disrobed as if in a doctors office. I imagined she was preparing for an MRI full body scan. She stood in a spotlight facing the audience with her arms out in a Christ like gesture. Beethoven stood behind her and they leaned back to back. His head leaned back on her shoulder and her head leaned back on his shoulder. She closed her eyes and shuddered with quick breaths of ecstasy. I noticed Becky Eck off stage began to cry, and my eyes welled up as well. There is a certain magic that happens when actors are no longer reciting lines, but they are emotionally invested in every moment.

Mark Your Calendars! The show runs from March 14-30, 2014
Fridays at 8pm, Saturdays at 2pm and 8pm, Sundays at 2pm,
PLUS Monday, March 24 at 8pm- INDUSTRY NITE

 Tickets: $25 ($21 students/seniors) BethMarshallPresents.com or GardenTheatre.org